The Diviners (The Diviners #1)

The roads needed room. They stretched. They roamed and conquered. Past the open ranges. The deer and the antelope. The buffalo. Past the tribes pushed to the sides under the watch of the cross, for this nation has its reservations. They kept pace beside the railroad, that great steel spine of progress, backbone of industry. The cicadas’ song joined the song of the steam-train whistle, the shrill signal of the redbrick factories as they released the sweat-stained workers at five, then took them in again at seven. The coal miners hacked and hauled their load deep underground, one eye ever on the canary. Out west, oil spewed from hard earth, staining everything in money. In the cotton fields, the weeping left their harps upon the trees.

The roads reached the cities. The gleaming cities frantic with ambition, rich in the commerce of longing, a golden paradise of businessmen prophets, billboards advertising the abundance augured on Wall Street, promised by Madison Avenue: “Physicians say Lucky Strikes—they’re toasted for your pleasure!” “Move with the times! Imperial Airways.” “Of course you want Colgate’s Ribbon Dental Cream!” “Studebaker—the automobile with a reputation behind it!” The people sculpted monuments to great men, men who had built the nation, led the armies, their beliefs safely ensconced in marble and granite. The people made idols and tore them down again, baptizing them in ticker tape parades, blessing them in long tears of profit and loss, throwaway tributes tossed with abandon from tall windows, a celebration of the good times that seem as if they will never stop, the land a fatted calf.

The wheel of sky turned toward dusk; the stars were not yet lit. An anxious wind worried the tops of trees into a fretful sway. From back doors, mothers called children in from games of hide-and-seek and kick-the-can to wash up and say grace before supper. The children complained mightily, but the mothers remained firm and the games were left with promises of tomorrow. Street lamps flickered on. The factories, the schools, the halls of justice, the churches fell quiet. A soft evening fog rolled in like a balm of forgetting.

In the graveyards, the dead lay sleeping with eyes open.

The gray man in the stovepipe hat stepped from the mist and surveyed the land. He had not stood there for some time, and much had changed in his absence. Much always changed. His skin was the mottled gray of a moth’s wing. His eyes were narrow and black, his nose sharp, and his lips thin as a new thought. His raggedy coat lay upon him like an undone winding sheet. He shook the dust from its many folds. Crows flew out and up, cawing, into the sky now tinged with the ominous clouds of a coming storm. He spoke to the crows in a whisper. Then he spoke to the trees and the rocks, the rivers and the hills. He spoke in many tongues and in a language beyond words.

In their graves, the dead listened.

The gray man strode into the honey-brown field, letting the stalks tickle the leathery cracks of his palms. The worn shine of his hat reflected a hazy miniature of the land. A rabbit leaped from spot to spot, sniffing for sustenance. Curious, it trundled close to the pointed tip of the gray man’s boot, and the man lifted the startled hare by the scruff of its neck. The rabbit twitched and kicked violently. Quick as a magician’s sleight of hand, the gray man reached through the rabbit’s fur and skin with his long fingers and withdrew its tiny heart, still feverish in its pulsations. The rabbit kicked exactly twice more, a reflex, and then stilled. The man in the stovepipe hat squeezed the heart in his brittle fist. The blood seeped into the fertile ground drop by drop.

The dead heard.

The man in the stovepipe hat closed his eyes and inhaled the sweetness of the air. In his palm, the rabbit’s heart beat faintly.

“The time is now,” he said in a voice as raggedy as his coat.

The heart slipped from his fingers. He threw back his head and raised his long, bloody fingers to the slate-gray sky. The clouds churned. Wind bent the wheat. He spoke the words, and lightning crackled on the tips of his fingers. It arced up and out. The sky was wild with fierce light. A spear of it struck the side of a lone tree and it caught, a burning signal on the great ochre plain seen by no one but the wind, heard by no one but the waking dead.

The man in the stovepipe hat walked across the broken field, toward the sleeping towns and cities, the factories and cotton fields, the train tracks, roads, telephone poles, and ticker-tape parades. Toward the monuments of heroes, toward the longing and disillusion of the people. Light crackled around him as he walked, and behind him, the ground was black as cinders.

SITTING ON TOP OF THE WORLD

At the edge of the fog-shrouded forest, James beckoned. Evie could hear the huh-huh of her breathing as she followed him through the snow and the trees. The smell of pine was strong, the air was crisp, and even in her dream state, Evie was aware that this was different. Wrong. She had never heard her breath or smelled the pine before. Evie brushed a hand over a tree, and the bark was rough against her palm. As before, she followed James down into the clearing, with its doomed soldiers. She looked to the right. The heavy fog thinned at the top enough to show her a crenulated roofline and what looked to be turrets. A castle? Evie wondered.