The Nature of the Beast
Page 57“And from there travel just about anywhere,” said Armand.
“Project Babylon,” said Reine-Marie. “The Supergun was for the Iraqis after all.”
“Gun or guns,” said Armand. “He was killed on March 20, 1990, you say?”
“Yes. Why?”
Armand took a few more agitated paces, then stopped and shook his head. “It doesn’t make sense. I know it doesn’t.”
“What doesn’t?”
“John Fleming’s first murder was in the summer of 1990.”
There was a pause as Reine-Marie absorbed that, and tried to compose herself. “Are you suggesting there’s a link? How could there be?”
Armand sat down, his knees touching hers. “Gerald Bull built Project Babylon, and etched onto it not just the Whore of Babylon but lines from a psalm, ‘By the waters of Babylon, we sat down and wept.’”
“John Fleming writes a play quoting the same line, or near enough. She Sat Down and Wept.”
“It’s a famous line, Armand.” She tried to sound supportive without sounding patronizing. She could see the intensity in his eyes. “There’ve been lots of literary references to it, even music. Didn’t Don McLean write a song with that lyric?”
Then she saw what he was thinking and felt her concern spike.
“You’re wondering if John Fleming could be Gerald Bull? But surely that couldn’t be hidden.”
He picked up the blacked-out sheets. “You can hide anything, depending on who ‘you’ are.”
Reine-Marie leaned forward and took both his hands in hers. She spoke slowly, quietly. Holding his gaze. “You’ve just been reading the play. It’s brought up all sorts of memories of John Fleming. Do you think it’s possible that your grief for Laurent has somehow gotten all mixed up with the trauma of the Fleming trial? I don’t know what happened there, and maybe one day you’ll tell me, but this isn’t making sense, Armand.” She paused to let her words sink in, penetrate, and perhaps even overpower this delusion. “The two aren’t connected, except by a very common quote from the Bible. Do you see that? Fleming has gotten under your skin, or up your nose,” she smiled, and saw a small upturn at the corners of his mouth, “but however he got there, he’s in your head and you have to get him out. He doesn’t belong there, and he doesn’t belong in the murder of Laurent. It’s just muddying things.”
Armand got up and stood by the fireplace, his back to her, looking at the flames. Then he turned around.“You’re right, of course. John Fleming is in his early seventies now. Far too young to be Gerald Bull. That was foolish of me. My imagination run wild again.”
“Still, I’d like to know more about that play. How it came into the possession of Antoinette’s uncle, for instance.”
“Does it matter? Antoinette said he probably picked it up at a flea market. People collect strange things. Maybe he collected the macabre. Items associated with crimes or criminals.”
“But neither Brian nor Antoinette mentioned a collection,” said Armand. “Why would an engineer who showed no interest at all in the theater buy any script, never mind one by the most brutal killer in the country?”
Reine-Marie stared at him. It was, she had to admit, an interesting question.
He took a deep breath and shook his head, then smiled at her. “You have a lot of patience, ma belle.”
“Not as much as you might think.”
He smiled again. “Nor should you. You’ve put up with all this for far too long. It’s supposed to be over.”
He kissed her and walked to the door, inviting Henri along.
“It has gotten a little crowded in there. Why don’t I meet you at the bistro for tea in, say, twenty minutes?”
“Parfait. By then the eviction notices will have been served.”
CHAPTER 16
It was getting dark by the time the Gamaches returned home from the bistro. They found Ruth in the living room sipping Scotch from a measuring cup and eating leftover casserole while Rosa nibbled on a wild rice salad.
Reine-Marie sat down next to the poet while Armand went into the kitchen to wash up and prepare dinner.
“We’ve been waiting for you.”
Gamache leapt, startled, then grabbed his chest.