Notre-Dame de Paris

The orgy grew more and more Flemish. Teniers could have given but a very imperfect idea of it. Let the reader picture to himself in bacchanal form, Salvator Rosa's battle. There were no longer either scholars or ambassadors or bourgeois or men or women; there was no longer any Clopin Trouillefou, nor Gilles Lecornu, nor Marie Quatrelivres, nor Robin Poussepain. All was universal license. The grand hall was no longer anything but a vast furnace of effrontry and joviality, where every mouth was a cry, every individual a posture; everything shouted and howled. The strange visages which came, in turn, to gnash their teeth in the rose window, were like so many brands cast into the brazier; and from the whole of this effervescing crowd, there escaped, as from a furnace, a sharp, piercing, stinging noise, hissing like the wings of a gnat.

"Ho hé! curse it!"

"Just look at that face!"

"It's not good for anything."

"Guillemette Maugerepuis, just look at that bull's muzzle; it only lacks the horns. It can't be your husband."

"Another!"

"Belly of the pope! what sort of a grimace is that?"

"Hola hé! that's cheating. One must show only one's face."

"That damned Perrette Callebotte! she's capable of that!"

"Good! Good!"

"I'm stifling!"

"There's a fellow whose ears won't go through!" Etc., etc.

But we must do justice to our friend Jehan. In the midst of this witches' sabbath, he was still to be seen on the top of his pillar, like the cabin-boy on the topmast. He floundered about with incredible fury. His mouth was wide open, and from it there escaped a cry which no one heard, not that it was covered by the general clamor, great as that was but because it attained, no doubt, the limit of perceptible sharp sounds, the thousand vibrations of Sauveur, or the eight thousand of Biot.

As for Gringoire, the first moment of depression having passed, he had regained his composure. He had hardened himself against adversity.---"Continue!" he had said for the third time, to his comedians, speaking machines; then as he was marching with great strides in front of the marble table, a fancy seized him to go and appear in his turn at the aperture of the chapel, were it only for the pleasure of making a grimace at that ungrateful populace.--"But no, that would not be worthy of us; no, vengeance! let us combat until the end," he repeated to himself; "the power of poetry over people is great; I will bring them back. We shall see which will carry the day, grimaces or polite literature."

Alas! he had been left the sole spectator of his piece. It was far worse than it had been a little while before. He no longer beheld anything but backs.