Tender Is the Night

She went to the phone and jabbered in a rapid Italian Dick could not understand.

“This telephoning takes time,” he said. “It’s after four and I have an engagement at five. You better go play with Signor Nicotera.”

“Don’t be silly.”

“Then I think that while I’m here you ought to count him out.”

“It’s difficult.” She was suddenly crying. “Dick, I do love you, never anybody like you. But what have you got for me?”

“What has Nicotera got for anybody?”

“That’s different.”

—Because youth called to youth.

“He’s a spic!” he said. He was frantic with jealousy, he didn’t want to be hurt again.

“He’s only a baby,” she said, sniffling. “You know I’m yours first.”

In reaction he put his arms about her but she relaxed wearily backward; he held her like that for a moment as in the end of an adagio, her eyes closed, her hair falling straight back like that of a girl drowned.

“Dick, let me go. I never felt so mixed up in my life.”

He was a gruff red bird and instinctively she drew away from him as his unjustified jealousy began to snow over the qualities of consideration and understanding with which she felt at home.

“I want to know the truth,” he said.

“Yes, then. We’re a lot together, he wants to marry me, but I don’t want to. What of it? What do you expect me to do? You never asked me to marry you. Do you want me to play around forever with half-wits like Collis Clay?”

“You were with Nicotera last night?”

“That’s none of your business,” she sobbed. “Excuse me, Dick, it is your business. You and Mother are the only two people in the world I care about.”

“How about Nicotera?”

“How do I know?”

She had achieved the elusiveness that gives hidden significance to the least significant remarks.

“Is it like you felt toward me in Paris?”

“I feel comfortable and happy when I’m with you. In Paris it was different. But you never know how you once felt. Do you?”

He got up and began collecting his evening clothes—if he had to bring all the bitterness and hatred of the world into his heart, he was not going to be in love with her again.

“I don’t care about Nicotera!” she declared. “But I’ve got to go to Livorno with the company to-morrow. Oh, why did this have to happen?” There was a new flood of tears. “It’s such a shame. Why did you come here? Why couldn’t we just have the memory anyhow? I feel as if I’d quarrelled with Mother.”

As he began to dress, she got up and went to the door.

“I won’t go to the party to-night.” It was her last effort. “I’ll stay with you. I don’t want to go anyhow.”

The tide began to flow again, but he retreated from it.

“I’ll be in my room,” she said. “Good-by, Dick.”

“Good-by.”

“Oh, such a shame, such a shame. Oh, such a shame. What’s it all about anyhow?”

“I’ve wondered for a long time.”

“But why bring it to me?”

“I guess I’m the Black Death,” he said slowly. “I don’t seem to bring people happiness any more.”

XXII

There were five people in the Quirinal bar after dinner, a high- class Italian frail who sat on a stool making persistent conversation against the bartender’s bored: “Si . . . Si . . . Si,” a light, snobbish Egyptian who was lonely but chary of the woman, and the two Americans.

Dick was always vividly conscious of his surroundings, while Collis Clay lived vaguely, the sharpest impressions dissolving upon a recording apparatus that had early atrophied, so the former talked and the latter listened, like a man sitting in a breeze.

Dick, worn away by the events of the afternoon, was taking it out on the inhabitants of Italy. He looked around the bar as if he hoped an Italian had heard him and would resent his words.

“This afternoon I had tea with my sister-in-law at the Excelsior. We got the last table and two men came up and looked around for a table and couldn’t find one. So one of them came up to us and said, ‘Isn’t this table reserved for the Princess Orsini?’ and I said: ‘There was no sign on it,’ and he said: ‘But I think it’s reserved for the Princess Orsini.’ I couldn’t even answer him.”

“What’d he do?”

“He retired.” Dick switched around in his chair. “I don’t like these people. The other day I left Rosemary for two minutes in front of a store and an officer started walking up and down in front of her, tipping his hat.”

“I don’t know,” said Collis after a moment. “I’d rather be here than up in Paris with somebody picking your pocket every minute.”

He had been enjoying himself, and he held out against anything that threatened to dull his pleasure.

“I don’t know,” he persisted. “I don’t mind it here.”

Dick evoked the picture that the few days had imprinted on his mind, and stared at it. The walk toward the American Express past the odorous confectioneries of the Via Nationale, through the foul tunnel up to the Spanish Steps, where his spirit soared before the flower stalls and the house where Keats had died. He cared only about people; he was scarcely conscious of places except for their weather, until they had been invested with color by tangible events. Rome was the end of his dream of Rosemary.