Obsidian Butterfly (Anita Blake, Vampire Hunter #9)
Page 612
IT WAS ONLY AS Edward was searching for a parking spot on the rock-covered parking lot behind Los Cuates that I realized it was a Mexican restaurant. The name should have been a clue, but I just hadn't been paying attention. If my mother had liked Mexican food, she hadn't lived long enough to pass it on to me. Blake was an English name, but before my great-grandfather came through Ellis Island it was Bleckenstien. My idea of ethnic cuisine was wiener schnitzel and sauerbraten. So I was less than enthused as we crossed the gravel to the rear entrance of the restaurant. For someone who didn't like Mexican or southwestern cuisine, I was in the wrong part of the country.
The back entrance led through a long shadowed hall, but the main restaurant was bright with white stucco walls: bright wall hangings, fake parrots dangling from the ceiling, and strings of dried chilies everywhere. Very touristy, which usually means the food won't be authentic or very good. But a lot of the diners were Hispanic and that boded well. Whatever the food, if the actual ethnic group liked the restaurant, then the food was authentic and likely good.
A woman that actually looked Hispanic asked if we'd like a table. Edward smiled and said, "Thanks, but I see our party."
I looked where he was looking and saw Donna at a booth. There were two kids with her, one girl about five or six and a boy in his early teens. Call it a hunch, but I was betting I was about to be introduced to her kiddies. Introduced to Edward's potential step-children. Can you stand it? I was almost sure I couldn't.
Donna stood and gave Edward a smile that would have melted a lesser man into his socks. It wasn't the sex, though that was in there. It was the warmth, the perfect trust that only true love can give you. That first romantic love that may not last, but while it does, wow. I knew that he was probably giving as gooda look as he was getting, but his wasn't real. He didn't mean it. He was lying with his eyes, something I'd only managed to learn recently, and part of me is sad about that. It's one thing to know how to lie, but to be able to lie with your eyes says you are someone not to be trusted. Poor Donna. She was with two of us.
The little girl scooted out of the booth and came running towards us, arms outstretched, chestnut braids flying. She gave a glad shriek of, "Ted!" and flung herself into his arms. Edward scooped her up and tossed her towards the ceiling. She laughed that joyous full-blown sound that children eventually grow out of, as if the world bleeds the joy from them. Unless we're very lucky, the world teaches us to laugh more quietly, more coyly.
The boy just sat staring at us. His hair was the same rich chestnut brown as the girl's, cut short with a wave of bangs that hung into his eyes. The eyes were brown and dark and not friendly. Edward had said the boy was fourteen, but he was one of those boys that look younger. He could have passed for twelve easily. He looked sullen and angry as he watched Edward and Donna hug, the little girl still in Edward's arms so it was a family hug, Edward whispered something in Donna's ear that made her laugh and pull away blushing.
He swung the girl to his other arm and asked, "How's my best girl?"
She giggled and started talking in a high excited voice. She was telling some long complicated story about her day that involved butterflies and a cat and Uncle Raymond and Aunt Esther. I assumed they were the neighbors that had played babysitter for the day.
The boy turned his hostile eyes from Edward to me. The frown did not lessen, but the eyes went from angry to curious, as if I wasn't what he'd expected. I actually get that a lot from men of all ages. I ignored the happy family stuff and held out my hand to him. "I'm Anita Blake."
He gave me his hand half hesitating as if most people didn't offer. His grip was unsure as if he needed practice, but he said, "Peter, Peter Parnell."
I nodded. "Good to meet you." I would have said his mother said good things about him, but that wasn't strictly true, and Peter struck me as someone who respected truth.
He nodded vaguely, eyes flicking to his mother and Edward. He didn't like it, not one little bit, and I didn't blame him. I remembered how I'd felt when my father brought Judith home. I'd never really forgiven my father for marrying her only two years after my mother's death. I hadn't finished my grieving and he was moving on with his life, being happy again. I'd hated him for it and hated Judith more.
Even if Edward had truly been Ted Forrester, and his intentions honorable, it would have been a difficult situation. As it was, it sucked.
Becca was wearing a bright yellow sundress with daisies on it. She had yellow ribbons at the end of each neat braid. The hand she put over her mouth to smother a giggle still had that soft, round baby look to it. She was looking at Edward as if he was the eighth wonder of the world. In that moment I hated Edward, hated that he could lie to the child so completely and not understand that it was wrong.
Something must have shown on my face because Peter was giving me a strange considering look. Not angry, but thoughtful. I forced my face blank and met his eyes. He held my gaze for a few seconds, but finally had to look away. Probably not fair to bring out my full stare on one angry fourteen-year-old boy, but to do less would imply that he was less, and he wasn't, just young. And time would cure that. Donna took Becca back from Edward's arms and turned towards me smiling. "This is Becca."
"Hi, Becca," I said and smiled because she was one of those children that made it easy to smile.
"And this is Peter," she said.
"We've met," I said.
Donna gave a funny look from Peter to me and back to me. I realized she thought we'd literally met before. "We introduced ourselves already," I said.
She relaxed and gave a nervous laugh. "Of course. Silly of me."
"You were just too busy to notice," Peter said, and his voice held what the actual words did not: scorn.
Donna looked at him as if she didn't know what to say, and finally, said, "I'm sorry, Peter."
She shouldn't have apologized. It implied she'd done something wrong, and she hadn't. She didn't know that Ted Forrester was an illusion. She was holding up her end of the bargain for happily ever after. Apologizing makes you sound weak, and from the look on Peter's face Donna needed all the strength she could get.
Donna slid into the booth first, then Becca, and Edward on the outside, with one leg hanging out from the booth. Peter had already sat down in the middle of his side of the booth. I sat down beside him and he didn't move over, so I found enough seat to be comfortable and ended with the line of our bodies touching from shoulder to hip. If he wanted to play sullen teenager with Edward and his mom, great, but I was not playing.
When Peter realized I wasn't moving over, he finally scooted over with a loud sigh that let me know it had been an effort. I did feel sorry for Peter and his plight, but my sympathy is never endless, and the sullen teenager routine might use it up pretty quick.
Becca was sitting happily between her mother and Edward. She was swinging her legs, and her hands were out of sight, maybe holding a hand of each of them. Her contentment was large and complete as if sitting between them not only was she happy, but she felt safe the way you're supposed to feel with your parents. It made my chest tight to see her so pleased with the situation. Edward was right. He couldn't just leave without some explanation. Becca Parnell more than her mother deserved better than that. I watched the little girl sit there and shine between them and wondered what excuse would be good enough. Nothing came to mind.
Awaitress came to the booth, handed plastic menus all around even to Becca which pleased her, and then went away while we looked at them. Peter's first comment was, "I hate Mexican food."
Donna said, "Peter," in a warning voice.
But I added my two cents worth, "Me, too."
Peter looked at me sideways, as if he didn't trust my show of solidarity with him. "Really?"
I nodded. "Really."
"Ted picked the restaurant," he said.
"Think he did it just to be irritating?" I asked.
Peter was looking directly at me, eyes a little wide. "Yeah, I do."
I nodded. "Me, too."
Donna had an open-mouthed astonished look on her face. "Peter, Anita." She turned to Edward. "What are we going to do with the two of them?" Her appealing to Edward for help over such a small thing made me think less of her.
Peter wouldn't meet Edward's gaze, and the boy squirmed just a bit. Edward made him uncomfortable on more than one level. It wasn't just that Edward was doing his mom. It was more than that. Peter was just a little afraid of Edward, and I was betting that he hadn't done anything to earn it. I was betting that Edward had tried very hard to win Peter over as he'd won Becca over, but Peter wasn't having any of it. It had probably started out as just the normal resentment of anyone his mom dated, but the way he sat there now with his gaze carefully avoiding Edward's let me know it was more now, Peter was more nervous than he should have been around Ted, as if he somehow had picked up the real Edward under all the fun and games. It was both good for Peter and bad for him. If he ever guessed the truth and Edward didn't want it known ... Well, Edward was very practical.
One problem at a time. Peter and I bent over our menus and made disparaging comments about nearly every menu item. By the time the waitress had come back with a basket of bread, I'd actually seen him smile twice. My own younger brother Josh had never been sullen, but I'd always gotten along with him. If I ever had children, not that I was planning on it, I wanted boys. I was just more comfortable with them.
The bread wasn't bread, but some fluffed pastry thing called a sopapilla. There was a plastic container of honey on the table especially for them. Donna spread honey on a small corner and ate that. Edward spread honey across one entire end of his bread. Becca put so much honey on her bread that Donna had to take it away from her.
Peter took a sopapilla. "It's the only good part of the meal," he said.
"I don't like honey," I said.
"Me, either, but this isn't bad." He spread a minute amount of honey and ate the small bite he'd spread it on, then repeated the process.
I got one and followed his example. The bread was good, but the honey was very different, stronger, and with an undercurrent that reminded me of sage. "This honey tastes nothing like honey back home."
"It's sage honey," Edward said. "Stronger flavor."
"I'll say." I'd never had anything but clover honey. I wondered if all honey took on the flavor of the plant the bees used. It seemed likely. Learn something new every day. But Peter was right. The sopapillas were good, and the honey wasn't bad in small, nay, microscopic amounts.
I finally ordered chicken enchilada. I mean, what could they possibly do to chicken to make it uneatable. Don't answer that.
Peter had plain cheese enchiladas. Both of us seemed to be going on the less is better plan.
I was on my second sopapilla when everyone else, including Peter, had finished their two a piece, when I saw bad guys come into the restaurant. How did I know they were bad guys? Instinct? Nope, practice.
The first one was six foot and almost obscenely broad through the shoulders. His arms swelled against the sleeves of his T-shirt as if the cloth couldn't contain him. His hair was straight and thick, tied back in a loose braid. I think the braid was for effect because the rest of him was so ethnic, he could have been the poster boy for the American Indian GQ.The cheekbones were high and tight under the dark skin, a slight uptilt to his black eyes, a strong jaw, slender lips. He wore blue jeans that were tight enough that you could tell his lower body had not had the workout that his upper body had. There is only one place where a man will put that much effort into his upper body and ignore his lower: prison. You don't lift weights in prison to get a balanced effect. You lift weights so you look like a complete badass and can hit with everything you got when the time comes. I looked for the next clue, and the tattoos were there. Black barbwire chased the swell of his arms just below the sleeves of the T-shirt.
There were two other men with him, one taller, one shorter. The taller one was in better shape, but the shorter had a wicked-looking scar that nearly bisected his face giving him the more sinister look. All the three of them needed was a sign above their heads that flashed "bad news." Why was I not surprised when they started walking toward us. I looked at Edward and mouthed, "What's up?"
The strangest part was that Donna knew them. I could tell by her face that she knew them and was scared of them. Could this day get any stranger?
13
PETER LET OUT A soft, "Oh, my God."
His face showed fear. He put his angry sullen look up like a mask, but I was close enough to see how wide his eyes were, how his breathing had quickened.
I glanced at Becca, and she had curled back into the seat between Edward and Donna. She peered out around Edward's arm with wide eyes. Everyone knew what was happening except me.
But I didn't have long to wait. The threatening threesome came right up to the booth. I tensed, ready to stand if Edward did, but he stayed seated though his hands were out of sight under the table. He probably had a gun out. I dropped my napkin accidentally on purpose and when I came out from under the table, the napkin was in one hand, and the Browning Hi-Power was in the other. The gun was under the table out of sight, but it was pointed at the bad guys. From under the table the shot probably wouldn't kill anyone, but it would make a big hole in someone's leg, or groin, depending on how tall the person was who happened to be standing in the wrong place at the wrong time.
"Harold," Edward said, "you brought backup." His voice was still Ted's voice, more lively than his usual, but it was no longer a pleasant voice. I couldn't have told you what had changed in the voice, but it raised the tension level another notch. Becca scooted back until she couldn't see the men, hiding her face against Edward's sleeve. Donna reached for her, drawing her away from Edward and into her arms. Donna's face was openly fearful like the girl's. Edward's was open, almost smiling, but his eyes had gone empty. His real eyes peeking out. I'd seen monsters, real monsters, pale under that gaze.
The short one with the scar shifted from foot to foot. "Yeah, this is Russell," he motioned at the Indian, "and this is Newt."
I almost said, "Newt," aloud, but figured we had enough problems without me being a smart-ass. And people say I don't know when to keep my mouth shut.
"Tom and Benny still in the hospital?" Edward asked, voice still conversational. So far we hadn't attracted too much attention. We were getting some glances but not much else, yet.
"We're not Tom and Benny," Russell said. His voice matched the smile on his face, but I was reminded that smiling is just another way of baring teeth, another way to snarl.
"Bully for you," I said.
His gaze swiveled to me. His eyes were so black that the iris and pupil had melted into one black hole. "You another psychic bleeding heart trying to keep the Indian lands safe for us poor savages?"
I shook my head. "I've been accused of a lot but never of being a bleeding heart." I smiled up at him and thought that if I pulled the trigger, I would take out most of his thigh, and maybe cripple him for life. He was standing that close to the table. Close enough that I wanted him to back up, but I was waiting on Edward, and he seemed just fine with them towering over us.
"You should leave now," Edward said, and his voice was beginning to sound like Edward. Ted was leaking away, leaving his face a blank, cold mask, his eyes empty as a winter sky. His voice was without inflection as if he were saying something totally different. Edward was emerging from his Ted mask like a butterfly pulling free of a chrysalis, though I wanted something less pretty, less harmless for the analogy, because what was pulling free into the light wasn't harmless, and if things went wrong it wasn't going to be pretty at all.
Russell leaned over the table, large hands spread across the top. He leaned way over so he would be close to Donna's face, ignoring both Edward and me. Either he was stupid, or he figured we wouldn't draw first blood in a public place. He was right about me, but I wasn't so sure about Edward.
"You and your friends stay out of our way, or you are going to get hurt." He wasn't smiling when he said it. His voice was flat and ugly. "You've got a cute little girl there. Be a shame if something happened to her."
Donna paled and clutched Becca tighter. I don't know what Edward had planned because it was Peter who spoke. "Don't you threaten my sister." His voice was low and angry, no fear showed through.
Russell's gaze flicked to Peter, and he leaned over into his face. Peter sat unmoving, until their faces were inches apart but his eyes flickered back and forth like they were trying to escape. His hands gripped the seat edge as if he were literally holding on to keep from backing down.
"And what are you going to do about it, little man?"
"Ted?" I made it a question.
Russell's eyes flicked to me, then back to Peter. He was enjoying the boy's fear and the show of bravado. Hard to be tough muscle if you can't make a fourteen-year-old boy back down. He'd finish scaring Peter then turn to me. I don't think he considered me a threat. His mistake.
I couldn't see Edward through Russell's bulk, but I heard his voice, cold and empty, "Do it."
He gagged, hands going to his throat, half collapsing on the table. I used my right hand to drive his face into the table, once, twice, three times. Blood spurted from his nose, and he slid bonelessly across the tabletop to end up on floor, staring up at the ceiling, gagging, trying to breathe through his injured throat and the smashed nose. I think if he could have breathed better, he'd have passed out, but it's hard to pass out when you're gagging. He rocked and fell to the floor, gagging, eyes rolled back into his head, not focused.
I was standing beside the booth, staring down at him. My gun was still in my left hand, at my side, unobtrusive against my black jeans. Most people wouldn't even see the gun. They'd see the blood and the man on the floor.
Harold and the tall Newt were standing there, frozen, staring down at Russell. Harold shook his head sadly. "You shouldn't have ought to have done that."
Edward was standing beside the booth, blocking their view of Donna and Becca. He spoke softly, so his voice wouldn't carry much beyond our little circle. "Don't ever threaten these people again, Harold. Don't come near them for any reason. Tell Riker that they are off limits, or the next time it won't just be a broken nose."
"I see the guns," Harold said, voice low. He bent down beside Russell. The big man's eyes still weren't focused. His blue T-shirt had turned purple with blood. Harold was shaking his head. He looked up at me. "Who the hell are you?"
"Anita Blake," I said.
He shook his head again. "Don't know the name."
"I guess my reputation does not proceed me," I said.
"It will," Harold said.
I said, "Peter, get some napkins."
Peter didn't ask questions. He just got a double handful of napkins from the dispenser on the table and handed them my way. I took them with my right hand and held them out to Harold. He took them, watching my face, eyes flicking to the gun still bare against my leg.
"Thanks."
"Don't mention it."
He shoved the napkins against Russell's nose and took one arm. "Get his other arm, Newt."
There was a distant wail of sirens coming closer. Someone had called the cops.
Russell was still unsteady on his feet. They'd shoved napkins into his flattened nose, and he looked both silly and grotesque with the bloody napkins sticking out of his nose. He had to clear his voice twice before he could speak, his voice sounded rough, clogged, painful, "You fucking bitch! I am going to hurt you so bad for this."
"When you can stand without help and you've got your nose packed at the nearest emergency room, give me a call. I'd love a rematch."
He spat in my general direction but didn't have the aim, so it splattered harmlessly into the floor. Gross, but not very effective.
"Come on," Harold said. He was trying to move the show towards the door. The sirens were very close now.
But Russell wasn't finished. He turned, forcing the other two to turn with him. "I am going to fuck your bitch, and leave the girl and boy for the coyotes."
"Russell is not a fast learner," I said.
Becca was crying now, and Donna was so pale, I was worried she was going to faint. I couldn't turn around enough to see Peter's face without turning away from the bad guys, so I don't know what he looked like. But it wasn't a pretty scene.
The cops spilled in with Harold still trying to get Russell out the door. Edward and I used the confusion to put up our guns. The two uniforms were a little unsure whom to arrest, but the people actually testified to having heard Russell's threats, and seeing him "menace" us before I hurt him. I'd never seen so much witness cooperation. Most of the time people are deaf and dumb, but having a small, pretty little girl in tears helped people's memories. Technically, Russell could press assault charges on me, but everyone was jumping over themselves to say that he'd been threatening us. One man claimed he'd seen Russell pull a knife. Amazing how quickly details are added to a story. I could not corroborate the knife, but I had enough witnesses to the threats that I didn't think I'd be going to jail. Edward pulled out his Ted ID, and the officers knew him by reputation if not by sight. I pulled out my executioner's license and my gun carry permit. Technically, I was carrying concealed when my permit wasn't for this state. I explained I'd worn the jacket to keep from distressing the children. The cops nodded, wrote it down, and seemed to accept it all.
It helped that Russell was being verbally abusive to the officers and was so obviously a badass, and I was so harmless looking, so small, so feminine, and so much less scary than he was. Edward gave them his address, said I'd be staying with him, and we were free to go.
The restaurant offered us a different table, but strangely Donna and the kids had lost their appetites. I was still hungry, but no one asked me. Edward paid for the food, and declined a takeout order. I put the tip on the bloodstained table, way overtipping to try and make up for the mess. Then we left, and I still hadn't eaten today. Maybe if I asked nicely, Edward would run through a drive-up window at McDonalds. Any port in a storm.
14
DONNA STARTED CRYING OUT in the parking lot. Becca joined her. Only Peter stayed silent and apart from the general hysteria. The more Donna cried, the more panicky the girl got, like they were feeding off each other. The girl was crying in those great hiccuppy sobs bordering on hyperventilation. I looked at Edward and raised my eyebrows, He looked blank. I finally gave him a push. He mouthed, "Which one?"
"Girl," I mouthed back.
He knelt by them. Donna had settled down on the bumper of his Hummer cradling Becca in her lap.
Edward knelt in front of them. "Let me take Becca for a little walk."
Donna blinked up at him, as if she saw him, heard him, but wasn't really understanding. He reached for Becca and started prying her from her mother's arms. Donna's arms were limp, but the girl clung to her mother, screaming.
Edward literally pried her small fingers away, and when she was free of her mother, Becca turned and clung to him, burying her face in his shoulder. He looked at me over the girl's head, and I shooed him away. He never questioned, just walked towards the sidewalk that edged the parking lot. He was rocking the girl slowly as he moved, soothing her.
Donna had covered her face with her hands, collapsing forward until her face and hands met her knees. Her sobs were full-blown almost wails. Shit. I looked at Peter. He was watching her, and the look on his was disgusted, embarrassed. I knew in that instant that he'd been the adult in more ways than just shooting his father's killer. His mother was allowed hysterics, but he wasn't. He was the one who held together in a crisis. Damned unfair, if you ask me.
"Peter, can you excuse us for a few minutes?"
He shook his head. "No."
I sighed, then shrugged. "Fine, just don't interfere." I knelt in front of Donna, touching her shaking shoulders. "Donna, Donna!" There was no response, no change. It had been a long day. I got a handful of that short thick hair and pulled her head up. It hurt, and it was meant to. "Look at me, you selfish bitch."
Peter moved forward, and I pointed a finger at him. "Don't." He settled back a step, but he didn't leave. His face was angry, watchful, and I knew that he might interfere regardless of what I said if I went much further. But I didn't have to go further. I'd shocked her. Her eyes were wide, inches from mine, her face drenched with tears. Her breathing was still coming in small chest-heaving gulps, but she was looking at me, she was listening.
"I didn't mean ... I couldn't help ... "
"I don't give a shit what you feel or how upset you are. You're the mommy. She's the child. You are going to hold yourself together until she is not around to see you fall apart, is that clear?"
She blinked at me. "I don't know if I can do that."
"You can do it. You're going to do it." I glanced up but didn't see Edward yet. Good. "You are the grownup, Donna, and you are by God going to act like it."
I could feel Peter watching us, could almost feet him storing it away for later playback. He would remember this little scene and he would think on it, you could feel it.
"Do you have children?" she asked, and I knew what was coming.
"No," I said.
"Then what right do you have to tell me how to raise mine?" She was angry now, sitting up straighter, wiping at her face with short harsh movements.
Sitting up on the bumper, she was taller than I was kneeling. I looked up into her angry eyes and told the truth. "I was eight years old when my mother died, and my father couldn't handle it. We got a phone call from a state trooper that told us she was dead. My father dropped the phone and started to wail, not cry, wail. He took me by the hand and walked the few blocks to my grandmother's house, wailing, leading me by the hand. By the time we got to my grandmother's we had a crowd of neighbors, all asking what was wrong, what was wrong. I was the one who turned to my neighbors and said, "My mommy's dead." My father was collapsed in the bosom of his family, and I was left standing alone, uncomforted, unheld, tears on my face, telling the neighbors what had happened."
Donna stared at me and there was something very close to horror on her face. "I'm sorry," she said in a voice that had grown soft and lost its anger.
"Don't be sorry for me, Donna, but be a mother to your own daughter. Hold it together. She needs you to comfort her right now. Later when you're alone, or with Ted, you can fall apart, but please, not in front of the kids. That goes for Peter, too."
She glanced at him, standing there, watching us, and she flushed, embarrassed at last. She nodded her head too rapidly, then visibly straightened. You could actually see her gathering herself. She took my hands, squeezing them. "I am sorry for your loss, and I apologize for today. I'm not very good around violence. If it's an accident, a cut, no matter the blood, I'm fine, honestly, but I just can't abide violence."
I drew my hands gently from hers. I wasn't sure I believed her, but I said, "I'm glad to know that, Donna. I'll go get ... Ted and Becca."
She nodded. "Thank you."
I stood, nodding. I walked across the gravel in the direction Edward had gone. I liked Donna less now, but I knew now that Edward had to get away from this family. Donna wasn't good around violence. Jesus, if she only knew who, what, she'd taken to her bed. She'd have had hysterics for the rest of her life.
Edward had walked down the sidewalk to stand in front of one of the many small houses. They all had gardens in front, well tended, well planned. It reminded me of California where every inch of yard is used for something because land is such a premium. Albuquerque didn't look nearly as crowded and yet the yards were crowded.
Edward was still holding Becca, but she was looking at something that he was pointing at, and there was a smile on her face that showed from two houses away. A tension I hadn't realized I was carrying eased from my back and shoulders. When she turned so that her face was full to me, I saw a sprig of lilac tucked into one of her braids. The pale lavender flower didn't match the yellow ribbons and dress, but hey, it was cute as hell.
Her smile faltered around the edges when she saw me. There was a very good chance that I wouldn't be one of Becca's favorite people. I'd probably scared her. Oh, well.
Edward put her down, and they walked towards me. She was smiling up at him, swinging his arm a little. He smiled down at her, and it looked real. Even to me it looked real. You might have really believed he was Becca's adored and adoring father. How the hell were we going to get him out of their lives without screwing Becca over? Peter would be pleased if Ted went poof, and Donna ... She was a grown-up. Becca wasn't. Shit.
Edward smiled at me and said in his cheerful Ted voice, "How are things?"
"Just dandy," I said.
He raised eyebrows, and for a split second his eyes flinched going from cynical to cheerful so fast it made me dizzy.
"Donna and Peter are waiting for us."
Edward turned so that the girl was between us. She glanced up at me, and her gaze was questioning, thoughtful. "You beat up that bad man," she said.
"Yes, I did," I said.
"I didn't know girls could do that."
That made my teeth hurt. "Girls can do anything they want to do, including protect themselves and beat up bad guys."
"Ted said that you hurt that man because he said bad things to me."
I glanced at Edward, but his face was all open and cheerful for the child and gave me nothing.
"That's right," I said.
"Ted says that you'd hurt someone to protect me just like he would."
I met her big brown eyes, and nodded. "Yes, I would."
She smiled then and it was beautiful, like sunshine breaking through clouds. She reached out her free hand to me, and I took it. Edward and I walked back to the parking lot, holding the child's hands while she half-walked, half-danced between us. She believed in Ted, and Ted had told her that she could believe in me, so she did. The odd thing was that I would hurt someone to protect her. I would kill to keep her safe. I looked across at Edward and for just a moment he looked back at me from the mask. We stared at each other over the child, and I didn't know what to do. I didn't know how to get us all out of the mess that he had made.
Becca said, "Swing me."
Edward counted out, "One, two, three," and swung her up and out, forcing me to swing her other arm. We moved across the parking lot, swinging Becca between us while she gave that joyous, full-throated laugh.
We sat her down laughing in front of her mother. Donna was composed and smiling. I was proud of her. Becca looked up at me, shining. "Mommy says I'm too big to swing now, but you're strong, aren't you?"
I smiled at her, but I looked at Edward when I said, "Yes, I am."