The Kill Order

“Could you see the people on it yet?” Mark asks.

“No. They’re obviously underneath. In the cockpit, the bridge, whatever you call it.”

Seems like she knows as much about boats as Mark.

They turn a corner and see Alec and Lana at a section where the windows have been knocked out, the water of the sea lapping against the wall just a foot or so below them outside. The Toad and Misty are sitting on the floor, staring out. Mark hears the boat before he sees it, a coughing, choked sound of engines that have seen better days. Then the battered vessel comes into view past a small building, its back end sunk low into the water as the yacht chugs along. It’s about thirty feet long, fifteen wide, with duct tape and plywood boards covering up scattered holes and split seams. A tinted window with spiderwebs of cracks is like an ominous eye, looking at them as it approaches.

“Do they know we’re here?” Mark asks. He only allows himself to think that these people are coming to rescue them. Bring food and water, at least. “Did you hail them down?”

“No,” Alec answers curtly. “By the looks of it, they’re checking out every building. Scavenging, no doubt. But they’ve seen us by now.”

“I just hope they’re friendly,” Trina whispers, as if she doesn’t want the strangers to hear.

“I’ll fly to the moon and back if these folks are nice,” Alec replies in a completely dead voice. “Stay on your toes, boys and girls. Follow my lead.”

The boat is very close now, its noises filling the air along with the smell of fuel. Mark can see the faint shadow of two people behind the darkened window now, and they both appear to be male. They both have short hair, anyway.

The engines of the yacht cut off and its tail end begins to swing around so that the boat can bump lengthwise against the building. Alec and Lana step back, and Mark notices that at some point the Toad and Misty have scooted all the way to the far wall. Trina, Baxter and Mark are standing in a tight group, the tension clear in their faces.

One of the people from the bridge appears on deck, stepping through a doorway from below. It’s a man, and he’s holding an enormous gun in both hands, the muzzle already pointed at the spectators inside the Lincoln Building. He’s one ugly dude, greasy hair matted to his head, a scruffy beard—the kind that looks like a wild fungus on the neck—and black sunglasses. His skin is filthy and sunburnt, his clothes tattered.

Another person appears, and Mark’s surprised to see it’s a woman with a shaved head. She deals with securing the boat against the wall as her partner steps closer to the broken window where Alec and Lana stand.

“I want to see every single hand,” the man says to them, sweeping his weapon back and forth, pausing for a brief moment on each person. “Two each, up in the air. Go on.”

Most of them do as they’re commanded, except Alec. Mark hopes the man doesn’t do something crazy and get them all shot.

“You really think I’m bluffing?” the stranger says in a raw, scratchy voice. “Do it now or die.”

Alec slowly raises his hands toward the ceiling.

The man with the gun doesn’t seem satisfied. He’s breathing heavier than he should, and staring at Alec through those dark sunglasses. Then he swings his weapon at Baxter and lets loose three quick bursts of fire. The explosions of sound rock the air, and Mark stumbles backward until he slams into the wall of a cubicle. The bullets have torn into Baxter’s chest, spraying red mist everywhere and knocking him onto his back with a hard thud. He doesn’t even scream, death having taken him already. His torso is a mess of blood and mangled skin.

The man takes in a deep pull of air. “Now I expect you’ll do what I say.”

CHAPTER 47

Mark twitched in his sleep and almost woke up. He’d always liked Baxter, liked the kid’s smart-aleck nature and who-cares attitude. To see such a thing done to him …

It was something Mark would probably never get over. Of all the memories that came back to haunt his dreams, that one was the most frequent. And Mark wanted to wake up, wanted to leave it behind again instead of reliving the aftermath of what he’d witnessed and the craziness that followed.

But his body needed the rest and wouldn’t allow it. Sleep pulled him back down into its embrace, with no intention of comforting his troubled mind.

It’s one of those moments when it takes the brain a moment to catch up with the events playing out before your eyes—shock temporarily blocks the path. Mark is on the ground, leaning back at a forty-five-degree angle, his head resting against the wall. Trina has her hands folded against her chest and suddenly screams—a sound like a million frantic crows bursting out of a tunnel. The Toad and Misty have huddled together, their faces masks of terror. Lana and Alec stand straight, their hands still raised. But Mark can see the tension in their muscles.

“Shut up!” the man with the gun yells, spit flying out of his mouth. Trina does, the noise of her scream cutting off like it’s been sliced with a blade. “If I hear one more god-awful sound like that I’ll shoot whoever makes it. Am I understood?”

Trina is trembling, her hands now covering her mouth. Somehow she manages to nod, but her eyes are still glued to the bloody and lifeless Baxter. Mark doesn’t let himself look at the boy. Instead he stares at the man who killed him, hatred clouding his vision.

“All done, boss,” the woman on the boat says. She stands up and wipes her fingers on her filthy pants. She’s tied the yacht to something on the outside—Mark can see the coiled end of a rope—either oblivious or insensitive to the murder her partner has just committed. Or maybe just used to it. “What now?”

“Go get your gun, idiot,” the man answers with a sideways look that leaves no doubt how he has always treated the woman. “Do I need to tell you how to use the bathroom, too?”

Somehow even sadder to Mark than what the guy has just said, the object of his scorn just nods and apologizes. Then she disappears back into the boat for a second, emerging with a similar gun held tightly in both hands. She takes a stance next to her partner and points the weapon at Mark and each of his friends in turn.

“Now here’s how this is going to work,” the man says. “You want to live, then all you have to do is obey. Easy-peasy. We’re here for fuel and food. My guess is you have both, judging by the fact that you aren’t a bunch of walking skeletons. And every building this big has generators. Bring us what we need, and we leave. You can even keep some for yourselves. That’s how loving we are. All we want is our share.”

“Real generous,” Alec says in a low voice.

Mark jumps to his feet as the man brings his weapon up and points it directly at the old man’s face. “No! Stop!”

The stranger swings it to point at Mark, who throws his hands up and scoots back against the cubicle wall. “Please! Just stop it! We’ll get you whatever you want!”

“That’s right, you will, boy. Now move. All of you. Time to go on a little scavenger hunt.” He jerks his weapon in a gesture to get people in motion.

“Be careful not to step on your dead friend,” the woman says.

“Shut up!” her partner lashes back. “Seriously. You get dumber every day.”

“Sorry, boss.”

She’s suddenly a meek little mouse, head hung low. Mark’s heart is still beating a thousand times a minute, but he can’t help feeling sorry for the lady.

The man returns his attention to the others. “Show us where it’s at. I don’t wanna be here all day.”

Mark half expects Alec to do something crazy, but he just begins walking back toward the stairwell. As he passes Mark, he gives him a quick wink. Mark doesn’t know if he should be encouraged or worried.

They march down the hallway, leaving the bloodied form of Baxter behind, prisoners in what has become their castle over the past few weeks. They reach the stairs and start climbing. Boss—that’s the only way Mark can think of the man with the gun now, hearing over and over in his mind the pathetic way his partner saluted him—takes turns poking people in the back as they ascend, making sure they don’t forget who’s armed.

“Just remember what I did to your buddy,” Boss whispers to Mark when it’s his turn to get prodded.

Mark keeps moving, step by step.

*

They spend the next two hours scavenging the Lincoln Building, top to bottom, for food and fuel. Every inch of Mark’s skin is sweating, and his muscles ache from carrying the large containers of generator fuel from the emergency supply room on the thirtieth floor down to the boat. They scour the vending machines, emptying over half of the dwindling stock throughout the many break rooms and other common areas.

The yacht is an oven inside the cabin, which only makes the smell within even worse. As Mark unloads the supplies, he wonders if Boss and his partner have bothered to so much as dip themselves in the warm waters that surround them. They literally live in bathwater—dirty as it may be—yet refuse to bathe. Mark grows more disgusted with the pair on every trip. He also wonders at the biding silence of Alec, who’s worked hard without the slightest sign of rebellion.

They’ve filled almost every spare inch of the vessel when the entire group finds themselves on the twelfth floor—part of one last sweep through the lower half of the building. Boss tells them they can have whatever’s left above that.

The man, still pointing his gun at each of them in turn, is standing next to the windows. The orange sheen of the setting sun paints the glass behind him. His subordinate stands right next to him, looking as blank-minded as ever. Trina is grabbing a few last chip bags and candy bars through the busted cover of a vending machine. The Toad, Misty, Lana, Alec and Darnell are waiting for her, not much to do now. The place is emptied out and each of them is probably like Mark, just counting down the seconds until these people are gone. And hoping no one else dies.

Alec walks toward Boss, holding his hands up in a conciliatory gesture.

“Careful,” the armed man warns. “Now your work’s done, I wouldn’t mind gettin’ a little more target practice. Close-range, even.”

“It’s done, all right,” Alec says in a half growl. “We’re not idiots. We wanted to get that boat loaded first. Ya know, before …”

“Before what?” Boss seems to sense trouble and the muscles of his arms tense; Mark sees his finger tighten on the trigger of the gun.

“This.”

Alec suddenly bursts into motion. His hand shoots forward and smacks the weapon out of Boss’s hands—the gun fires a wayward shot just as it spins away, clattering on the floor. Boss’s partner turns and bolts down the hallway along the bank of windows, as quickly as she’s done anything yet. Lana chases her, even though the other woman is armed. Mark barely has time to notice this before Alec throws his body forward and tackles Boss, the two of them slamming into the glass of the large window.

Everything happens so fast. An icy splintering sound fills the room as cracks branch out from their point of impact. Then the entire pane bursts, exploding into a million pieces just as Alec is trying to get his balance and lift himself off of Boss’s body. Both of them begin to fall, tipping as if in slow motion, leaning toward the water below. Mark is already rushing at them, diving, then sliding across the floor so that he can brace his feet against the window frame for support while reaching for Alec’s arm. He grabs it, grips his fingers, holds tight, but his feet miss and are suddenly in open air. His entire body is about to topple out with Alec and Boss.

Someone grabs him from behind, arms slipping around his chest. Mark holds on to Alec with every ounce of his strength and is looking straight down into the river-street. Boss is falling, madly flailing his arms and legs and screaming. Mark’s arms feel like they may come out of their sockets, but Alec recovers his wits quickly, turns his body and puts his free hand on the bottom sill of the window, begins to hoist himself inside while whoever has captured Mark drags him in as well. It’s the Toad.

Soon they are all standing again, safe. Lana comes charging back down the hallway.

“She got away,” the woman says. “I bet she’s hiding in some closet.”

“Let’s get out of here,” Alec replies, already on the move. Mark and the others follow. “Plan worked perfectly. Got the boat stocked up and now it’s ours for the taking. We’re getting out of the city.”

They find the stairwell, descend rapidly, taking two steps at a time. Mark is sweating and exhausted, and anxious about what they’re planning to do. Leaving the place that has become home in the wake of the sun flares. Venturing out into the complete unknown. He doesn’t know which is stronger, the excitement or the fear.

They make it to the fifth floor, sprint down the hallway, go through the missing window, board the boat.

“Get us loose,” Alec yells to Mark.

Alec and Lana go into the cabin. Darnell, the Toad, Misty and Trina find places to sit up top, looking a little lost and a lot uncertain. Mark begins untying the rope the woman used to secure the yacht earlier. He finally gets the knots loose and pulls in the rope just as the engines come to life and the boat starts moving away from the Lincoln Building. Mark sits on a seat at the tail end of the vessel and twists backward to look up at the towering skyscraper, where the dwindling glow of the day’s sunshine reflects an amber sheen.

Boss suddenly leaps out of the water like a crazed dolphin, his arms slamming onto the back of the boat as he begins to frantically scramble on board. His legs kick and scissor as his hands search for anything to hold on to; he grabs a hook and his muscles bulge as he pulls himself up, water streaming off his body. He has a huge purple bruise covering half his face—the other half is red and angry to match his eyes. ns class="adsbygoogle" style="display:block" data-ad-client="ca-pub-7451196230453695" data-ad-slot="9930101810" data-ad-format="auto" data-full-width-responsive="true">