Echoes of Scotland Street (On Dublin Street 5)

Even I, who had no tattoos to speak of, had heard of INKarnate.

Okay, true, I’d dated quite a few blokes with tattoos, but that wasn’t the reason I’d heard of Stu Motherwell’s tattoo studio. I’d heard of it because his signs didn’t lie and he’d even been on television a few times over the past few years. Stu had owned INKarnate for about thirty years now. He was an extremely talented and ambitious artist and was purported to only hire fantastic artists to work alongside him.

You’d think I’d be absolutely over-the-moon to get an interview for the admin assistant/reception position they needed to fill. However, INKarnate embodied everything I was running from at the moment. Everything that was bad for me.

I’d only applied for the job because admin jobs were scarce.

Ironic that this should be the only application that had produced a response.

What could I do, though? I crossed my arms over my chest, my eyes glued to the sign TATTOOS. I’d had to get away from Glasgow, and I had nowhere to go—Edinburgh was the only place I knew well enough to feel comfortable moving to, and it was expensive as heck. The hotel I was staying in was really a hostel and I couldn’t afford to stay even there that much longer. Although I had enough in my savings for two months’ rent on a really crappy flat, I wouldn’t get a lease until I found a job.

I needed to eat and I needed a roof over my head.

As Gran used to say, beggars can’t be choosers.

Letting my hands fall to my sides (defensive posture wasn’t really a good way to start an interview), I waited for a woman with her pram to pass by the studio before striding up to the door and pushing inside. An old-fashioned bell at odds with the rest of the decor jingled above the door as I entered.

My low-heeled boots sounded loud on the expensive-looking white-tiled flooring. It was shot through with chips of silver mosaic pieces and was more elegant than I would have expected for a tattoo studio.

For a few moments I eyed the rest of the interior. It was like a typical tattoo studio but less . . . grungy. The main room was large and spacious. A small curved black marble counter sat to my left, and on it was a shiny iMac I would have given my eyeteeth for. Behind the counter was a massive closet I couldn’t miss because its door was open, revealing a chaotic mass of files on the shelves inside. Opposite the counter on the other side of the room was a huge, well-worn black leather L-shaped sofa that looked really comfy. A glass coffee table was positioned in front of it, with a scatter of magazines on it and what looked like a bowl of shiny-wrapped toffees. Directly ahead of me was a mini gallery of sorts. The walls were white and nearly every inch of them was covered in tattoo concepts. The only walls that had been left bare were the partition walls placed here and there throughout the space. On them were television screens where indie and rock music played softly as a sound track to snapshots and video footage of the artists’ portfolios.

It was all about art here.

But where were the artists?

I stared around at the emptiness, my eyes eventually coming to a stop on a door near the back left-hand corner. I could hear the buzz of a tattoo needle. The workshops must be back there.

Should I venture in?

I hesitated only to be shuffled forward by someone attempting to open the entrance door. Moving out of the way, I gave the young man an apologetic smile.

“All right?” He nodded at me in greeting before swaggering over to the counter. He hit an old-fashioned bell a few times.

Oh. Okay.

A few seconds later a figure appeared in the doorway at the back. A huge, hulking beast of a figure. I stared openmouthed as he moved toward us, and slowly recognition hit me.

The graying beard and long wiry hair, the jolly grin and crinkles around the blue eyes. No, not Santa Claus.

Stu Motherwell.

He approached the counter in slow, measured steps and I noted that the black motorcycle boots he was wearing had definitely seen their best day a long, long time ago. The buzz of a tattoo needle continued from the room beyond, so I guessed there was at least one other tattooist back there.

“Hi, son,” he greeted the young man. “How can I help?”

“I’ve got an appointment for a tattoo removal in ten minutes.”

“Name?”

“Darren Drysdale.”

Stu bent over to look at the computer screen, clicking the mouse a few times. “Drysdale. Take a wee seat. Rae will be ready for you in a bit. I’d offer you a coffee, but my last assistant bought that fucking contraption and none of us know how to use it.”

The customer snorted. “No bother, mate.” He nodded at him and turned around, wandering over to the sofa to wait.

I then found myself under the scrutiny of Stu’s bright blue eyes. He seemed to take stock of me for a moment and then he gave me a massive grin. “And what can I do for you, wee fairy?”

Wee fairy? That was new. If he wasn’t my interviewer, I might reply that this “wee fairy” would ram her wee but effectual foot up his arse if he “wee fairied” me again.

It was possible I was a little angry these days.

But also desperate . . . so . . . “I’m Shannon MacLeod.” I stepped forward and held out my hand. “I’m here for the interview for the admin position.”

“Thank fuck,” Stu pronounced jovially, striding around the counter to enfold my hand in his huge one. He shook it, shaking my whole body with the motion. “At least you look normal. The last one looked like she hadn’t seen a human being in forty years.”

“Oh?” How was I supposed to reply to a comment like that?