Fair Margaret
Page 178Margaret might have smiled, if she had not felt that the strange
creature was really and truly suffering, in her own way, to the borders
of distraction. Then, suddenly, the great frame was convulsed again and
quivered from head to foot.
'I'm going to cry,' she announced, in rather shaky tones.
And she cried. She slipped from the piano-stool to the floor, upon her
knees, and her heavy arms fell upon the keys with a crashing discord,
and her face buried itself in the large depths of one bent elbow, quite
regardless of damage to Paquin's masterpiece of a summer sleeve; and
with huge sobs the tears welled up and overflowed, taking everything
they found in their way, including paint, and washing all down between
Margaret saw that there was nothing to be done. At first she tried to
soothe her as best she could, standing over her, and laying a hand
gently on her shoulder; but Madame Bonanni shook it off with a sort of
convulsive shudder, as a big carthorse gets rid of a fly that has
settled on a part of his back inaccessible to his tail. Then Margaret
desisted, knowing that the fit must go on to its natural end, and that
it was hopeless to try and stop it sooner. Women are very practical
with each other in crying matters, but it is bad for us men if we treat
them in the same sensible way under the identical circumstances.
Margaret sat down again in her chair, and instead of taking up her
word of sympathy as soon as it could be of any use. She watched the
heavy head, the strong and coarse dark hair, the large animal
construction of the neck and shoulders, the massive hands, discoloured
now with straining upon themselves; nothing escaped her, as she quietly
waited for the sobbing to cease; and though she felt the peasant nature
there, close to her, in all its rugged strength, yet she felt, too,
that with certain differences of outward refinement, it was not unlike
her own. Her own hair, for instance, was much finer; but then, fair
hair is generally finer than dark. Her own hands were smaller than
Madame Bonanni's; but then, they had never been used to manual labour
Madame Bonanni had been reckoned a beauty in her day, such a beauty
that very great and even royal personages indeed had done extremely
foolish things to please her; and that very beauty had been in part the
cause of those very tears the poor woman was shedding now. Margaret was
quite sensible enough to admit that she herself, after a quarter of a
century of stage life, might turn into very much the same type of
woman. While waiting to be sympathetic at the right moment, therefore,
she studied Madame Bonanni's appearance with profound and melancholy
interest. She had never had such a good chance.