M is for Malice

"No, I don't know. I didn't see him today."

"Ah. Well, I guess I'll go knock."

"You could do that," he said.

I pulled out of the station and drove across the road. I nosed the VW through the open gate and parked on a length of raw dirt that I took for a driveway. I got out. The surface of the yard was white sand with a rim of brown grass around the edge. The house was frame, painted once-upon-a-time white, one story with a wooden porch built across the front. A trellis that shielded the windows on the left sported only one bare vine, which twisted through the latticework like a boa constrictor. A matching trellis on the right had collapsed under its burden of dry, brown vegetation. Various wires extended from the roofline, connecting the occupants to telephone, cable, and electricity.

I climbed the wooden stairs and knocked on the dilapidated screen. The front door was shut and there were no signs of life. There was a fine dusting of soot everywhere, as if the structure were downwind of a smelting plant. The porch floor began to tremble in a way that suggested that someone was traversing the wooden floor inside of the house. The door was opened and I found myself face-to-face with the man I took to be Guy Malek. Aside from a three-day growth of beard, he didn't look anywhere near his age. His hair looked darker and straighter than it had in his high school yearbook, but his features were still boyish: khaki green eyes fringed with dark lashes; a small, straight nose; and a generous mouth. His complexion was clear and his color was good. Age had sketched in fine lines around his eyes and the flesh along his jaw was beginning to sag, but I'd have pegged him in his mid-thirties. At fifty and sixty, he'd no doubt look just the same, the years making only moderate adjustments to his good looks. He wore denim overalls on top of what looked like a union suit. He was in the process of putting on a blue jeans jacket when he answered the door, and he paused to straighten the collar in the back before he said, "Hey."

As an adolescent, Guy Malek had been as dorky looking as the rest of us. He was the bad kid, lawless and self-destructive, one of life's lost souls. He must have been appealing because he was so in need of rescue. Women can't resist a man who needs saving. Now his good angel had apparently taken up residence, bestowing on his countenance the look of serenity. It seemed odd that his brothers had matured so differently. Already, I liked this man better than his siblings. Aside from the scruffiness, he didn't look like he was snorting, sniffing, or mainlining illegal substances.

"Are you Guy Malek?"

His smile was hesitant, as though I might be someone he had met before whose name he wished he remembered. "Yes."

"My name is Kinsey Millhone. I'm a private investigator from Santa Teresa." I gave him a business card. He studied the card, but didn't offer to shake hands. His were as soiled as an auto mechanic's. I could see a muscle work in his jaw.

His eyes came up to mine and his entire body became still. The smile faded. "My family hired you?"

"Well, yes," I said. I was about to launch into a diplomatic account of his father's death when I saw, tears rise in his eyes, blurring the clear green of his gaze. He looked upward, blinking, and took a deep- breath before he brought his attention back to mine. He dashed at his cheeks, laughing with embarrassment.

He said, "Whoa," pinching at his eyes with the fingers of one hand. He shook his head, trying to compose himself. "Sorry. You caught me by surprise. I never thought it would matter, but I guess it does. I always wished they'd send someone, but I'd about given up hope. How'd you find me?"

"It wasn't that hard. I ran a DMV check and came up with your California identification card. I tried directory assistance, but they didn't have you listed. I take it you don't have a phone."

"Can't afford one," he said. "You want to come in?" His manner was awkward and he seemed unsure of himself. His gaze fell away from mine and then came back again.

"I'd like that," I said.

He stepped back to allow me entrance and I passed into a room that was about what you'd expect. The interior construction was crude and featured -wide, unfinished floorboards and windows that didn't quite shut. Various pieces of old furniture had been moved into the space, probably cadged from the city dump… if there was one in this town. Every surface was piled high with soiled clothes and books and magazines and utensils, pots and pans and canned goods and tools. There were also what looked like farm implements whose functions were unclear. There was a tower of used tires in one corner of the room and a toilet that didn't seem connected to much of anything. Guy caught my puzzlement. "I'm holding that for a fellow. I have a real bathroom in there," he said, smiling shyly.