Red Queen
Page 62“Thank you, Cal,” I murmur, still trying to process Maven’s kiss and, of course, my own impending doom.
Cal walks away, his usually straight back bowed. Each footfall sends a pang of guilt through me, making me remember our dance and our own kiss. I hurt everyone, especially myself.
Maven stares after his fleeing brother. “He does not like to lose. And”—he lowers his voice, now so close to me I can see the tiny flecks of silver in his eyes—“neither do I. I won’t lose you, Mare. I won’t.”
“You’ll never lose me.”
Another lie, and we both know it.
The viewing deck dominates the front of the ship, enclosed by glass stretching from side to side. Brown shapes take form on the riverbank, and the old hill with the arena appears out of the trees. We’re too far from the bank to see anyone properly, but I know my house in an instant. The old flag still flutters on the porch, still embroidered with three red stars. One has a black stripe through it, in honor of Shade. Shade was executed. You’re supposed to rip a star off after that. But they didn’t. They held on to him in their own little rebellion.
I want to point my home out to Maven, to tell him about the village. I’ve seen his life and now I want to show him mine. But the viewing deck is silent, all of us staring at the village as we come closer and closer. The villagers don’t care about you, I want to scream. Only fools will stop to watch. Only the fools will waste a moment on you.
As the boat continues on, I begin to think the whole village might be made of fools. All two thousand of them seem crowded onto the bank. Some stand ankle deep in the river. From this distance, they all look the same. Fading hair and worn clothes, blotchy skinned, tired, hungry—all the things I used to be.
And angry. Even from the boat, I can feel their anger. They don’t cheer or call out our names. No one waves. No one even smiles.
“What is this?” I breathe, expecting no one to answer.
Something tells me this is another mandatory event, like the fights, like the broadcasts. Officers tore sick elders from their beds and exhausted workers from the floor, forcing them to watch us.
A whip cracks somewhere on the bank, followed closely by a woman’s scream. “Stay in line!” echoes over the crowd. Their eyes never falter, staring straight ahead, so still that I can’t even see where the disruption was. What happened to make them so lenient? What has already been done?
Tears prick at my eyes as I watch. There are more cracks and a few babies wail, but no one on the bank protests. Suddenly I’m at the edge of the deck, wanting to burst through the glass with every inch of myself.
“Going somewhere, Mareena?” Elara purrs from her place next to the king. She sips placidly at a drink, surveying me over the rim of her glass.
“Why are you doing this?”
Arms crossed over her magnificent gown, Evangeline eyes me with a sneer. “Why do you care?” But her words fall on deaf ears.
“They know what happened at the Hall, they might even agree with it, so they need to see that we aren’t defeated,” Cal murmurs, his eyes on the riverbank. He can’t even look at me, the coward. “We aren’t even bleeding.”
Another whip cracks and I flinch, almost feeling the lash on my skin. “Did you order them to be beaten as well?”
He doesn’t rise to my challenge, jaw firmly clenched shut. But when another villager cries out, protesting against the officers, he lets his eyes close.
I open my mouth to argue, but the queen bares her teeth. “Perhaps you know of a few who should be made an example of?” she says calmly, gesturing to the shoreline.
The words die in my throat, chased away by her threat. “No, Your Majesty, I don’t.”
“Then stand back and be silent.” Then she grins. “For your time to speak will come.”
This is what they need me for. A moment like this, when the scales could tip out of their favor. But I can’t protest. I can only do as she commands, and watch as my home fades out of sight. Forever.
The closer we get to the capital, the larger the villages become. Soon the landscape fades from lumber and farming communities to proper towns. They center around massive mills, with brick homes and dormitories to house the Red laborers. Like the other villages, their inhabitants stand in the streets to watch us pass. Officers bark, whips crack, and I never get used to it. I flinch every time.
Then the towns are replaced by sprawling estates and mansions, palaces like the Hall. Made of stone and glass and swirling marble, each one seems more magnificent than the last. Their lawns slope to the river, decorated with greenwarden gardens and beautiful fountains. The houses themselves look like the work of gods, each one a different kind of beautiful. But the windows are dark, the doors closed. Where the villages and towns were full of people, these seem devoid of life. Only the flags flying high, one over each structure, let me know someone lives there at all. Blue for House Osanos, silver for Samos, brown for Rhambos, and so on. Now I know the colors by heart, putting faces to each silent home. I even killed the owners of a few.
“River Row,” Maven explains. “The country residences, should a lord or lady wish to escape the city.”
My gaze lingers on the Iral home, a columned wonder of black marble. Stone panthers guard the porch, snarling up at the sky. Even the statues put a chill in me, making me remember Ara Iral and her pressing questions.
“There’s no one here.”
“If only no one had to fight at all.”
He shakes his head. “It does no good to dream.”
We watch in silence as River Row falls behind us and another forest rises up on the banks. The trees are strange, very tall with black bark and dark red leaves. It is deathly quiet, as no forest should be. Not even birdsong breaks the silence, and overhead, the sky darkens, but not from the waning afternoon light. Black clouds gather, hovering over the trees like a thick blanket.
“And what’s this?” Even my voice sounds muffled and I’m suddenly glad for the glass casing over the deck. To my surprise the others have gone, leaving us alone to watch the gloom settle.
Maven glances at the forest, face pulled in distaste. “Barrier trees. They keep the pollution from traveling farther upriver. The Welle greenwardens made them years ago.”
Choppy brown waves foam against the boat, leaving a film of black grime on the gleaming steel hull. The world takes on a strange tint, like I’m looking through dirty glass. The low-lying clouds aren’t clouds at all, but smoke pouring from a thousand chimneys, obscuring the sky. Gone are the trees and the grass—this is a land of ash and decay.