The Fighting Chance

About four o'clock on the following afternoon Mrs. Mortimer's maid, who had almost finished drying and dressing her mistress' hair, was called to the door by a persistent knocking, which at first she had been bidden to disregard.

It was Mortimer's man, desiring to know whether Mrs. Mortimer could receive Mr. Mortimer at once on matters of importance.

"No," said Leila petulantly. "Tell Mullins to say that I can not see anybody," and catching a glimpse of the shadowy Mullins dodging about the dusky corridor: "What is the matter? Is Mr. Mortimer ill?"

But Mullins could not say what the matter might be, and he went away, only to return in a few moments bearing a scratchy note from his master, badly blotted and still wet; and Leila, with a shrug of resignation, took the blotched scrawl daintily between thumb and forefinger and unfolded it. Behind her, the maid, twisting up the masses of dark, fragrant hair, read the note very easily over her mistress' shoulder. It ran, without preliminaries: "I'm going to talk to you, whether you like it or not. Do you understand that? If you want to know what's the matter with me you'll find out fast enough. Fire that French girl out before I arrive."

She closed the note thoughtfully, folding and double-folding it into a thick wad. The ink had come off, discolouring her finger-tips; she dropped the soiled paper on the floor, and held out her hands, plump fingers spread. And when the maid had finished removing the stains and had repolished the pretty hands, her mistress sipped her chocolate thoughtfully, nibbled a bit of dry toast, then motioned the maid to take the tray and her departure, leaving her the cup.

A few minutes later Mortimer came in, stood a moment blinking around the room, then dropped into a seat, sullen, inert, the folds of his chin crowded out on his collar, his heavy abdomen cradled on his short, thick legs. He had been freshly shaved; linen and clothing were spotless, yet the man looked unclean.

Save for the network of purple veins in his face, there was no colour there, none in his lips; even his flabby hands were the hue of clay.

"Are you ill?" asked his wife coolly.

"No, not very. I've got the jumps. What's that? Tea? Ugh! it's chocolate. Push it out of sight, will you? I can smell it."

Leila set the delicate cup on a table behind her.

"What time did you return this morning?" she asked, stifling a yawn.

"I don't know; about five or six. How the devil should I know what time I came in?"