Madame Bovary
Page 186And he went on-"I am beginning to repent terribly of having taken you up! I should
certainly have done better to have left you to rot in your poverty and
the dirt in which you were born. Oh, you'll never be fit for anything
but to herd animals with horns! You have no aptitude for science! You
hardly know how to stick on a label! And there you are, dwelling with me
snug as a parson, living in clover, taking your ease!"
But Emma, turning to Madame Homais, "I was told to come here--"
"Oh, dear me!" interrupted the good woman, with a sad air, "how am I to
tell you? It is a misfortune!"
She could not finish, the druggist was thundering--"Empty it! Clean it!
And seizing Justin by the collar of his blouse, he shook a book out of
his pocket. The lad stooped, but Homais was the quicker, and, having
picked up the volume, contemplated it with staring eyes and open mouth.
"CONJUGAL--LOVE!" he said, slowly separating the two words. "Ah! very
good! very good! very pretty! And illustrations! Oh, this is too much!"
Madame Homais came forward.
"No, do not touch it!"
The children wanted to look at the pictures.
"Leave the room," he said imperiously; and they went out.
his eyes, choking, tumid, apoplectic. Then he came straight to his
pupil, and, planting himself in front of him with crossed arms-"Have you every vice, then, little wretch? Take care! you are on a
downward path. Did not you reflect that this infamous book might fall
in the hands of my children, kindle a spark in their minds, tarnish the
purity of Athalie, corrupt Napoleon. He is already formed like a man.
Are you quite sure, anyhow, that they have not read it? Can you certify
to me--"
"But really, sir," said Emma, "you wished to tell me--"
"Ah, yes! madame. Your father-in-law is dead."
from an attack of apoplexy as he got up from table, and by way of
greater precaution, on account of Emma's sensibility, Charles had begged
Homais to break the horrible news to her gradually. Homais had thought
over his speech; he had rounded, polished it, made it rhythmical; it was
a masterpiece of prudence and transitions, of subtle turns and delicacy;
but anger had got the better of rhetoric.