Staked

“Haha. Hahahahaha. Fuck Loki.” I turn to Odin and grin broadly, not caring if it looks as unhinged as it feels to my own muscles. “Am I right?”

CHAPTER 3

While the bathwater ran, I unwrapped one of those laughably small hotel soaps and then looked at the mud caked on Oberon’s fur, especially his belly. It was a David and Goliath situation, but I had little choice except to proceed and hope the wee bar of soap would win.

“All right, buddy, here we go,” I said, starting out by splashing him underneath and then pouring cups of water on his back. “No shaking yourself until we’re through.”

“Hee hee! It tickles, Atticus! Hurry up and distract me.”

“Okay, let’s begin,” I said.

To understand what happened to me, you have to know a little bit of Toronto history first.

I had come to Toronto in the fall of 1953 as a pre-med student. The world had learned a lot about surgery and patching up bodies after shooting the hell out of everything in two world wars and another war in Korea, and I thought I might be able to pick up something useful, so I enrolled in the University of Toronto under the name of Nigel Hargrave, with every intention of staying a few years as an earnest wanna-be doctor. I wound up staying only a few months, and the reason for that is a spooky old building and a tragedy in the nineteenth century.

The University of Toronto was actually a collection of old colleges, many of which were religiously affiliated, and one such college—now the Royal Conservatory of Music on Bloor Street—used to be a Baptist seminary long ago. It’s a red stone Gothic marvel built in 1881, the kind of building where you’re sure the architect was laughing maniacally to himself as he huffed a lungful of lead-based paint fumes. Pointy spires and sharply sloped roofs and large windows. Wood floors that echo and creak when you step on them. And attending the seminary in the late nineteenth century was a young man named Nigel, betrothed to Gwendolyn from Winnipeg, dark of hair and possessed of a jealous eye.

Oberon interrupted my narrative with a question. “Hey, isn’t there a monster named Jealousy, Atticus? You told me about it once, and I remember because it didn’t treat meat well.”

“Oh, yes, that was a Shakespeare thing, from Othello. Jealousy is the green-eyed monster which doth mock the meat it feeds on.”

“Not a sensible monster then.”

“No.”

One summer day way back when—these were the days before automobiles, when people rode around in horse-drawn carriages or else they walked—Gwendolyn was crossing the hard-packed dirt of Bloor Street to pay a visit to her Nigel. She had baked a cake specially, and she had a red dress on with a thin matching shawl about her shoulders. Nigel had bought the dress for her, and she knew he was wearing a gray pinstriped suit she had bought him, and she probably thought privately that the two of them made a very smart couple with excellent taste. But because she was worried about dropping her cake, she didn’t cross the street to the seminary college as quickly as perhaps she should have. And she wasn’t paying attention to her surroundings. That’s why she didn’t even try to get out of the way of the horse and carriage that ran her down—she didn’t see it.

Knocked over and trampled by a quarter-ton animal, then run over by the weighted carriage wheels, ribs broken and bleeding internally inside a restrictive corset, all poor Gwendolyn could think of was getting to see Nigel one more time. She first dragged herself and then got some help to make it to the flat stone steps of the seminary, where she died mere seconds before Nigel emerged to investigate the cries for help. Seeing his fiancée’s pale dead face there and the callous driver of the carriage continuing down Bloor Street as if nothing had happened, he was filled with a rage unbecoming a minister. Everything he cared about had been ripped from him, and he wanted an eye for an eye. Or at least a chance to deliver a good punch to the jaw, or maybe three. So he rashly chased after the man who had run down his girl and eventually caught him. And then he got himself killed, for the driver of that carriage was armed with a revolver and ill-disposed to fisticuffs with a muttonchopped ginger man wearing a gray pinstripe and gold pocket watch.

Nigel’s spirit quite sensibly moved on wherever it was he thought he should go, no doubt missing that he had just been given an object lesson on why it’s better sometimes to turn the other cheek. Gwendolyn, however—she had unfinished business. The horribly mangled cake didn’t matter except as a visible symbol of her undying love. She couldn’t move on until she told Nigel she loved him and heard him say it in return, just one more time. So her spirit moved in to the seminary building, where she searched for him and haunted the building as the Lady in Red for decades afterward.

“Oh, no, this is going to be bad for you,” my hound said as I soaped him up.

“You think?”

“Oh, yeah, you’re doomed.”

“Yes, I am.”

No one had warned me about the Lady in Red before I entered that building in 1953. No reason why they would, really. She was a shy and retiring sort of spirit, looking for a ginger man named Nigel with muttonchops and wearing a gray suit. If you didn’t meet the criteria or catch her feeling sorry for herself, you’d probably never see her. During that time the building was in a sort of limbo, used by the university as an administrative dump and also to proctor certain exams. The Royal Conservatory of Music didn’t take over the building until the 1970s. I had to go there to take exams and on my first visit noticed that many of the rooms were unused and might make ideal rendezvous spots. Such spots were prized by college students because dorms were very closely monitored to prevent “lewd and immoral acts.”

Well, opportunity eventually presented itself and I met a coed who had a strange thing not for muttonchops or gingers but for guys named Nigel. Being fit was just a bonus to her; somehow there was nothing so attractive to her as the name of Nigel Hargrave—she told me it sounded rich and aristocratic. Maybe that’s what she was actually into—aristocracy, I mean, not my name; I never really figured her out. But I was lonely and not particularly principled, so I arranged a meeting at one of those rooms in the old building. The scheduled exams were listed on a bulletin board in the entrance hall, so we chose a room on the second floor, I picked the lock, and we entered to take consensual delight in each other on top of a desk.

And while we were in the middle of those delights, half dressed but fully enthusiastic, Gwendolyn, the Lady in Red, finally discovered a man who bore a striking resemblance to her fiancé, Nigel. That he was in sexual congress with another woman displeased her mightily, and she could not be mistaken—she knew it was her Nigel, because my partner kept shouting that name, and I had the ginger muttonchops and the same gray suit she’d expected him to be wearing that day she came to deliver the lovey-dovey cake. It was at that point that the shy, retiring ghost became a completely unhinged poltergeist. Desks began moving in the room, including the one we were on. Chairs left the floor—wildly inaccurate at first, like the Imperial stormtroopers in Cloud City, but growing closer as a cry of betrayal built and built and effectively killed the mood dead.

My partner stopped calling out my name and appropriately freaked out, dashing half-clothed from the room. I never saw her again.

“NNNNNigel! Hhhhhow could youuuuuu!” a breathy, ethereal voice raged at me.