Eight Million Ways to Die (Matthew Scudder #5)
Page 25I assured her I hadn't come for the cat, that she could keep the animal if she wanted. She was surprised, and obviously relieved. But if I hadn't come for the cat, what was I there for? I gave her an abbreviated explanation of my role. While she was digesting that I asked her how she'd gained access to Kim's apartment.
"Oh, I had a key. I'd given her a key to my apartment some months ago. I was going out of town and wanted her to water my plants, and shortly after I came back she gave me her key. I can't remember why. Did she want me to feed Panther? I really can't remember. Do you suppose I can change his name?"
"I beg your pardon?"
"It's just that I don't much care for the cat's name, but I don't know if it's proper to change it. I don't believe he recognizes it. What he recognizes is the whirr of the electric can opener, announcing that dinner is served." She smiled. "T. S. Eliot wrote that every cat has a secret name, known only to the cat himself. So I don't suppose it really matters what name I call him."
I turned the conversation to Kim, asked how close a friend she'd been.
"I don't know if we were friends," she said. "We were neighbors. We were good neighbors, I kept a key to her apartment, but I'm not sure we were friends."
"You knew she was a prostitute?"
"I suppose I knew. At first I thought she was a model. She had the looks for it."
"Yes."
"But somewhere in the course of things I gathered what her actual profession was. She never mentioned it. I think it may have been her failure to discuss her work that made me guess what it was. And then there was that black man who visited her frequently. Somehow I found myself assuming he was her pimp."
"Did she have a boyfriend, Mrs. Simkins?"
"Besides the black man?" She thought about it, and while she did so a black streak darted across the rug, leaped onto a couch, leaped again and was gone. "You see?" the woman said. "He's not at all like a panther. I don't know what he is like, but he's nothing like a panther. You asked if she had a boyfriend."
"Yes."
"Why?"
"Because I assumed she meant she and her pimp were going to run off into the sunset and live happily ever after, only she wouldn't say as much to me because she'd never come out and told me that she had a pimp, that she was a prostitute. I understand pimps will assure a girl that their other girls are unimportant, that as soon as enough money's saved they'll go off and buy a sheep station in Australia or something equally realistic."
I thought of Fran Schecter on Morton Street, convinced she and Chance were bound by karmic ties, with innumerable lifetimes ahead of them.
"She was planning on leaving her pimp," I said.
"For another man?"
"That's what I'm trying to find out."
She'd never seen Kim with anyone in particular, never paid much attention to the men who visited Kim's apartment. Such visitors were few at night, anyway, she explained, and she herself was at work during the day.
"I thought she'd bought the fur herself," she said. "She was so proud of it, as if someone had bought it for her, but I thought she wanted to conceal her shame at having had to buy it for herself. I'll bet she did have a boyfriend. She showed it off with that air, as if it had been a gift from a man, but she didn't come out and say so."
"Because the relationship was a secret."
"Yes. She was proud of the fur, proud of the jewelry. You said she was leaving her pimp. Is that why she was killed?"
"I don't know."
"I try not to think about her having been killed, or how or why it happened. Did you ever read a book called Watership Down?" I hadn't. "There's one colony of rabbits in the book, a sort of semidomesticated colony. The food's in good supply there because human beings leave food for the rabbits. It's sort of rabbit heaven, except that the men who do this do so in order to set snares and provide themselves with a rabbit dinner from time to time. And the surviving rabbits, they never refer to the snare, they never mention any of their fellows who've been killed that way. They have an unspoken agreement to pretend that the snare does not exist, and that their dead companions never existed." She'd been looking to one side as she spoke. Now her eyes found mine. "Do you know, I think New Yorkers are like those rabbits. We live here for whatever it is that the city provides- the culture, the job opportunities, whatever it is. And we look the other way when the city kills off our friends and neighbors. Oh, we read about it and we talk about it for a day or two days but then we blink it all away. Because otherwise we'd have to do something about it, and we can't. Or we'd have to move, and we don't want to move. We're like those rabbits, aren't we?"
Except that's what I did. I talked to half a dozen people and didn't learn a thing, other than that they and Kim did a good job of keeping to themselves. One man had even managed to miss out on the knowledge that a neighbor of his had been murdered. The others knew that much, but not a great deal more.
When I'd run out of doors to knock on I found myself approaching Kim's door, key in hand. Why? Because of the fifth of Wild Turkey in the front closet?
I put her key in my pocket and got out of there.
The meeting book led me to a noon meeting just a few blocks from Kim's. The speaker was just finishing her qualification when I walked in. At first glance I thought she was Jan, but when I took another look I saw there was no real resemblance. I got a cup of coffee and took a seat at the back.
The room was crowded, thick with smoke. The discussion seemed to center itself on the spiritual side of the program, and I wasn't too clear on what that was, nor did anything I hear clarify it for me.
One guy said something good, though, a big fellow with a voice like a load of gravel. "I came in here to save my ass," he said, "and then I found out it was attached to my soul."
If Saturday was a good day for knocking on doors, it was equally good for visiting hookers. While a Saturday-afternoon trick may not be unheard of, it's the exception.
I ate some lunch, then rode uptown on the Lexington IRT. The car was uncrowded, and directly opposite me a black kid in a pea jacket and heavy-soled boots was smoking a cigarette. I remembered my conversation with Durkin and wanted to tell the kid to put out the cigarette.
Jesus, I thought, mind your own business. Leave it alone.
I got off at Sixty-eighth Street and walked a block north and two blocks east. Ruby Lee and Mary Lou Barcker lived in apartment buildings diagonally opposite one another. Ruby's was on the southwest corner and I went there first because I came to it first. The doorman announced me over the intercom and I shared the elevator with a florist's delivery boy. He had his arms full of roses and the car was heavy with their scent.
Ruby opened the door to my knock, smiled coolly, led me inside. The apartment was sparsely if tastefully furnished. The furniture was contemporary and neutral, but there were other items to give the place an oriental cast- a Chinese rug, a group of Japanese prints in black lacquered frames, a bamboo screen. They weren't enough to render the apartment exotic, but Ruby managed that all by herself.
She was tall, though not so tall as Kim, and her figure was lithe and willowy. She showed it off in a black sheath dress with a skirt slit to show a flash of thigh when she walked. She put me in a chair and offered me a drink, and I heard myself ask for tea. She smiled and came back with tea for both of us. It was Lipton's, I noted. God knows what I expected.
She had met Kim once. She didn't really know anything about her, didn't know much about any of the girls. She herself had been with Chance for a time and found their arrangement comfortable.
She didn't know if Kim had had a boyfriend. Why, she wondered, would a woman want two men in her life? Then she would have to give money to both of them.
I suggested that Kim might have had a different sort of relationship with her boyfriend, that he might have given her gifts. She seemed to find the idea baffling. Did I mean a customer? I said that was possible. But a customer was not a boyfriend, she said. A customer was just another man in a long line of men. How could one feel anything for a customer?
Across the street, Mary Lou Barcker poured me a Coke and set out a plate of cheese and crackers. "So you met the Dragon Lady," she said. "Striking, isn't she?"
"That's putting it mildly."
"Three races blended into one absolutely stunning woman. Then the shock comes. You open the door and nobody's home. Come here a minute."
I joined her at the window, looked where she was pointing.
"That's her window," she said. "You can see her apartment from mine. You'd think we'd be great friends, wouldn't you? Dropping in at odd hours to borrow a cup of sugar or complain about premenstrual tension. Figures, doesn't it?"
"And it hasn't worked out that way?"
"She's always polite. But she's just not there. The woman doesn't relate. I've known a lot of johns who've gone over there. I've steered some business her way, as far as that goes. A guy'll say he's had fantasies about oriental girls, for example. Or I might just tell a guy that I know a girl he might like. You know something? It's the safest thing in the world. They're grateful because she is beautiful, she is exotic, and I gather she knows her way around a mattress, but they almost never go back. They go once and they're glad they went, but they don't go back. They'll pass her number on to their buddies instead of ringing it again themselves. I'm sure she keeps busy but I'll bet she doesn't know what a steady trick is, I'll bet she's never had one."
She was a slender woman, dark haired, a little taller than average, with precise features and small even teeth. She had her hair pulled back and done in a chignon, I think they call it, and she was wearing aviator glasses, the lenses tinted a pale amber. The hair and the glasses combined to give her a rather severe look, an effect of which she was by no means unaware. "When I take off the glasses and let my hair down," she said at one point, "I look a whole lot softer, a good deal less threatening. Of course some johns want a woman to look threatening."
Of Kim she said, "I didn't know her well. I don't know any of them really well. What a crew they are! Sunny's the good-time party girl, she thinks she's made a huge leap in status by becoming a prostitute. Ruby's a sort of autistic adult, untouched by human minds. I'm sure she's socking away the dollars, and one of these days she'll go back to Macao or Port Said and open up an opium den. Chance probably knows she's holding out and has the good sense to let her."