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The Incomplete Amorist

Page 170

The full sunlight streamed into the room when Betty, her packing done, drew back the curtain. She looked out on the glazed roof of the laundry, the lead roof of the office, the blank wall of the new grocery establishment in the Rue de Rennes. Only a little blue sky shewed at the end of the lane, between roofs, by which the sun came in. Not a tree, not an inch of grass, in sight; only, in her room, half a dozen roses that Temple had left for her, and the white marguerite plant--tall, sturdy, a little tree almost--that Vernon had sent in from the florist's next door but two. Everything was packed. She would say good-bye to Madame Bianchi; and she would go, and leave no address, as she had promised last night.

"Why did you promise?" she asked herself. And herself replied: "Don't you bother. We'll talk about all that when we've got away from Paris. He was quite right. You can't think here."

"You'd better tell the cabman some other station. That cat of a concierge is sure to be listening."

"Ah, right. I don't want to give him any chance of finding me, even if he did say he wanted to marry me."

A fleet lovely picture of herself in bridal smart travelling clothes arriving at the Rectory on Vernon's arm: "Aren't you sorry you misjudged him so, Father?" Gentle accents refraining from reproach. A very pretty picture. Yes. Dismissed.

Now the carriage swaying under the mound of Betty's luggage starts for the Gare du Nord. In the Rue Notre Dame des Champs Betty opens her mouth to say, "Gare de Lyons." No: this is his street. Better cross it as quickly as may be. At the Church of St. Germain--yes.

The coachman smiles at the new order: like the concierge he scents an intrigue, whips up his horse, and swings round to the left along the prettiest of all the boulevards, between the full-leafed trees. Past Thirion's. Ah!

That thought, or pang, or nausea--Betty doesn't quite know what it is--keeps her eyes from the streets till the carriage is crossing the river. Why--there is Notre Dame! It ought to be miles away. Suppose Vernon should have been leaning out of his window when she passed across the street, seen her, divined her destination, followed her in the fleetest carriage accessible? The vision of a meeting at the station: "Why are you going away? What have I done?" The secret of this, her great renunciation--the whole life's sacrifice to that life's idol--honor, wrung from her. A hand that would hold hers--under pretence of taking her bundle of rugs to carry.--She wished the outermost rug were less shabby! Vernon's voice.

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