The Daughter of an Empress
Page 125It was suddenly lively in the garden. Cecil, Paulo's old servant,
approached from the house, with a lantern in his hand.
He comes down the alley with hasty steps, and with an anxious
countenance approaches his master.
"What is it, Cecil?"
"Two letters, sir, that have just arrived. One comes from the hotel
of the Russian legation, and the other from that of the Lord-Cardinal
Bernis."
Paulo shuddered slightly, and his hand involuntarily grasped after the
first letter, but he suddenly constrained himself, and his glance fell
upon Natalie, whose eyes were fixed with curiosity upon the two letters.
"We will first see what the good Cardinal Bernis writes us!" said
indifference.
"Bernis?" asked Natalie. "Is not that the French Cardinal, who is at
the same time a poet, and whom the pope, the great Ganganelli, so dearly
loves?"
"The same," said Paulo, "and besides, the same Cardinal Bernis whom
I had months ago promised to allow the pleasure of making your
acquaintance! He already knows you, Natalie, although he has never yet
seen your fair face; he knows you from what I have told him."
"Oh, let us quickly see what the good cardinal writes!" exclaimed
Natalie, clapping her hands with the impatience of a child.
Count Paulo smilingly broke the seal and read the letter.
service, who listens to every wish you express, in order to fulfil it
without delay! This letter contains an invitation from the cardinal. He
gives a great entertainment to-morrow, and begs of me that I will bring
you to it. The improvisatrice Corilla will also be there!"
"Oh, then I shall see her!" exclaimed the delighted young maiden. "At
length I shall see a poetess! For we shall go to this entertainment,
shall we not, Paulo?"
The count thoughtfully cast down his eyes, and his hand involuntarily
sought the letter in his pocket. An expression of deep care and anxiety
was visible on his features, and Cecil seemed to divine the thoughts of
his master, for he also looked anxious, and a deep sigh escaped from his
by the thought of seeing Corilla, the great improvisatrice, of whom
Carlo, Natalie's music-teacher, had told her so much, and whose fame was
sounded by children and adults in all the streets of Rome.
"We go to this festival, do we not, Paulo?" repeated she, as the count
still continued silent.
Recovering from his abstraction, he said: "Yes, we will go! It is time
that my Natalie was introduced into this circle of influential Romans,
that she may gain friends among people of importance, who may watch over
and protect her when I no longer can!"