My True Love Gave to Me: Twelve Holiday Stories

In essence, wasn’t their good man of God saying to close your eyes and picture some other man’s wife while you grunt atop the poor homely slave who’s your own?

Neve hated him, and she was honestly sorry for whoever got his gift this morning, but she didn’t think it would be herself. She knew she was pretty, and if she’d never had cause to be grateful for it before, here was proof that there’s a first time for everything. Maybe she’d be the one he pictured in the dark, and that was a notion vile enough to choke on, but she wouldn’t be the one he courted.

She just wouldn’t.

She dressed herself. The shed was frigid; dressing quick was an art learned early. Washing quick was harder; you had to really care to even bother. Neve cared, Lord knows why. At least her basin wasn’t skimmed with ice yet. That would come by January and last through April. Still, this water was kissing cousins to ice, and she was shaking with chill when she yanked on her stockings and slip, her dress and kirtle, her many-pocketed apron, her old, dull boots. Even numb-fingered, it was the work of a minute to bind up her hair, honeysuckle bright, and cover it with a kerchief the color of mud.

And then what? She glanced at the door. On a normal morning, she’d tromp out to the henhouse first thing—not that her sad hen Potpie had been laying of late, but she still checked as a matter of course—but she found herself hesitating and knew well enough why. She was wondering at the state of her porch.

Was it as empty as she’d left it the night before?

“Please God,” she whispered, and right away it struck her as the wrong plea. If there was a god, then Neve’s whole life was a crime He had committed against her, and she dared attract no more of his attention.

She looked to the milking stool that served her for a bed stand and drew some strength from what lay upon it.

A dead flower.

How many girls on the Isle of Feathers had a dead flower ready this morning? And then, how many knew there was no courtship so bad that she could afford to reject it?

That was how it worked: You woke on the first of December to find—or not find—a token of affection on the porch. A paper cone of sweets or a whittled bird or a posey, maybe. To reject the suit, you left a dead flower in the spot for the fellow to find the next night. Acceptance was tacit. You did nothing, just rose each morning to see what your future husband had left for you, twenty-four days in a row until the Christmas Eve gather in Scarman’s Hall. That’s where the couples came together under a lacework of paper snowflakes and frosted lamps and sealed their fates with a dance. You set your hand in his and that was it: contract sealed with the clamminess of a girl’s despairing sweat.

How romantic.

Neve had no expectations, but she had a dead flower ready, just in case. It was a thorn lily, left over from summer.

From before the fever.

She lifted it gently. It was crisp as paper, light as nothing. When this flower was alive, Ivan and Jathry were too. Neve had picked it on a Sunday when the three of them climbed up to Fog Cup to inspect the land the boys were going to take. They’d been closing in on Age, though Neve still had nine months to go; the three of them were the youngest and last of the plague orphans, she herself the very youngest, the very last. She’d always known she’d be alone here at the Graveyard sheds for a time before they set her “free” too, but that would have been a different kind of alone: just waiting, just biding time before she could claim her own plot up by the boys’.

She was still going to take the plot, even if it didn’t make sense anymore. The boys had been the farmers. What was she good for? Needlework. That was what they did at the factory. They embroidered lace tablecloths for ships to carry to rich folk on every shore of the Gliding, and Neve was better than passing fair; she was better than good. She was an artist. Even Dame Somnolence said so, calling her “Crow Food” with at least a hint of respect. But a great lot of good were needle and thread when it came to building a house in a drear damp valley and tilling stony soil without a mule, and all the other things she’d have to do to live.

If you could call it living.

Neve was scared clear down to a deep place inside where a part of herself was caged like a creature, mute and huddled and numb. She’d been numb since the heat of August mingled with the heat of fevers, but even so she knew that as long as she kept breathing, life would keep coming at her—like the swarms of beetles when you’re harried enough to take the shortcut through Nasty Gully in springtime. They come flying in your face, loud and buzzing, and get tangled in your hair and in your skirts. They even push their way into your mouth.

Life would do the same. Neve couldn’t pretend otherwise. In truth, she dreaded the lonely penury of Fog Cup almost as much as she dreaded the breathing weight of a man she couldn’t love, and if there was a token on her porch, she knew in her secret heart she’d be a fool not to consider it. But she didn’t want to consider it. She wanted to be free, and if she could never be free, at least she wanted to be brave—brave enough not to sell herself, no matter what the payment, or the cost of refusing.

Holding the dead flower, she squared her shoulders. Brave, she thought, and went to the door. Brave, she thought as she opened it.

But brave she was not when she saw what was sitting there, incongruously fine against the buckled boards of her rotting, charity-shed porch.

It was a Bible bound in red leather and stenciled all over in gold.

Only one man would leave such a gift. One man had done so, in fact, three times before—three times for three wives whose graves now stood in a row, and with plenty of space at the end for that row to grow and keep adding to its collection. Who’s next? called the cemetery earth. Why, the last of the orphans, the artist, the girl with the honeysuckle hair.

Neve clutched her frail lily and stared at the Bible whose pages had been thumbed by dead women. So Spear wanted her after all. In that place inside where her fear was caged like a creature, something stirred and rose, and she spoke a new plea without pausing to think. Not to God, Spear’s coconspirator. God was a newcomer here, carried over on the same stinking ships as the orphans and livestock.

There were older powers in the world than Him.

“Please, Wisha,” whispered Neve, and she felt the forbidden word part the air like the wings of a bird and go forth from her. Wisha. Dreamer, it meant in the old tongue. It was an execration to speak it, but it didn’t feel like one. It felt like power, like the birth of a small wind. Neve imagined it skirring its way into the world, new-alive and wild with her own desperate thrum, kicking up eddies of air that might grow, some day, into thunderheads and sink a fleet of ships half a world away. But what good was that to her? Much nearer and in that instant, at the threshold of her freezing shed while rain hissed at the roof and the heavy air pressed down, dense with its absence of voices, she saw something happen. The red leather cover of that unwanted Bible flapped open in a violent gust. Pages riffled and came loose, rising into the air like a flock of something freed. First the pages, then the rest.