The Choir Invisible
Page 32Yes, this property would suit him; it would suit Amy. It was near town; it
was not far from Major Falconer's. He could build his house on the hill-top
where he was lying. At the foot of it, out of its limestone caverns, swelled
a bountiful spring. As he listened he could hear the water of the branch
that ran winding away from it toward the Elkhorn. That would be a pleasant
sound when he sat with her in their doorway of summer evenings. On that
southern slope he would plant his peach orchard, and he would have a
vineyard. On this side Amy could have her garden, have her flowers.
Sloping down from the front of the house to the branch would be their lawn, after he
had cleared away everything but a few of the noblest old trees: under one of
to the ground, he would arrange a wild-grape swing for her, to make good the
loss of the one she now had a" Major Falconer's.
Thus, out of one detail after another, he constructed the whole vision of
the future, with the swiftness of desire, the unerring thoughtfulness of
love; and, having transformed the wilderness into his home, he feasted on
his banquet of ideas, his rich red wine of hopes and plans.
One of the subtlest, most saddening effects of the entire absence of
possessions is the inevitable shrinkage of nature that must be undergone by
those who have nothing to own. When a man, by some misfortune, has suddenly
that quickly follow have their origin in the thought that he never again
shall be able to grasp. To his astonishment, he finds that no small part of
his range of mental activity and sense of power was involved in that
exercise alone. He has not lost merely his hands; much of his inner being
has been stricken into disuse.
But the hand itself is only the rudest type of the universal necessity that
pervades us to take hold. The body is furnished with two; the mind, the
heart, the spirit--who shall number the invisible, the countless hands of
these? All growth, all strength, all uplift, all power to rise in the world
surrounding realities.
Some time, wandering in a thinned wood, you may have happened upon an old
vine, the seed of which had long ago been dropped and had sprouted in an
open spot where there was no timber. Every May, in response to Nature's
joyful bidding that it yet shall rise, the vine has loosed the thousand
tendrils of its hope, those long, green, delicate fingers searching the
empty air. Every December you may see these turned stiff and brown, and
wound about themselves like spirals or knotted like the claw of a frozen
bird.