The Sins of the Father

Emma was even less confident about facing her by the time the cab drew up outside the front door and she'd handed over another quarter.

Emma stepped out of the cab, looked up at the imposing, four-storey brownstone and changed her mind several times about knocking on the door. She finally decided to walk round the block, in the hope that she would feel more confident by the time she returned. As she walked down 64th Street, Emma couldn't help noticing that New Yorkers were scurrying back and forth at an unusually frantic pace, with shocked and anxious looks on their faces. Some were looking up at the sky. Surely they didn't believe the next Japanese air raid would be on Manhattan?

A paperboy standing on the corner of Park kept shouting out the same headline, 'America declares war! Read the latest!'

By the time Emma arrived back outside the front door, she had decided she couldn't have picked a worse day to call on her great-aunt. Perhaps it might be wise to return to her hotel and leave it until tomorrow. But why would tomorrow be any different? Her money had almost run out, and if America was now at war, how would she get back to England and, more important, to Sebastian, whom she'd never intended to be apart from for more than a couple of weeks?

She found herself climbing the five steps to face a shiny black door with a large, highly polished brass knocker. Perhaps Great-aunt Phyllis was out. Perhaps she'd moved. Emma was about to knock when she noticed a bell in the wall with the word 'Tradesmen' printed underneath. She pressed the bell, took a pace back and waited, far happier to face the person who dealt with tradesmen.

A few moments later a tall, elegantly dressed man, wearing a black jacket, striped trousers, a white shirt and grey tie, opened the door.

'How may I help you, ma'am?' he enquired, clearly having decided that Emma wasn't a tradesman.

'My name is Emma Barrington,' she told him. 'I wondered if my great-aunt Phyllis is at home.'

'She is indeed, Miss Barrington, Monday being her bridge afternoon. If you'll be kind enough to step inside, I'll let Mrs Stuart know you're here.'

'I could always come back tomorrow, if it isn't convenient,' stammered Emma, but he'd closed the door behind her and was already halfway down the corridor.

As Emma stood waiting in the hall, she couldn't have missed which country the Stuarts hailed from: a portrait of Bonnie Prince Charlie above crossed swords and a Stuart Clan shield hung on the wall at the far end of the hall. Emma walked slowly up and down, admiring paintings by Peploe, Fergusson, McTaggart and Raeburn. She remembered that her grandfather Lord Harvey owned a Lawrence that hung in the drawing room of Mulgelrie Castle. She had no idea what her great-uncle did for a living, but he clearly did it well.

The butler returned a few minutes later, the same impassive look on his face. Perhaps he hadn't heard the news about Pearl Harbor.

'Madam will receive you in the drawing room,' he said.

How like Jenkins he was: no surplus words, an even pace that never varied, and somehow he managed to display deference without being deferential. Emma wanted to ask him which part of England he came from, but knew he would consider that an intrusion, so she followed him along the corridor without another word.

She was about to start climbing the stairs when the butler stopped, pulled back a lift grille and stood aside to allow her to step in. A lift in a private house? Emma wondered if Great-aunt Phyllis was an invalid. The lift shuddered as it reached the third floor and she stepped out into a beautifully furnished drawing room. If it were not for the noise of traffic, blaring horns and police sirens coming from the street below, one might have been in Edinburgh.

'If you'll wait here please, madam.'

Emma remained by the door while the butler walked across the room to join four elderly ladies who were seated around a log fire, enjoying tea and crumpets while listening intently to a radio that had never blared.

When the butler announced, 'Miss Emma Barrington,' they all turned and looked in Emma's direction. She couldn't mistake which one of them was Lord Harvey's sister, long before she rose to greet her: the flaming-red hair, the impish smile and the unmistakable air of someone who isn't first generation.

'It surely can't be little Emma,' she declared, as she left the group and sailed across to her great-niece, the hint of a Highland lilt still in her voice. 'The last time I saw you, dear girl, you were wearing a gymslip, short white socks and daps and carrying a hockey stick. I felt quite concerned for the little boys playing in the opposing team.' Emma smiled; the same sense of humour as her grandfather. 'And now look at you. You've blossomed into such a beautiful creature.' Emma blushed. 'So what brings you to New York, my dear?'

'I'm sorry to intrude like this, Great-aunt,' Emma began, glancing nervously towards the other three ladies.

'Don't worry about them,' she whispered. 'After the President's announcement, they've got more than enough to keep themselves occupied. Now, where are your bags?'

'My bag is at the Mayflower Hotel,' Emma told her.

'Parker,' she said, turning to the butler, 'send someone round to pick up Miss Emma's things from the Mayflower, and then prepare the main guest bedroom because, after today's news, I have a feeling my great-niece is going to be with us for quite some time.' The butler melted away.

'But, Great-aunt - '

'No buts,' she said, raising a hand. 'And I must insist that you stop calling me Great-aunt, it makes me sound like an old battleaxe. Now it's quite possible that I am an old battleaxe, but I do not wish to be reminded of it on a regular basis, so, please, call me Phyllis.'

'Thank you, Great-aunt Phyllis,' Emma said.

Phyllis laughed. 'I do so love the English,' she said. 'Now come and say hello to my friends. They will be fascinated to meet such an independent young lady. So frightfully modern.'

The Sins of the Father

'Quite some time' turned out to be more than a year, and as each day passed, Emma was more and more desperate to be reunited with Sebastian, but was only able to follow her son's progress from letters sent by her mother, and occasionally Grace. Emma wept when she learned of the death of 'Gramps', because she'd thought he'd live for ever. She tried not to think about who would take over the company, and assumed her father wouldn't have the nerve to show his face in Bristol.

Phyllis couldn't have made Emma feel more at home if she'd been her own mother. Emma quickly discovered that her great-aunt was a typical Harvey, generous to a fault, and the page defining the words impossible, implausible and impractical must have been torn out of her dictionary at an early age. The main guest bedroom, as Phyllis called it, was a suite of rooms overlooking Central Park, which came as a pleasant surprise after Emma's cramped single room at the Mayflower.

Emma's second surprise was when she came down for dinner on her first evening and found her great-aunt dressed in a flaming-red gown, drinking a glass of whiskey and smoking a cigarette in a long holder. She smiled at the thought of being described as modern by this woman.

'My son Alistair will be joining us for dinner,' she announced before Parker had been given a chance to pour Emma a glass of Harvey's Bristol Cream. 'He's a lawyer and a bachelor,' she added. 'Two disadvantages from which he's most unlikely to recover. But at times he can be quite amusing, if somewhat dry.'