From Russia With Love (James Bond #5)

Bond moved over and took the handles.

'Have a good look at them,' said Kerim. 'I know them, but you'd better get their faces in your mind. Head of the table is their Resident Director. On his left are his two staff. Opposite them are the three new ones. The latest, who looks quite an important chap, is on the Director's right. Tell me if they do anything except talk.'

Bond's first impulse was to tell Kerim not to make so much noise. It was as if he was in the room with the Russians, as if he was sitting in a chair in the corner, a secretary perhaps, taking shorthand of the conference.

The wide, all-round lens, designed for spotting aircraft as well as surface ships, gave him a curious picture–a mouse's eye view of a forest of legs below the fore-edge of the table, and various aspects of the heads belonging to the legs. The Director and his two colleagues were clear–serious dull Russian faces whose characteristics Bond filed away. There was the studious, professional face of the Director–thick spectacles, lantern jaw, big forehead and thin hair brushed back. On his left was a square wooden face with deep clefts on either side of the nose, fair hair en brosse and a nick out of the left ear. The third member of the permanent staff had a shifty Armenian face with clever bright almond eyes. He was talking now. His face wore a falsely humble look. Gold glinted in his mouth.

Bond could see less of the three visitors. Their backs were held towards him and only the profile of the nearest, and presumably most junior, showed clearly. This man's skin also was dark. He too would be from one of the southern republics. The jaw was badly shaved and the eye in profile was bovine and dull under a thick black brow. The nose was fleshy and porous. The upper lip was long over a sullen mouth and the beginning of a double chin. The tough black hair was cut very short so that most of the back of the neck looked blue to the level of the tips of the ears. It was a military haircut, done with mechanical clippers.

The only clues to the next man were an angry boil on the back of a fat bald neck, a shiny blue suit and rather bright brown shoes. The man was motionless during the whole period that Bond kept watch and apparently never spoke.

Now the senior visitor, on the right of the Resident Director, sat back and began talking. It was a strong, crag-like profile with big bones and a jutting chin under a heavy brown moustache of Stalin cut. Bond could see one cold grey eye under a bushy eyebrow and a low forehead topped by wiry grey-brown hair. This man was the only one who was smoking. He puffed busily at a tiny wooden pipe in the bowl of which stood half a cigarette. Every now and then he shook the pipe sideways so that the ash fell on the floor. His profile had more authority than any of the other faces and Bond guessed that he was a senior man sent down from Moscow.

Bond's eyes were getting tired. He twisted the handles gently and looked round the office as far as the blurring jagged edges of the mousehole would allow. He saw nothing of interest–two olive green filing cabinets, a hatstand by the door, on which he counted six more or less identical grey homburgs, and a sideboard with a heavy carafe of water and some glasses. Bond stood away from the eyepiece, rubbing his eyes.

'If only we could hear,' Kerim said, shaking his head sadly. It would be worth diamonds.'

'It would solve a lot of problems,' agreed Bond. Then, 'By the way Darko, how did you come on this tunnel? What was it built for?'

Kerim bent and gave a quick glance into the eyepieces and straightened up.

'It's a lost drain from the Hall of Pillars,' he said. The Hall of Pillars is now a thing for tourists. It's up above us on the heights of Istanbul, near St. Sophia. A thousand years ago it was built as a reservoir in case of siege. It's a huge underground palace, a hundred yards long and about half as broad. It was made to hold millions of gallons of water. It was discovered again about four hundred years ago by a man called Gyllius. One day I was reading his account of finding it. He said it was filled in winter from ''a great pipe with a mighty noise''. It occurred to me that there might be another ''great pipe'' to empty it quickly if the city fell to the enemy. I went up to the Hall of Pillars and bribed the watchman and rowed about among the pillars all one night in a rubber dinghy with one of my boys. We went over the walls with a hammer and an echo-sounder. At one end, in the most likely spot, there was a hollow sound. I handed out more money to the Minister of Public Works and he closed the place for a week–''for cleaning''. My little team got busy.' Kerim ducked down again for a look through the eyepieces and went on. 'We dug into the wall above waterlevel and came on the top of an arch. The arch was the beginning of a tunnel. We got into the tunnel and went down it. Quite exciting, not knowing where we were going to come out. And, of course, it went straight down the hill–under the Street of Books where the Russians have their place, and out into the Golden Horn, by the Galata Bridge, twenty yards away from my warehouse. So we filled in our hole in the Hall of Pillars and started digging from my end. That was two years ago. It took us a year and a lot of survey work to get directly under the Russians.' Kerim laughed. 'And now I suppose one of these days the Russians will decide to change their offices. By then I hope someone else will be Head of T.'

Kerim bent down to the rubber eyepieces. Bond saw him stiffen. Kerim said urgently. 'The door's opening. Quick. Take over. Here she comes.'

Chapter Seventeen

Killing Time

It was seven o'clock on the same evening and James Bond was back in his hotel. He had had a hot bath and a cold shower. He thought that he had at last scoured the zoo smell out of his skin.

He was sitting, naked except for his shorts, at one of the windows of his room, sipping a vodka and tonic and looking out into the heart of the great tragic sunset over the Golden Horn. But his eyes didn't see the torn cloth of gold and blood that hung behind the minaretted stage beneath which he had caught his first glimpse of Tatiana Romanova.

He was thinking of the tall beautiful girl with the dancer's long gait who had walked through the drab door with a piece of paper in her hand. She had stood beside her Chief and handed him the paper. All the men had looked up at her. She had blushed and looked down. What had that expression on the men's faces meant? It was more than just the way some men look at a beautiful girl. They had shown curiosity. That was reasonable. They wanted to know what was in the signal, why they were being disturbed. But what else? There had been slyness and contempt–the way people stare at prostitutes.

It had been an odd, enigmatic scene. This was part of a highly disciplined para-military organization. These were serving officers, each of whom would be wary of the others. And this girl was just one of the staff, with a Corporal's rank, who was now going through a normal routine. Why had they all unguardedly looked at her with this inquisitive contempt–almost as if she was a spy who had been caught and was going to be executed? Did they suspect her? Had she given herself away? But that seemed less likely as the scene played itself out. The Resident Director read the signal and the other men's eyes turned away from the girl and on to him. He said something, presumably repeating the text of the signal, and the men looked glumly back at him as if the matter did not interest them. Then the Resident Director looked up at the girl and the other eyes followed his. He said something with a friendly, inquiring expression. The girl shook her head and answered briefly. The other men now only looked interested. The Director said one word with a question mark on the end. The girl blushed deeply, and nodded, holding his eyes obediently. The other men smiled encouragement, slyly perhaps, but with approval. No suspicion there. No condemnation. The scene ended with a few sentences from the Director to which the girl seemed to say the equivalent of 'Yes, sir' and turned and walked out of the room. When she had gone, the Director said something with an expression of irony on his face and the men laughed heartily and the sly expression was back on their faces, as if what he had said had been obscene. Then they went back to their work.

Ever since, on their way back down the tunnel, and later in Kerim's office while they discussed what Bond had seen, Bond had racked his brains for a solution to this maddening bit of dumb crambo and now, looking without focus at the dying sun, he was still mystified.

Bond finished his drink and lit another cigarette. He put the problem away and turned his mind to the girl.

Tatiana Romanova. A Romanov. Well, she certainly looked like a Russian princess, or the traditional idea of one. The tall, fine-boned body that moved so gracefully and stood so well. The thick sweep of hair down to the shoulders and the quiet authority of the profile. The wonderful Garboesque face with its curiously shy serenity. The contrast between the level innocence of the big, deep blue eyes and the passionate promise of the wide mouth. And the way she had blushed and the way the long eyelashes had come down over the lowered eyes. Had that been the prudery of a virgin? Bond thought not. There was the confidence of having been loved in the proud breasts and the insolently lilting behind–the assertion of a body that knows what it can be for.

On what Bond had seen, could he believe that she was the sort of girl to fall in love with a photograph and a file? How could one tell? Such a girl would have a deeply romantic nature. There were dreams in the eyes and in the mouth. At that age, twenty-four, the Soviet machine would not yet have ground the sentiment out of her. The Romanov blood might well have given her a yearning for men other than the type of modern Russian officer she would meet–stern, cold, mechanical, basically hysterical and, because of their Party education, infernally dull.

It could be true. There was nothing to disprove her story in her looks. Bond wanted it to be true.

The telephone rang. It was Kerim. 'Nothing new?'

'No.'

'Then I will pick you up at eight.'

'I'll be ready.'

Bond laid down the receiver and slowly started to put on his clothes. . . Kerim had been firm about the evening. Bond had wanted to stay in his hotel room and wait for the first contact to be made–a note, a telephone call, whatever it might be. But Kerim had said no. The girl had been adamant that she would choose her own time and place. It would be wrong for Bond to seem a slave to her convenience. 'That is bad psychology, my friend,' Kerim had insisted. 'No girl likes a man to run when she whistles. She would despise you if you made yourself too available. From your face and your dossier she would expect you to behave with indifference–even with insolence. She would want that. She wishes to court you, to buy a kiss,'–Kerim had winked–'from that cruel mouth. It is with an image she has fallen in love. Behave like the image. Act the part.'

Bond had shrugged his shoulders. 'All right Darko. I daresay you're right. What do you suggest?'

'Live the life you would normally. Go home now and have a bath and a drink. The local vodka is all right if you down it with tonic water. If nothing happens, I will pick you up at eight. We will have dinner at the place of a gipsy friend of mine. A man called Vavra. He is head of a tribe. I must anyway see him tonight. He is one of my best sources. He is finding out who tried to blow up my office. Some of his girls will dance for you. I will not suggest that they should entertain you more intimately. You must keep your sword sharp. There is a saying ''Once a King, always a King. But once a Knight is enough!'' '

Bond was smiling at the memory of Kerim's dictum when the telephone rang again. He picked up the receiver. It was only the car. As he went down the few stairs and out to Kerim in the waiting Rolls, Bond admitted to himself that he was disappointed.