Portrait of a Lady Volume I

She went to the galleries and palaces; she looked at the pictures and statues that had hitherto been great names to her, and exchanged for a knowledge which was sometimes a limitation a presentiment which proved usually to have been a blank. She performed all those acts of mental prostration in which, on a first visit to Italy, youth and enthusiasm so freely indulge; she felt her heart beat in the presence of immortal genius and knew the sweetness of rising tears in eyes to which faded fresco and darkened marble grew dim.

But the return, every day, was even pleasanter than the going forth; the return into the wide, monumental court of the great house in which Mrs. Touchett, many years before, had established herself, and into the high, cool rooms where the carven rafters and pompous frescoes of the sixteenth century looked down on the familiar commodities of the age of advertisement. Mrs. Touchett inhabited an historic building in a narrow street whose very name recalled the strife of medieval factions; and found compensation for the darkness of her frontage in the modicity of her rent and the brightness of a garden where nature itself looked as archaic as the rugged architecture of the palace and which cleared and scented the rooms in regular use. To live in such a place was, for Isabel, to hold to her ear all day a shell of the sea of the past. This vague eternal rumour kept her imagination awake.

Gilbert Osmond came to see Madame Merle, who presented him to the young lady lurking at the other side of the room. Isabel took on this occasion little part in the talk; she scarcely even smiled when the others turned to her invitingly; she sat there as if she had been at the play and had paid even a large sum for her place. Mrs. Touchett was not present, and these two had it, for the effect of brilliancy, all their own way. They talked of the Florentine, the Roman, the cosmopolite world, and might have been distinguished performers figuring for a charity. It all had the rich readiness that would have come from rehearsal. Madame Merle appealed to her as if she had been on the stage, but she could ignore any learnt cue without spoiling the scene--though of course she thus put dreadfully in the wrong the friend who had told Mr. Osmond she could be depended on. This was no matter for once; even if more had been involved she could have made no attempt to shine. There was something in the visitor that checked her and held her in suspense--made it more important she should get an impression of him than that she should produce one herself.