The City of Mirrors

I took a seat at the top of the west balcony steps. One of the transit cops gave me a quick eyeball, but as I was now dressed for the part of respectable white-collar professional and was neither asleep nor visibly drunk, he left me alone. I took logistical stock of my surroundings. Grand Central was more than a train station; it was a principal nexus of the city’s substrata, its vast underground world of tunnels and chambers. People by the hundreds of thousands flowed through this place each and every day, most never looking beyond the tips of their own shoes. It was perfect, in other words, for my purpose.

I waited. The hours moved by, and then the days. No one seemed to notice me or, if they did, to care. Too much else was going on.

And then after some unknown interval of time had passed, I heard a sound I had not heard before. It was the sound that silence makes when there is no one left to listen. Night had fallen. I rose from my place on the steps and walked outside. There were no lights burning anywhere; the blackness was so complete I might have been at sea, miles from any shore. I looked up and beheld the most curious of sights. Stars by the hundreds, the thousands, the millions, locked in their slow turning above the empty world, as they had done since time’s beginning. Their pins of light fell upon my face like pattering drops of rain, streaming out of the past. I did not know what I was feeling, only that I felt it; and I began, at last, to weep.

* * *

15

And thus to my woeful tale.

Observe him, a capable young man of passable looks, slender and shaggy-haired, tan from a summer of honest outdoor work, good with math and things mechanical, not without ambition and bright hopes and possessing a solitary, inward-looking personality, alone in his bedroom beneath the eaves as he packs his suitcase of folded shirts and socks and underwear and not much else. The year is 1989; our setting is a provincial town named Mercy, Ohio—famous, briefly, for its precision brassworks, said to produce the finest shell casings in the history of modern warfare, though that, like much else of the town, is long faded. The room, which is to be unoccupied within the hour, is a shrine to the young man’s youth. Here is the display of trophies. Here are the soldier bedside lamp and matching martial-themed curtains; here the shelves of serial novels featuring intrepid trios of underappreciated teenagers whose youthful intellects enable them to solve crimes their elders cannot. Here, tacked to the neutral plaster walls, are the pennants of sports teams and the conundrumous M. C. Escher etching of hands drawing each other and, opposite the sagging single bed, the era-appropriate poster of the erect-nippled Sports Illustrated swimsuit model, beneath whose lubricious limbs and come-hither gaze and barely concealed pudenda the boy has furiously masturbated night after adolescent night.

But the boy: he undertakes his packing with the puzzled solemnity of a mourner at a child’s funeral, which is the scene’s appropriate analogue. The problem is not that he cannot make his belongings fit—he can—but the opposite: the meagerness of the bag’s contents seems mismatched with the grandeur of his destination. Tacked above his cramped little-boy’s desk, a letter gives the clue. Dear Timothy Fanning, it reads on elaborately decorated letterhead with a crimson, shield-shaped emblem and the ominous word VERITAS bespeaking ancient wisdoms. Congratulations, and welcome to the Harvard class of 1993!

It is early September. Outside, an earthbound, misting rain, tinged by summer’s green, hugs the little hamlet of houses and yards and storefront commercial concerns, one of which belongs to the boy’s father, the town’s lone optometrist. This places the boy’s family in the upper reaches of the town’s constricted economics; they are, by the standards of that time and place, well-off. His father is known and appreciated; he walks the streets of Mercy to a chorus of amiable hellos, because who is more admirable and worthy of gratitude than the man who has placed the spectacles upon your nose that enable you to see the things and people of your life? As a child, the boy loved to visit his father’s office and try on all the eyeglasses that decorated the racks and display cases, longing for the day when he would need a pair of his own, though he never did: his eyes were perfect.

“Time to go, son.”

His father has appeared in the door: a short, barrel-chested man whose gray flannel trousers, by gravitational necessity, are held aloft by clip-on suspenders. His thinning hair is wet from the shower, his cheeks freshly scraped by the old-fashioned safety razor he favors despite modern innovations in shaving technology. The air around him sings with the smell of Old Spice.

“If you forget anything, we can always send it to you.”

“Like what?”