The Broker
Page 11But amid the rubble was an invisible scheme. The desk's surface was some type of hardwood that had been nicked and marked over the decades. One defect was a small stain of some sort-Marco had decided it was probably ink. It was about the size of a small button and was located almost in the dead center of the desk. Every morning, as he was leaving, he placed the corner of a sheet of scratch paper directly in the center of the ink stain. Not even the most diligent of spies would have noticed.
And they didn't. Whoever sneaked in for the daily sweep had never, not once, been careful enough to place the papers and books back in their precise location.
Every day, seven days a week, even on the weekends when he was not studying, Luigi and his gang entered and did their dirty work. Marco was considering a plan whereby he would wake up one Sunday morning with a massive headache, telephone Luigi, still the only person he talked to on the cell phone, and ask him to fetch some aspirin or whatever they used in Italy. He would go through the ruse of nursing himself, staying in bed, keeping the apartment dark, until late in the afternoon when he would call Luigi again and announce he felt much better and needed something to eat. They would walk around the corner, have a quick bite, then Marco would suddenly feel like returning to his apartment. They would be gone, for less than an hour.
Would someone else handle the sweep?
The plan was taking shape. Marco wanted to know who else was watching him. How large was the net? If their concern was simply to keep him alive, then why would they sift through his apartment every day? What were they afraid of?
They were afraid he would disappear. And why should that frighten them so? He was a free man, perfectly free to move about. His disguise was good. His language skills were rudimentary but passable and improving daily. Why should they care if he simply drifted away? Caught a train and toured the country? Never came back? Wouldn't that make their lives easier?
And why keep him on such a short leash, with no passport and very little cash?
They were afraid he would disappear.
He turned off the lights and opened the door. It was still dark outside under the arcaded sidewalks of Via Fondazza. He locked the door behind him and hurried away, off in search of another early - morning cafe.
Through the thick wall, Luigi was awakened by a buzzer somewhere in the distance; the same buzzer that awakened him most mornings at such dreadful hours.
"What's that?" she said.
"Nothing," he said as he flung the covers in her direction and stumbled, naked, out of the room. He hurried across the den to the kitchen, where he unlocked the door, stepped inside, closed and locked it, and looked at the monitors on a folding table. Marco was leaving through his front door, as usual. And at ten minutes after six, again, nothing unusual about that. It was a very frustrating habit. Damn Americans.
He pushed a button and the monitor went silent. Procedures required him to get dressed immediately, hit the streets, find Marco, and watch him until Ermanno made contact. But Luigi was growing tired of procedures. And he had Simona waiting.
She was barely twenty, a student from Naples, an absolute doll he'd met a week earlier at a club he'd discovered. Last night had been their first together, and it would not be their last. She was already sleeping again when he returned and buried himself under the blankets.
It was cold outside. He had Simona. Whitaker was in Milan, probably still asleep and probably in bed with an Italian woman. There was absolutely no one monitoring what he, Luigi, would do for the entire day. Marco was doing nothing but drinking coffee.
He pulled Simona close and fell asleep.
It was a clear, sunny day in early March. Marco finished a two - hour session with Ermanno. As always, when the weather cooperated, they walked the streets of central Bologna and spoke nothing but Italian. The verb of the day had been "fare," translated as "to do" or "to make," and as far as Marco could tell it was one of the most versatile and overused verbs in the entire language. The act of shopping was "fare la spesa," translated as "to make the expenses, or to do the acquisitions." Asking a question was "fare la domanda," "to make a question." Having breakfast was "fare la colazione," "to do breakfast."
Ermanno signed off a little early, again claiming he had studies of his own to pursue. More often than not, when a strolling lesson came to an end, Luigi made his appearance, taking the handoff from Ermanno, who vanished with remarkable speed. Marco suspected that such coordination was meant to give him the impression that he was always being watched.
They shook hands and said goodbye in front of Feltrineili's, one of the many bookstores in the university section. Luigi appeared from around a corner and offered the usual hearty "Buon giorno. Pranziamo?" Are we having lunch?
"Certamente."
The lunches were becoming less frequent, with Marco getting more chances to dine by himself and handle the menu and the service.
"Ho trovato un nuovo ristorante." I have found a new restaurant.
"Andiamo." Let's go.
It wasn't clear what Luigi did with his time during the course of a day, but there was no doubt he spent hours scouring the city for different cafes, trattorias, and restaurants. They had never eaten at the same place twice.
They walked through some narrow streets and came to Via dell' Indipendenza. Luigi did most of the talking, always in very slow, deliberate, precise Italian. He'd forgotten English as far as Marco was concerned.
''Francesca can't study this afternoon," he said.
"Why not?"
"She has a tour. A group of Australians called her yesterday. Her business is very slow this time of the year. Do you like her?" 'Am I supposed to like her?"
"Well, that would be nice."
"She's not exactly warm and fuzzy."
"Is she a good teacher?"
"Excellent. Her perfect English inspires me to study more."
"She says you study very hard, and that you are a nice man."
"She likes me?"
"Yes, as a student. Do you think she's pretty?"
"Most Italian women are pretty, including Francesca."
They turned onto a small street, Via Goito, and Luigi pointed just ahead. "Here," Luigi said, and they stopped at the door to Franco Rossi's. "I've never been here, but I hear it's very good."
Franco himself greeted them with a smile and open arms. He wore a stylish dark suit that contrasted nicely with his thick gray hair. He took their coats and chatted with Luigi as if they were old friends. Luigi was dropping names and Franco was approving of them. A table near the front window was selected. ''Our best one," Franco said with a gush. Marco looked around and didn't see a bad table.
"The antipasti here are superb," Franco said modestly, as if he hated to brag about his food. "My favorite of the day, however, would be the sliced mushroom salad. Lino adds some truffles, some Parmesan, a few sliced apples..." At that point Franco's words faded as he kissed the tips of his fingers. "Really good," he managed to say with his eyes closed, dreaming.
They agreed on the salad and Franco was off to welcome the next guests. "Who's Lino?" asked Marco.
"His brother, the chef." Luigi dipped some Tuscan bread in a bowl of olive oil. A waiter stopped by and asked about wine. "Certainly," Luigi said. "I'd like something red, from the region."
There was no question about it. The waiter stabbed his pen at the wine list and said, "This one here, a Liano from Imola. It is fantastic." He took a whiff of air just to emphasize the point. Luigi had no choice. "We'll try it."
"We were talking about Francesca," Marco said. "She seems so distracted. Is something wrong with her?"
Luigi dipped some bread in the olive oil and chewed on a large bite while debating how much to tell Marco. "Her husband is not well," he said.
"Does she have children?"
"I don't think so."
"What's wrong with her husband?"
"He's very sick. I think he's older. I've never met him."
II Signore Rossi was back to guide them through the menus, which wasn't really needed. He explained that the tortellini just happened to be the best in Bologna, and particularly superb that day. Lino would be happy to come out of the kitchen and verify this. After the tortellini, an excellent choice would be the veal filet with truffles.
He found her by accident at the Piazza Maggiore. He was having an espresso at an outdoor table, braving the chill in the bright sunshine, after a vigorous thirty-minute walk, when he saw a small group of fair-haired seniors coming out of the Palazzo Comunale, the city's town hall. A familiar figure was leading, a thin, slightly built woman who held her shoulders high and straight, her dark hair falling out from under a burgundy beret. He left one euro on the table and headed toward them. At the fountain of Neptune, he eased in behind the group-ten in all-and listened to Francesca at work. She was explaining that the gigantic bronze image of the Roman god of the sea was sculpted by a Frenchman over a three-year period, from 1563 to 1566. It was commissioned by a bishop under an urban beautification program aimed at pleasing the pope. Legend has it that before he began the actual work, the Frenchman was concerned about the ample nudity of the project-Neptune is stark naked-so he sent the design to the pope in Rome for approval. The pope wrote back, "For Bologna, it's okay."
Francesca was a bit livelier with the real tourists than she was with Marco. Her voice had more energy, her smile came quicker. She was wearing a pair of very stylish eyeglasses that made her look ten years younger. Hiding behind the Australians, he watched and listened for a long time without being noticed.
She explained that the Fontana del Nettuno is now one of the most famous symbols of the city, and perhaps the most popular backdrop for photos. Cameras were pulled from every pocket, and the tourists took their time posing in front of Neptune. At one point, Marco managed to move close enough to make eye contact with Francesca. When she saw him she instinctively smiled, then said a soft "Buon giorno."
"Buon giorno. Mind if I tag along?" he asked in English.
"No. Sorry I had to cancel."
"No problem. How about dinner?"
She glanced around as if she'd done something wrong.
"To study, of course. Nothing more," he said.
"No, I'm sorry," she said. She looked beyond him, across the piazza to the Basilica di San Petronio. "That little cafe over there," she said, "beside the church, at the corner. Meet me there at five and we'll study for an hour."
"Va bene."
The tour continued a few steps to the west wall of the Palazzo Comunale, where she stopped them in front of three large framed collections of black-and-white photos. The history lesson was that during World War II the heart of the Italian Resistance was in and around Bologna. The Bolognesi hated Mussolini and his fascists and the German occupiers, and worked diligently in the underground. The Nazis retaliated with a vengeance-their well-publicized rule was that they would murder ten Italians for every one German soldier killed by the Resistance. In a series of fifty-five massacres in and around Bologna they murdered thousands of young Italian fighters. Their names and faces were on the wall, forever memorialized.
It was a somber moment, and the elderly Australians inched closer to look at the heroes. Marco moved closer too. He was struck by their youthfulness, by their promise that was forever lost-slaughtered for their bravery.
As Francesca moved on with her group, he stayed behind, staring at the faces that covered much of the long wall. There were hundreds, maybe thousands of them. A pretty female face here and there. Brothers. Fathers and sons. An entire family.
Peasants willing to die for their country and their beliefs. Loyal patriots with nothing to give but their lives. But not Marco. No sir. When forced to choose between loyalty and money, Marco had done what he always did. He'd gone for the money. He'd turned his back on his country.
All for the glory of cash.
She was standing inside the door of the cafe, waiting, not drinking anything but, of course, having a smoke. Marco had decided that her willingness to meet so late for a lesson was further evidence of her need for the work.
"Do you feel like walking?" she said before she said hello.
"Of course." He'd walked several miles with Ermanno before lunch, then for hours after lunch waiting on her. He'd walked enough for one day, but then what else was there to do? After a month of doing several miles a day he was in shape. "Where?"
"It's a long one," she said.
They wound through narrow streets, heading to the southwest, chatting slowly in Italian, discussing the morning's lesson with Ermanno. She talked about the Australians, always an easy and amiable group. Near the edge of the old city they approached the Porta Saragozza and Marco realized where he was, and where he was going.
"Up to San Luca," he said.
"Yes. The weather is very clear, the night will be beautiful. Are you okay?"
His feet were killing him but he would never think of declining. "Andiamo," he said. Let's go.
Sitting almost one thousand feet above the city on the Colle della Guardia, one of the first foothills of the Apennines, the Santuario di San Luca has, for eight centuries, looked over Bologna as its protector and guardian. To get up to it, without getting wet or sun burned, the Bolognesi decided to do what they'd always done best - build a covered sidewalk. Beginning in 1674, and continuing without interruption for sixty-five years, they built arches; 666 arches over a walkway that eventually runs for 3.6 kilometers, the longest porticoed sidewalk in the world.
Though Marco had studied the history, the details were much more interesting when they came from Francesca. The hike up was a steady climb, and they paced themselves accordingly. After a hundred arches, his calves were screaming for relief. She, on the other hand, glided along as if she could climb mountains. He kept waiting for all that cigarette smoking to slow her down.
To finance such a grandiose and extravagant project, Bologna used its considerable wealth. In a rare display of unity among the feuding factions, each arch of the portico was funded by a different group of merchants, artisans, students, churches, and noble families. To record their achievement, and to secure their immortality, they were allowed to hang plaques opposite their arches. Most had disappeared over time.
Francesca stopped for a brief rest at the 170th arch, where one of the few remaining plaques still hung. It was known as "la Madonna grassa," the fat Madonna. There were fifteen chapels en route. They stopped again between the eighth and ninth chapels, where a bridge had been built to straddle a road. Long shadows were falling through the porticoes as they trudged up the steepest part of the incline. "It's well lighted at night," she assured him. "For the trip down."
Marco wasn't thinking about the trip down. He was still looking up, still gazing at the church, which at times seemed closer and at other times seemed to be sneaking away from them. His thighs were aching now, his steps growing heavier.
When they reached the crest and stepped from under the 666th portico, the magnificent basilica spread before them. Its lights were coming on as darkness surrounded the hills above Bologna, and its dome glowed in shades of gold. "It's closed now," she said. "We'll have to see it another day."
During the hike up, he'd caught a glimpse of a bus easing down the hill. If he ever decided to visit San Luca again for the sole purpose of wandering through another cathedral, he'd be sure to take the bus.
"This way," she said softly, beckoning him over. "I know a secret path."
He followed her along a gravel trail behind the church to a ledge where they stopped and took in the city below them. "This is my favorite spot," she said, breathing deeply, as if trying to inhale the beauty of Bologna.
"How often do you come here?"
"Several times a year, usually with groups. They always take the bus. Sometimes on a Sunday afternoon I'll enjoy the walk up."
"By yourself?"
"Yes, by myself."
"Could we sit somewhere?"
"Yes, there is a small bench hidden over there. No one knows about it." He followed her down a few steps, then along a rocky path to another ledge with views just as spectacular.
"Are your legs tired?" she asked.
"Of course not," he lied.
She lit a cigarette and enjoyed it as few people could possibly enjoy one. They sat in silence for a long time, both resting, both thinking and gazing at the shimmering lights of Bologna.
Marco finally spoke. "Luigi tells me your husband is very ill. I'm sorry."
She glanced at him with a look of surprise, then turned away. "Luigi told me the personal stuff is off-limits."
"Luigi changes the rules. What has he told you about me?"
"I haven't asked. You're from Canada, traveling around, trying to learn Italian."
"Do you believe that?"
"Not really."
"Why not?"
"Good questions. I have no wife."
"So it's all a lie." Yes.
"What's the truth?"
"I can't tell you." "Good. I don't want to know." "You have enough problems, don't you, Francesca?" "My problems are my business."
She lit another cigarette. "Can I have one of those?" he asked. "You smoke?"
"Many years ago." He picked one from the pack and lit it. The lights from the city grew brighter as the night engulfed them. "Do you tell Luigi everything we do?" he asked. "I tell him very little." "Good."
Teddy's last visit to the White House was scheduled for 10:00 a.m. He planned to be late. Beginning at seven that morning, he met with his unofficial transition team-all four deputy directors and his senior people. In quiet little conferences he informed those he'd trusted for many years that he was on the way out, that it had been inevitable for a long time, that the agency was in good shape and life would go on.
Those who knew him well sensed an air of relief. He was, after all, pushing eighty and his legendary bad health was actually getting worse.
At precisely 8:45, while meeting with William Lucat, his deputy director for operations, he summoned Julia Javier for their Backman meeting. The Backman case was important, but in the scheme of global intelligence it was mid-list.
How odd that an operation dealing with a disgraced former lobbyist would be Teddy's downfall.
Julia Javier sat next to the ever vigilant Hoby, who was still taking notes that no one would ever see, and began matter-of-factly. "He's in place, still in Bologna, so if we had to activate now we could do so."
"I thought the plan was to move him to a village in the countryside, someplace where we could watch him more closely," Teddy said.
"That's a few months down the road."
"We don't have a few months." Teddy turned to Lucat and said, "What happens if we push the button now?"
"It'll work. They'll get him somewhere in Bologna. It's a nice city with almost no crime. Murders are unheard of, so his death will get some attention if his body is found there. The Italians will quickly realize that he's not-what's his name, Julia?"
"Marco," Teddy said without looking at notes. "Marco Lazzeri."
"Right, they'll scratch their heads and wonder who the hell he is."
Julia said, "There's no clue as to his real identity. They'll have a body, a fake ID, but no family, no friends, no address, no job, nothing. They'll bury him like a pauper and keep the file open for a year. Then they'll close it."
"That's not our problem," Teddy said. "We're not doing the killing."
"Right," said Lucat. "It'll be a bit messier in the city, but the boy likes to wander the streets. They'll get him. Maybe a car will hit him. The Italians drive like hell, you know."
"It won't be that difficult, will it?"
"I wouldn't think so."
"And what are our chances of knowing when it happens?" Teddy asked.
Lucat scratched his beard and looked across the table at Julia, who was biting a nail and looking over at Hoby, who was stirring green tea with a plastic stick. Lucat finally said, "I'd say fifty-fifty, at the scene anyway. We'll be watching twenty-four/seven, but the people who'll take him out will be the best of the best. There may be no witnesses."
Julia added, "Our best chance will be later, a few weeks after they bury the pauper. We have good people in place. We'll listen closely. I think we'll hear it later."
Lucat said, "As always, when we're not pulling the trigger, there's a chance we won't know for sure."
"We cannot screw this up, understand? It'll be nice to know that Backman is dead-God knows he deserves it-but the goal of the op eration is to see who kills him," Teddy said as his white wrinkled hands slowly lifted a paper cup of green tea to his mouth. He slurped it loudly, crudely.
Maybe it was time for the old man to fade away in a retirement home.
"I'm reasonably confident," Lucat said. Hoby wrote that down.
"If we leak it now, how long before he's dead?" Teddy asked.
Lucat shrugged and looked away as he pondered the question. Julia was chewing another nail. "It depends," she said cautiously. "If the Israelis move, it could happen in a week. The Chinese are usually slower. The Saudis will probably hire a freelance agent; it could take a month to get one on the ground."
"The Russians could do it in a week," Lucat added.
"I won't be here when it happens," Teddy said sadly. "And no one on this side of the Atlantic will ever know. Promise me you'll give me a call."
"This is the green light?" Lucat asked.
"Yes. Careful how you leak it, though. All hunters must be given an equal chance at the prey."
They gave Teddy their final farewells and left his office. At nine - thirty, Hoby pushed him into the hall and to the elevator. They rode down eight levels to the basement where the bulletproof white vans were waiting for his last trip to the White House.
The meeting was brief. Dan Sandberg was sitting at his desk at the Post when it began in the Oval Office a few minutes after ten. And he hadn't moved twenty minutes later when the call came from Rusty Lowell. "It's over," he said.
"What happened?" Sandberg asked, already pecking at his keyboard.
"As scripted. The President wanted to know about Backman. Teddy wouldn't budge. The President said he was entitled to know everything. Teddy agreed but said the information was going to be abused for political purposes and it would compromise a sensitive operation. They argued briefly. Teddy got himself fired. Just like I told you."
"Wow."
"The White House is making an announcement in five minutes. You might want to watch."
As always, the spin began immediately. The somber-faced press secretary announced that the President had decided to "pursue a fresher course with our intelligence operations." He praised Director Maynard for his legendary leadership and seemed downright saddened by the prospect of having to find his successor. The first question, shot from the front row, was whether Maynard resigned or had been fired.
"The President and Director Maynard reached a mutual understanding."
"What does that mean?"
"Just what I said."
And so it went for thirty minutes.
Sandberg's front-page story the following morning dropped two bombs. It began with the definite confirmation that Maynard had been fired after he refused to divulge sensitive information for what he deemed to be raw political purposes. There was no resignation, no "reaching of a mutual understanding." It was an old-fashioned sacking. The second blast announced to the world that the President's insistence on obtaining intelligence data was directly tied to a new FBI investigation into the selling of pardons. The cash-for-pardon scandal had been a distant rumbling until Sandberg opened the door. His scoop practically stopped traffic on the Arlington Memorial Bridge.
While Sandberg was hanging around the press room, reveling in his coup, his cell phone rang. It was Rusty Lowell, who abruptly said, "Call me on a land line, and do it quickly." Sandberg went to a small office for privacy and dialed Lowell's number at Langley.
"Damn, he's been there a hundred years."
"Thirty-eight to be exact. One of the best men here. A great administrator."
"Who's next?"
"That's a very good question. We're all afraid of the knock on the door."
"Somebody's got to run the agency."
"Ever meet Susan Penn?"
"No. I know who she is, but I never met her."
"Deputy director for science and technology. Very loyal to Teddy, hell we all are, but she's also a survivor. She's in the Oval Office right now. If she's offered the interim, she'll take it. And she'll give up Back - man to get it."
"He is the President, Rusty. He's entitled to know everything."
"Of course. And it's a matter of principle. Can't really blame the guy. He's new on the job, wants to flex his muscle. Looks like he'll fire us all until he gets what he wants. I told Susan Penn to take the job to stop the bleeding."
"So the FBI should know about Backman real soon?"
"Today, I would guess. Not sure what they'll do when they find out where he is. They're weeks away from an indictment. They'll probably just screw up our operation."
"Where is he?"
"Don't know."
"Come on, Rusty, things are different now."
"The answer is no. End of story. I'll keep you posted on the bloodletting."
An hour later, the White House press secretary met with the press and announced the appointment of Susan Penn as interim director of the CIA. He made much of the fact that she was the first female to hold the position, thus proving once again how determined this President was to labor diligently for the cause of equal rights.
Luigi was sitting on the edge of his bed, fully dressed and all alone, waiting for the signal from next door. It came at fourteen minutes after 6:00 a.m.-Marco was becoming such a creature of habit. Luigi walked to his control room and pushed a button to silence the buzzer that indicated that his friend had exited through the front door. A computer recorded the exact time and within seconds someone at Langley would know that Marco Lazzeri had just left their safe house on Via Fondazza at precisely 6:14.
He hadn't trailed him in a few days. Simona had been sleeping over. He waited a few seconds, slipped out his rear door, cut through a narrow alley, then peeked through the shadows of the arcades along Via Fondazza. Marco was to his left, headed south and walking at his usual brisk pace, which was getting faster the longer he stayed in Bologna. He was at least twenty years older than Luigi, but with his penchant for walking miles every day he was in better shape. Plus he didn t smoke, didn't drink much, didn't seem to be interested in ladies and the nightlife, and he'd spent the last six years in a cage. Little wonder he could roam the streets for hours, doing nothing.
He wore the new hiking boots every day. Luigi had not been able to get his hands on them. They remained bug-free, leaving no signal behind. Whitaker worried about this in Milan, but then he worried about everything. Luigi was convinced that Marco might walk for a hundred miles within the city, but he wasnt leaving town. He'd disappear for a while, go exploring or sightseeing, but he could always be found.
He turned onto Via Santo Stefano, a main avenue that ran from the southeast corner of old Bologna into the thick of things around Piazza Maggiore. Luigi crossed over and followed from the other side. As he practically jogged along, he quickly radioed Zellman, a new guy in town, sent by Whitaker to tighten the web. Zellman was waiting on Strada Maggiore, another busy avenue between the safe house and the university.
Zellman's arrival was an indication of the plan moving forward. Luigi knew most of the details now, and was somewhat saddened by the fact that Marco's days were numbered. He wasn't sure who would take him out, and he got the impression that Whitaker didn't know either.
Luigi was praying that he would not be called upon to do the deed. He'd killed two other men, and preferred to avoid such messes. Plus, he liked Marco.
Before Zellman picked up the trail, Marco vanished. Luigi stopped and listened. He ducked into the darkness of a doorway, just in case Marco had stopped too.
He heard him back there, walking a little too heavily, breathing a little too hard. A quick left on a narrow street, Via Castellata, a sprint for fifty yards, then another left onto Via de' Chiari, and a complete change of direction, from due north to due west, a hard pace for a long time until he came to an opening, a small square called Piazza Cavour. He knew the old city so well now, the avenues, alleys, dead ends, intersections, the endless maze of crooked little streets, the names of ever)' square and many of the shops and stores. He knew which tobacco stores opened at six and which waited until seven. He could find five coffee shops that were filled by sunrise, though most waited until daylight. He knew where to sit in the front window, behind a newspaper, with a view of the sidewalk and wait for Luigi to stroll by.
He could lose Luigi anytime he wanted, though most days he played along and kept his trails wide and easy to follow. But it was the fact that he was being watched so closely that spoke volumes.
They don't want me to disappear, he kept saying to himself. And why? Because I'm here for a reason.
He swung wide to the west of the city, far away from where he might be expected to be. After almost an hour of zigzagging through and looping around dozens of short streets and alleys, he stepped onto Via Irnerio and watched the foot traffic. Bar Fontana was directly across the street. There was no one watching it.
Rudolph was tucked away in the rear, head buried low in the morning paper, pipe smoke rising in a lazy blue spiral. They hadn't seen each other in ten days, and after the usual warm greetings his first question was "Did you make it to Venice?"
Yes, a delightful visit. Marco dropped the names of all the places he'd memorized from the guidebook. He raved about the beauty of the canals, the amazing variety of bridges, the smothering hordes of tourists. A fabulous place. Couldn't wait to go back. Rudolph added some of his own memories. Marco described the church of San Marco as if he'd spent a week there.
Where to next? Rudolph inquired. Probably south, toward warmer weather. Maybe Sicily, the Amalfi coast. Rudolph, of course, adored Sicily and described his visits there. After half an hour of travel talk, Marco finally got around to business. "I'm traveling so much, I really have no address. A friend from the States is sending me a package. I gave him your address at the law school. Hope you don't mind."
Rudolph was relighting his pipe. "It's already here. Came yesterday," he said, with heavy smoke pouring out with the words.
Marco's heart skipped a beat. "Was there a return address?"
"Some place in Virginia."
"Good." His mouth was instantly dry. He took a sip of water and tried to conceal his excitement. "Hope it wasn't a problem."
"Not at all."
"I'll swing by later and pick it up."
"I'm in the office from eleven to twelve-thirty."
"Good, thanks." Another sip. "Just curious, how big is the package?
Rudolph chewed on the stem of his pipe and said, "A small cigar box maybe."
A cold rain started at mid-morning. Marco and Ermanno were walking through the university area and found shelter in a quiet little bar. They finished the lesson early, primarily because the student pushed so hard. Ermanno was always ready to quit early.
Since Luigi had not booked lunch, Marco was free to roam, presumably without being followed. But he was careful just the same. He did his loops and backtracking maneuvers, and felt silly as always. Silly or not, they were now standard procedure. Back on Via Zamboni he drifted behind a group of students strolling aimlessly along. At the door to the law school he ducked inside, bounded up the stairs, and within seconds was knocking on Rudolphs half-opened door.
Rudolph was at his ancient typewriter, hammering away at what appeared to be a personal letter. "Over there," he said, pointing to a pile of rubble covering a table that hadn't been cleared in decades. "That brown thing on top."
Marco picked up the package with as little interest as possible. "Thanks again, Rudolph," he said, but Rudolph was typing again and in no mood for a visit. He'd clearly been interrupted.
"Don't mention it," he said over his shoulder, releasing another cloud of pipe smoke.
"Is there a restroom nearby?" Marco asked.
"Down the hall, on your left."
"Thanks. See you around."