Iced

But all is not snow at our abbey. Oh, no.

All is not chill within or without our walls.

My wing of the abbey is a temperate sixty-five degrees, with not one fire burning.

My chambers are nearer eighty, sweltering for one born and raised on the Emerald Isle. I mop my brow and tuck damp tendrils behind my ears. I unfasten the top button of my blouse and dab at my skin.

Beyond the window, the sharp-shaved crystalline fire-world funnel towers over the abbey, glittering bright as diamonds in a capricious ray of sun. Between it and the perimeter wall of my bedchamber, snow is conspicuously absent.

In that narrow boundary, grass grows.

Grass, by the saints, green as St. Patrick’s clover! Kelly green as the misshapen shamrock that symbolizes the mission and integrity of our order to See, Serve, and Protect.

Against the crumbling mortar flush to my bedroom wall, sultry flowers in every shade of boysenberry and orchid, cerise and Byzantium bend and sway with blossoms so heavy on delicate stems they droop and nod, deceptively dulcet on a breeze as conflicted as my soul; temperate one moment, frigid the next.

Were I to crank the window and part the leaded glass, the scent that drifted in would intoxicate me. The blossoms reek of spices that make me think of Persian carpets and far-off lands where hookahs are smoked for breakfast and sultans keep harems, and life is lazy, licentious, and short-lived.

But well-lived, Cruce would say.

I blot sweat from my palms and smooth a blueprint on Rowena’s stately desk. I must know and I do not want to know if what I have begun to suspect is true.

Although the IFP is tethered to a piece of earth that has been fired to a kiln-smooth, porcelain black gloss, were one to approach it, one would feel no heat. The fire world is contained.

Yet, between the IFP and our abbey grows that loathsome grass despite the snow, that grass upon which Cruce lays me gently back in my dreams, amid fragrant blooms where he makes me feel things for which I despise myself come dawn.

I am not wise in the ways of geography. I know east when the sun rises. I know west when it sets.

Rowena protected many secrets, clanking keys in the bracelet of power that remained on her wrist, held over our heads, until the day she died. I discovered a cache in her bedchamber four nights ago when, desperate to resist another torturous slumber, I occupied myself by studying every inch of the Grand Mistresses’ apartment, seeking telltale clues of false panels or retractable floorboards. In the faux bottom of a centuries-old armoire I found maps, sketches, and plans, many of places that baffle me, in which I am unable to divine her interest.

Also therein I found blueprints of the abbey on scrolls and bound in large flat volumes, both Upstairs and Underneath. It is the blueprint of the subterranean chamber and adjoining passages wherein the Sinsar Dubh was once entombed, over which I now place the transparent sketch I have prepared of my wing.

I smooth them together so they meet, corner-to-corner, and press my tongue to the roof of my mouth in silent protest, a technique I perfected when young to keep from crying out when lambasted by another’s intolerable emotion.

Cruce’s chamber is beneath my bedroom!

Begging the question: does the false summer that makes grass grow and flowers bloom come from the fire world adjacent or the iced prince below?

I decide maybe I can stand Ryodan, at least today, because when I say shut Chester’s down, the dude doesn’t even ask me another question!

He skirts the ice sculpture’s perimeter and heads straight for the metal door in the ground. The ice ends some fifteen feet from it, about which I’m real glad because the back way in that I’m not supposed to know about is a long way from here. Takes a lot of underground navigating. And knowing him, since he heard I knew of it, he probably shut it down and had his men make him another one. But I’ll find that one, too. It’s like a game with me. Him trying to hide stuff just makes me more determined to find it.

I follow, happy he takes my word for things. Jo and Christian sure don’t. They’re behind me, peppering me with questions that Dancer isn’t answering either, I think because he’s still busy putting together all the ramifications of what we just figured out. Either that or he’s as obsessed as I am about getting every single thing in our general vicinity turned off ASAP.

I’m still missing a few facts that I don’t think I can gather since the scenes all blew up. Speculation may be all we got to work with. I know the Hoar Frost King likes ice cream but I don’t know what flavor. And I’m pretty sure he’s picky. Or else we’d all have been iced months ago.

I follow Ryodan to his office, where he cuts the power to the subclubs. With each tap of the computer screen, one more subclub dies and it’s all I can do not to hoot and holler, especially when the kiddie subclub goes dark and still.

Lights dim. Music stops.

People—the fecking sheep who should have pulled their heads out of their asses weeks ago and banded together to save our city—protest vociferously. Some just keep dancing like nothing ever happened, like they’re hearing music in their heads.

Others shrug and get back to practically doing the dirty on the dance floor, clothes half off, like everybody wants to see their Baby-Roach-slimmed butts!

“Can I talk to all the clubs at once?” I say. “You got some kind of PA system in here?”

He gives me a look that says: nice try, like I’d ever let you address my patrons en masse.

I snicker. He has a point. I could rant at these folks for hours. “You got to explain,” I say. “They need to understand what they’re up against. You got to tell them about the Hoar Frost King and that they can’t go outside and make noise or else they might die. And you got to tell them how the scenes explode, so if anybody leaves they don’t do nothing stupid with the frozen folks up there and get all cut up on shrapnel! And don’t forget to tell them that even in here they need to stay as quiet as they can and—”

Ryodan presses a button on his desk. “There will be no lights or music until further notice.” He releases the button.

“That’s it?” I say. Fecking good thing he ain’t writing the Ryodan Rag! Through the glass floor I watch folks rustle angrily. Many are drunk and don’t like this new development. They want their bread and circuses. That’s why they come here. “Boss, what the feck was that? Maybe you could, like, tell them not to leave or they’ll die?”

He presses the button again. “Don’t leave or you’ll die.”