Cerulean Sins (Anita Blake, Vampire Hunter #11)

3

My zombie-raising equipment was in a gray Nike gym bag. Some animators have elaborate cases. I've even seen one who had a little suitcase that turned into a table like a magician's or a street vendor's. Me, I made sure everything was packed tight so nothing got broken or scratched up, but other than that, I didn't see the point to being fancier than you needed to be. If people wanted a show they could go down to the Circus of the Damned and watch zombies crawl from the grave with actors pretending to be terrified of them. I wasn't an entertainer, I was an animator, and this was work.

I turned down Halloween parties every year, where people wanted zombies raised at the stroke of midnight or some such nonsense. The scarier my reputation got, the more people wanted me to come be scary for them. I'd told Bert I could always go and threaten to shoot all the partygoers, that'd be scary. Bert had not been amused. But he had stopped asking me to do parties.

I'd been trained to use an ointment spread over face, hands, heart. The smell of rosemary, like breathing in a Christmas tree, still held a great nostalgia for me, but I didn't use the ointment anymore. I'd raised the dead in emergencies without it, more than once, so it got me to thinking. Some believed it helped the spirits enter you, so the powers that be could use you to raise the dead. Most, in America anyway, believed that the scent and touch of the herbal mixture enhanced your psychic abilities, or helped open them so they'd work at all. I never seemed to have any trouble raising the dead. My psychic abilities were always on line for animating. So I still carried the ointment, just in case, but I didn't use it much anymore.

The three things I did still need for animating were steel, fresh blood, and salt. Though the salt actually was to put the zombie back in the grave once we were finished with it. I'd cut my paraphernalia to the absolute minimum, and recently, I'd cut it down even more. And I mean that "cut" part literally.

My left hand was covered in little bandages. I was using the clear ones, so I didn't look like a tan version of the mummy's hand. There were larger bandages on my left forearm. All the wounds were self-inflicted, and it was beginning to piss me off.

I had been learning how to control my growing psychic powers by studying with Marianne, who had been a psychic when I met her, but had become a witch. She was Wiccan now. Not all witches are Wiccan, and if Marianne had been another flavor of witch, I wouldn't have had to cut myself up. Marianne, as my teacher, shared some of my karmic debt, or so her group--read coven--believed. The fact that I killed an animal every time I raised the dead, three, four times a night, almost every night, had made her coven rant, rave, scream, and basically lose it. Blood magic is black magic to a Wiccan. Taking a life for magical purposes, any life, even a chicken's, is very black magic.

How could Marianne have tied herself to someone who was being so . . . evil? they demanded to know.

To help Marianne's karmic burden--and mine, the coven assured me--I'd been trying to raise the dead without killing anything. I'd done it in emergencies without an animal to sacrifice, so I knew it was possible. But--surprise, surprise--while it was true that I could do my job without killing anything, I could not do it without fresh blood. Blood magic is still black magic to Wiccans, so what to do? The compromise was that I would use only my ownblood. I wasn't sure it would work. But it did, for the recently dead, at least.

I'd started out slicing up my left forearm, but that had rapidly lost its appeal, since I needed to do it three or more times a night. Then I'd taken to pricking my fingers. Just a little blood seemed to be enough for those dead under six months. But I'd run out of fingers, and my arm had enough scars already. I'd also found that when I practiced left-handed shooting that I was slower, because the cuts freaking hurt. I would not cut up my right hand, because I couldn't afford to be slower with my right. I'd pretty much decided that, while I was sorry I had to kill a few chickens or goats to raise the dead, the animal's lives were not worth my own. There I've said it, a totally selfish judgment call.

I'd really hoped the tiny cuts would heal instantly. Thanks to my ties to Jean-Claude, master vamp of the city, I healed fast, very fast. The little cuts didn't heal fast. Marianne said it was probably because I was using a magically charged blade to do the cutting. But I liked my machete. Truthfully, I wasn't a hundred percent sure that I could raise the dead with only a prick of blood without a magically charged blade. It was a problem.

I was going to have to call Marianne and tell her I'd failed the Wiccan test of goodness. Why should they be any different? Most right-wing Christian groups hated me too.

I glanced behind me at my audience. Two new uniformed police officers had joined Lt. Nicols and the first officer. The police stood in the middle of the two groups, which had been allowed to come close enough to the grave to hear what the zombie would say. It was way closer than fifty feet, but both parties needed to hear Gordon Bennington, or so the judge had ruled. The judge in question had actually joined us, along with a court reporter and her little machine. He'd also brought along two burly looking bailiffs, which made me think the judge was even smarter than he looked, and I'd been pretty impressed before. Not every judge will take zombie testimony.

For tonight Lindel graveyard was court. I was glad that Court TV hadn't gotten wind of it. It was just the kind of weird crap that they liked to televise. You know--transsexual's custody case; female teacher rapes thirteen-year-old boy student; pro-football player's murder trial. The O. J. Simpson trial had not been a good influence on American television.

The judge said in his booming, court voice, which echoed strangely in the flat emptiness of the cemetery, "Go ahead, Ms. Blake, we're all assembled."

Ordinarily I'd have beheaded a chicken and used its body to help me sprinkle a blood circle, a circle of power, to contain the zombie once it was raised so it wouldn't go wandering all over the place. The circle also helped focus power and raise energy. But I had no chickens at the moment. There was a chance that if I'd tried to get enough blood out of my body to walk even a small circle of power, I'd be finished for the night, too dizzy and too light-headed to do anything else. So what's a morally upright animator supposed to do?

I sighed and unsheathed the machete and heard several gasps behind me. It was a big blade, but I'd found that in beheading a chicken one-handed you needed a big, sharp blade. I stared at my left hand and tried to find a space that was bandage free. I put the top edge of the blade against my middle finger (the symbolism was not lost on me) and pressed. I kept the machete too sharp to risk drawing the blade down my finger. It would be a bitch to need stitches because I'd cut too deep.

The cut didn't hurt immediately, which meant I'd probably cut deeper than I wanted. I raised my hand so the moonlight fell on it, and saw the first dark welling of blood. The moment I saw it, the cut hurt. Why was it that everything hurt worse when you realized you were bleeding?

I began to walk the circle, holding the steel point downward, my bleeding finger flat to the earth, so that occasional drops would hit the ground. I'd never truly felt the machete carving the magic circle through the ground, through me, until I stopped killing animals. It had probably always been like a steel pencil tracing my circle, but I'd never ever been able to feel it over the stronger rush of the death. I felt each drop of blood that fell, felt the earth almost hungry for it, like rain in a drought, but it wasn't the moisture the earth drank, it was the power. I knew when I'd walked the entire circle around the headstone, because the moment I touched the place where I'd begun, the circle closed with a skin-tingling, hair-raising rush.

I turned to face the headstone, feeling the circle around me like an invisible trembling in the air. I went to the headstone, which was at the far end of the circle. I tapped the headstone with the machete. "Gordon Bennington, with steel I call you from your grave." I touched my bloody hand to the cold stone. "With blood I call you from your grave." I moved back to the far edge of the circle, at the foot of the grave. "Hear me now, Gordon Bennington, hear and obey. With steel, blood, and power, I command you to rise from your grave. Rise from your grave and walk amongst us."

The earth rolled like heavy water and just spilled the body upward. In the movies the zombies always crawl from the grave with reaching hands like the ground tries to keep them prisoner, but most of the time, the earth gives freely, and the zombie simply rises to the top, like something floating to the surface of a liquid. There were no flowers to get in the way this time, nothing for the body to trip over, as the zombie sat up and looked around.

One thing I had noticed with not killing the animals was that my zombies weren't as pretty. With a chicken I could have made Gordon Bennington look like his photo in the paper. With only my own blood, he looked like what he was, a reanimated corpse.

He wasn't awful, I'd seen much worse, but his widow screamed, long and loud, and began to sob. There had been more than one reason I wanted Mrs. Bennington to stay home.

The nice blue suit hid the chest wound that had killed him. But you could still tell he was dead. It was the odd color of his skin. The way the flesh had begun to sink into the bones of his face. His eyes left too round, too large, too bare, so they rolled in their sockets barely contained by the waxy flesh. His blond hair was patchy and looked like it had grown. But that was illusion, caused by the shrinking of the meat of his body. Hair and fingernails do not grow after death, contrary to popular belief.

There was one more thing I had to do to help Gordon Bennington speak. Blood. The Odysseyspeaks of blood sacrifice to get a dead seer's ghost to give Odysseus advice. It's a very old truism that the dead crave blood. I walked across the now solid ground and knelt by his puzzled, wizened face. I couldn't smooth my skirt down in back because one hand was full of machete and the other was bleeding. Everyone got a nice long glimpse of thigh, but it didn't really matter, I was about to do the thing that disturbed me the most since I stopped sacrificing poultry.

I held out my hand towards Gordon Bennington's face. "Drink, Gordon, drink of my blood and speak to us."

Those round, rolling eyes stared at me, then his sunken nose caught the scent of blood, and he grabbed my hand with both of his, and lowered his mouth to the wound. His hands felt like cold wax with sticks inside. His mouth was almost lipless, so his teeth pressed close in my flesh as he sucked at my hand. His tongue whipped back and forth on the wound like something separate and alive in his mouth, feeding from me.

I took a deep, steadying breath, breathe in and out, in and out. I would not be sick. Nope. I would not embarrass myself in front of this many people.

When I thought he'd had enough, I said, "Gordon Bennington."

He didn't react, but kept his mouth pressed to the wound, his hands clutching my wrist.

I tapped the top of his head gently with the side of the machete. "Mr. Bennington, people are waiting to talk to you."

I don't know if it was the words or the tap with the blade, but he looked up, and slowly began to pull back from my hand. His eyes held more of him now. The blood always seemed to do that, fill them back up with themselves.

"Are you Gordon Bennington?" I asked. We had to be all formal.

He shook his head.

The judge said, "We need you to answer out loud, Mr. Bennington, for the record."

He stared up at me. I repeated what the judge had said, and Bennington spoke, "I am, was, Gordon Bennington."

One of the upsides to raising the dead with only my blood was that they always knew they were dead. I'd raised some before where they didn't know that, and that was a bitch, telling someone that they were dead, and you were about to put them back in the grave. Real nightmare stuff, that was.

"How did you die, Mr. Bennington?" I asked.

He sighed, drawing in air, and I heard it whistle, because most of the right side of his chest was missing. The suit hid it, but I'd seen the forensic photos. Besides I knew what a mess a twelve-gauge shotgun makes at close range.

"I got shot."

There was a tension behind me, I could feel it over the buzz of the power circle. "How did you get shot?" I asked, voice calm, soothing.

"I shot myself going down the stairs to our basement."

There was a cry of triumph from one side of the crowd and an inarticulate scream from the other.

"Did you shoot yourself on purpose?" I asked.

"No, of course not. I tripped, gun went off, so stupid, really. So stupid."

There was a lot of screaming behind me. Mostly Mrs. Bennington yelling, "I told you so, little bitch . . ."

I turned and called, "Judge Fletcher, did you hear all that?"

"Most of it," he said. He turned that booming voice on overdrive and shouted, "Mrs. Bennington, if you will be quiet long enough to listen, your husband has just said he died by accident."

"Gail," Gordon Bennington's voice was tentative, "Gail, are you there?"

I did not want a tearful reunion on top of the grave. "Are we finished, Judge? Can I put him back?"

"No," this from Fidelis Insurance's lawyers. Conroy stepped closer. "We have some questions for Mr. Bennington."

They asked questions, at first I had to repeat them for Bennington to be able to answer, but he got better at answering. He didn't look any better, physically, but he was gathering himself up, being more alert, more aware of his surroundings. He spotted his wife, and said, "Gail, I'm so sorry. You were right about the guns. I wasn't careful enough. I'm so sorry to leave you and the kids."

Mrs. Bennington came towards us, with her lawyers in tow. I thought I'd have to ask them to keep her off the grave, but she stopped outside the circle, as if she could feel it. Sometimes the people that turn out to be psychically gifted surprise you. I doubt if she was even aware of why she stopped moving forward. Of course, she was holding her hands tight to her body. She was not reaching out to touch her husband. I don't think she wanted to find out what that waxy looking skin felt like. I couldn't blame her.

Conroy and the other lawyers tried to keep asking questions, but it was the judge who said, "Gordon Bennington has answered all your questions in detail. It's time to let him get back to . . . rest."

I agreed. Mrs. Bennington was in tears, and Gordon would have been too, except his tear ducts had dried up months ago.

I got Gordon Bennington's attention. "Mr. Bennington, I'm going to put you back now."

"Will Gail and the children get the insurance money now?"

I glanced behind me at the judge. He nodded.

"Yes, Mr. Bennington, they will."

He smiled, or tried to. "Thank you, then, I'm ready." He gazed back at his wife, who was still kneeling on the grass by his grave. "I'm glad I got to say good-bye."

She was shaking her head, over and over, tears streaming down her face. "Me, too, Gordie, me, too. I miss you."

"I miss you too, my little hell cat."

She burst into sobs at that. Hiding her face in her hands. If one of the lawyers hadn't grabbed her she'd have fallen to the ground.

"My little hell cat"didn't sound like a term of endearment to me, but hey, it proved Gordon Bennington had really known his wife. It probably also proved that she would miss him for the rest of her life. I could forgive her a few temper tantrums in the face of that much pain.

I squeezed on the wound in my finger and thankfully got a little more blood. Some nights I had to reopen a wound, or make another one, to get the zombie put back. I touched my bloody hand to his forehead, leaving a small dark mark.

"With blood I bind you to your grave, Gordon Bennington." I touched him with the edge of the machete, gently. "With steel I bind you to your grave." I switched the machete to my left hand and picked up the open container of salt that I'd left inside the circle. I sprinkled him with salt, and it sounded like dry sleet as it hit him. "With salt I bind you to your grave, Gordon Bennington. Go and rise no more."

With the touch of the salt, his eyes lost their alertness, he was empty as he lay back on the earth. The ground swallowed him, like some great beast had rippled its fur and he was just gone, sunk back into the grave. Gordon Bennington's corpse was back where it belonged, and there was nothing to distinguish this grave from any other. Not so much as a blade of grass was out of place. Magic.

I still had to walk the circle backwards and uncast it. Normally, I don't have an audience for that part. The zombie goes back in the grave, everyone leaves. But Conroy of Fidelis Insurance was arguing with the judge, who was threatening to cite him for contempt. And Mrs. Bennington was not in a condition to walk yet.

The police were standing around watching the show. Lieutenant Nicols looked at me and shook his head, smiling. He walked over to me as the circle went down, and I began to clean my new wound with antiseptic wipes.

He lowered his voice so the truly grieving widow wouldn't hear him. "You could not pay me enough to let that thing suck my blood."

I half-shrugged, holding gauze over my finger so it would stop bleeding. "You'd be surprised what people pay for this kind of work."

"It ain't enough," he said, an unlit cigarette already in his hand.

I started to give some flip answer, when I felt the presence of a vampire, like a chill across my skin. Out there in the dark, someone was waiting. There was a gust of wind, and there was no wind tonight. I looked up, and no one else did, because humans never look up, never expect death to fall upon them from the sky.

I had seconds to say, "Don't shoot, he's a friend," before Asher appeared in our midst, very close to me, his long hair streaming behind him, his booted feet touching down. He was forced to make a half running step to catch the momentum of his flight, which brought him to my side.

I turned and put myself in front of his body. He was too tall for me to cover all of him, but I did my best, moving us so that if anyone shot at him they'd risk hitting me. Every policeman, every bodyguard had drawn a gun, and every barrel was pointed at Asher, and at me.

4

I stared at the half circle of guns, trying to keep an eye on everyone at once and failing, because there were too many of them. I kept my hands out from my body, fingers spread, universal sign for I'm harmless.I didn't want anyone thinking I was going for my own gun, that would be bad.

"He's a friend," I said, voice a little high, but otherwise calm.

"Whose friend?" Nicols asked.

"Mine," I said.

"Well, he ain't my friend," one of the uniforms said.

"He's not a threat," I said, pressing my body back enough that I could feel Asher in a long line against me.

He said something in French, everybody gripped their guns a little tighter. "English, Asher, English."

He took a deep shuddering breath. "It was not my intent to frighten anyone."

Not too long ago, the police were allowed to shoot a vampire on sight, just for being a vampire. It had only been five years since Addison V. Clark had made vamps "alive" again, at least to the law. They were citizens with rights now, and shooting them without just cause was murder. But it still happened now and then.

"If you shoot with me in the way, you can all kiss your badges good-bye."

"I don't have a badge to lose." It was Balfour, of course, being tough, but he had a big gun to go with his big talk.

I looked at him. "If you shoot, you better kill me, because you won't get a second chance."

"Nobody's shooting anybody," Nicols said, and I was close enough to hear him mutter, "damn it," under his breath.

He'd moved his gun to point at the bodyguards. "Put the guns down, now." The other policemen followed his lead, and suddenly the circle of guns was pointed away from me, and at Balfour and Rex. I let out a breath I hadn't realized I was holding, and sagged a little against Asher.

He knew better than to have surprised a bunch of humans, especially policemen, by flying into their midst. Nothing freaked people out like seeing vampires do things that were impossible. He'd also spoken in French, which meant he was scared enough, or angry enough, to have forgotten his English. Something was very wrong, but I couldn't question him, not yet. First, get out of the line of fire, then fix the rest.

We were standing so close together that his wavy golden hair brushed against my own black curls. He put his hands on my shoulders, and I could feel the tension. He was scared. What had happened?

The police had convinced the bodyguards to put their guns away. The uniforms divided up and walked the two interested parties back to their respective cars. It left Nicols, the judge, and the court reporter standing near us. At least the court reporter wasn't still typing.

Nicols turned to me, his gun pointed downward, tapping a little against the leg of his slacks. He frowned, eyes flicking to Asher, then to me. He knew enough not to risk staring the vampire in the eyes. They could bespell you with their eyes, if they wanted to. I was immune because I was the human servant of the Master Vampire of the City. Through Jean-Claude I was safe from most of what Asher could do. Not all, but most.

Nicols was obviously unhappy. "Okay, what was so damned urgent that he had to fly in here like that?"

Damn, he was too good a cop. Even though he'd probably dealt very little with vampires, he'd made the logic jump that only an emergency would make Asher appear as he had.

His eyes flicked up to Asher again, then down to my face. "It's a good way to get yourself shot, Mr. . . ."

"Asher," I answered for him.

"I didn't ask you, Ms. Blake. I asked him."

"I am Asher," he said in a voice that fell on the air like a caress. He was using vampire powers to make himself more acceptable. If Nicols figured out what he was doing, it would backfire. But it didn't.

"What's wrong, Mr. Asher?"

"Just Asher," and the voice glided across my skin so soothing. I had some immunity to the voice, but Nicols didn't.

He blinked, then frowned, puzzled. "Fine, Asher, what the hell is the rush?"

Asher's fingers tightened minutely on my shoulders, and I felt him take a breath. I had a second to hope that he wasn't going to try an Obi-Wan on Lieutenant Nicols. You know, these are not the droids you're looking for.Nicols was stronger willed than that.

"Musette has been gravely injured. I came to take Anita to her side."

I felt the color drain from my face, my breath caught in my throat. Musette was one of Belle Morte's lieutenants. Belle Morte was the fountainhead, le sourdre de sangof Jean-Claude and Asher's bloodline. She was also a member of the Council of Vampires that had a home base somewhere in Europe. Every time council members had visited us, people had died. Some of them ours, some of them theirs. But Belle Morte had never sent anyone, until now. There had been some careful negotiations about Musette coming over for a visit. She was due three months from now, just after Thanksgiving. So what the hell was she doing in town a month and some change before Halloween? I didn't for a minute believe Musette was hurt. That was Asher's sneaky way of telling me how bad things were in front of witnesses.

I didn't have to pretend to be shocked, or scared. My face must have looked like someone who'd just gotten bad news. Nicols nodded, as if satisfied. "You close to this Musette?"

"Lieutenant, can we please go? I want to get there as soon as possible." I was already looking around for my gym bag. I was glad it was already packed. My skin was cold with the thought of what Musette might be doing right now to people I cared about. The very mention of her name had always been enough to make Jean-Claude and Asher go pale.

Nicols nodded again, putting up his gun. "Yeah, go on. I hope . . . your friend is okay."

I looked up at him, and didn't try to hide the confusion in my eyes. "I hope so, too." I wasn't thinking of Musette, I was thinking of everyone else. So many people she could hurt if she had the blessing of the council, or at least the blessing of Belle Morte. I'd learned that council politics meant that having one member as an enemy didn't mean that the others hated you. In fact, many of the council seemed to believe the old Sicilian adage, the enemy of my enemy is my friend.

The judge murmured his thanks, and hopes for speedy recovery of my friend. The court reporter didn't say anything--she was gazing at Asher as if mesmerized. I didn't think he'd bespelled her, more like she'd never seen anything so beautiful. Maybe she hadn't.

His hair in the reflected glow of the headlights was truly gold, a curtain of nearly metallic waves flowing like a shining sea across the right side of his face. The hair looked even more gold against the dark brown of his silk shirt. The shirt was long-sleeved and untucked over blue jeans and brown boots. He looked like he'd dressed in haste, but I knew that was how he usually dressed. He made sure that the left side of his face, that most perfect of profiles was what showed to the light. Asher was a master at using light and shadow to highlight what he wished seen, and hide what he did not. The one eye that was visible was a clear, pale blue like the eyes of a Siberian husky dog. Human beings just didn't have eyes like that. Even in life he must have been extraordinary.

You got glimpses of that full mouth, the glimmer of his other blue, blue eye. What he was careful not to show to the light was that a few inches past his eye, trailing in a line nearly to his mouth were scars. Rivulets of scars, where holy water had been poured on that most beautiful of faces. More scars ran down the right side of his body, hidden under the clothes.

The court reporter stared at him so still, as if she'd stopped breathing. Asher saw it and stiffened beside me. Perhaps because he knew that with a flick of his head he could show her the scars and watch that adoration turn to horror, or pity.

I touched his arm. "Let's go."

He walked towards my Jeep. Normally he sort of glided, as if vampire feet never rolled on gravel but floated just above it. Tonight he moved almost as heavily as a human.

Neither of us spoke until we were inside my Jeep. We had the privacy of the darkened car, no one would overhear us.

I buckled myself in while I talked, "What's happened?"

"Musette arrived an hour ago."

I put the Jeep in gear and began to drive carefully over the gravel around the still-parked police cars. I waved at Nicols as we went past, and he waved back, a cigarette flaring in his other hand.

"I thought we hadn't finished negotiating on how many people she could bring over with her."

"We had not." His voice held sorrow so thick you could have squeezed it out, tears in your cup. Jean-Claude's voice was better at sharing joy, seduction, but Asher was the master at sharing the darker emotions.

I glanced at him. He was staring straight ahead, his face very still, hiding whatever he was feeling. "Then didn't she break some treaty or law or something by invading our territory like this?"

He nodded, his hair sliding around his face, hiding himself from me. I hated to watch him hide his scars from me. I found him beautiful, scars and all, but he never quite believed me. I think he thought the attraction was part Jean-Claude's memories in my head, and part pity. There was no pity, but I couldn't deny Jean-Claude's memories. I was Jean-Claude's human servant, and that gave me all kinds of interesting side benefits. One of those benefits was getting glimpses of Jean-Claude's memories.

I remembered Asher's skin like cool silk on my fingertips, every inch of him flawless. But it was Jean-Claude's fingers that had done the touching, not mine. The fact that I remembered the touch of Asher's skin so strongly that even now, I had the urge to reach for his hand, just to see if the memory was real, was just one of those odd things I had to live with. Even if Jean-Claude had been in the car, he wouldn't have touched Asher either. It had been centuries since they'd been part of a menage a trois with Julianna, Asher's human servant. Julianna had been burned as a witch by the same people that had used holy water to cleanse Asher's evil. Jean-Claude had been able to save Asher, but he'd been too late for Julianna. Neither of the men had forgiven Jean-Claude for his tardiness.

"If Musette broke the law, can't we punish her, or kick her out of our territory?" I was at the edge of the cemetery now, watching for nonexistent traffic.

"If it were another master vampire come so rudely, then we would be within our rights to slay her, but it is Musette. As you are Bolverk for the werewolves, so Musette is Belle's . . ." He seemed to be searching for the word. "I do not know the word in English, but in French, Musette is the bourreau.She is our bogeyman, Anita, and she has been such for over six hundred years."

"Fine," I said, "she's scary, I accept that, but that doesn't change the fact that she's invaded our lands. If we let her get away with it, she'll try for more."

"Anita, it is more than that. She is the . . ." he seemed to grope for a word again. That he was forgetting this many English words spoke to how frightened he was. "The vaisseau¨Cwhy can I not think of the English for it?"

"You're upset."

"I am frightened," he said, "but Belle Morte has made Musette her vessel. To harm Musette is to harm Belle."

"Literally?" I asked, as I turned onto Mackenzie.

"Non,it is more like a courtesy than magic. She has given Musette her seal, her ring of office, which means Musette in effect speaks for Belle, we are forced to treat her as we would treat Belle Morte herself. This was most unexpected."

"What difference does this vaisseaumake?" I asked. We were stuck at the light on Watson, staring at the McDonald's and the Union Planters Bank.

"If Musette were not Belle's vessel, then we could punish her for coming early and breaking off negotiations. But if we punish her now, then it would mean that we would do the same to Belle if she came here."

"So? Why wouldn't we punish Belle for entering our territory so rudely, as you put it?"

Asher looked at me then, but I couldn't hold eye contact because the light had finally changed. "You do not understand what you are saying, Anita."

"Explain it to me then."

"Belle is our sourdre de sang,our fountainhead. She is our bloodline. We cannot harm her."

"Why not?"

He looked at me full face, letting his hair fall back so that his whole face showed at last. I think he was too shocked at my question to worry about hiding himself.

"It is not done, that is all."

"What is not done? Defending your territory against all encroachers?"

"Attacking the head of your line, your sourdre de sang,your fountain of blood, it is just not done."

"And I say again, why not? Belle has insulted us. Not the other way around. Jean-Claude has negotiated in good faith. It's Musette that's been the bad little vampire. And if she comes with Belle's blessing, then Belle is abusing her status. She thinks we'll just take whatever she dishes out."

"Dishes out?" he made it a question.

"Whatever she does to us, she thinks we'll just take it, just suck it up and take it without complaining."

"She is right," Asher said.

I frowned at him, then turned, still frowning, back to the road. "Why? Why shouldn't we treat any threat or insult the same?"

He ran his hands through his thick hair, pulling it back from his face. The streetlights crisscrossed his face in light and shadow. We were stopped at another light with an SUV beside us so that their window was even with ours. The woman behind the wheel glanced at us, then did a double take. Her eyes went round, and Asher didn't notice. I looked at her and she looked away, embarrassed at being caught staring. Americans are taught not to stare at anything that isn't perfect. It's like to look at it is to make it more real. Ignore it, it'll go away.

Asher never noticed as the light changed and we drove off. He was exposing his face to strangers, and not noticing the effect it was having. No matter how angry, no matter how sad, no matter how anything, he never forgot the scars. They dominated his thoughts, his actions, his life. For him to forget like this said more than anything how serious the situation was, and I still didn't understand why.

"I don't understand, Asher. We defended ourselves when council members invaded our territory awhile back. We hurt them, did our best to kill them. Why is this different?"

He let go of his hair and swung it back into place like a curtain. I don't think he was any less upset, it was just habit. "Last time it was not Belle Morte."

"What difference does that make?"

"Mon Dieu,do you not understand what it means that Belle is the mother of our line?"

"Apparently I don't, explain it to me. We're going to the Circus of the Damned, right? It will take awhile to get there. You'll have time."

"Oui." He stared out the window of the Jeep, as if looking for inspiration in the electric lights, the strip malls, and fast food restaurants.

He finally turned to face me. "How do I explain to you what you have never understood? You have never had a king or queen, you are American and young, and you do not understand the duty owed a liege lord."

I shrugged. "I guess I don't."

"Then how can you understand what it is we owe Belle Morte, and how it would be . . . treason to raise a hand against her."

I shook my head. "That's a great theory, Asher, but I've dealt with enough vampire politics to know one thing. If we let her push us around, she'll see it as a sign of weakness, and she'll push and push until she sees how weak, or how strong we are."

"We are not at war with Belle Morte," he said.

"No, but if she thinks we are weak enough, that might be next. I've seen how you guys operate. The big vampire fish eat the little vampire fish. We can't afford for Musette or Belle to think we're little fish."

"Anita, don't you understand, yet? We arelittle fish, compared to Belle Morte, we are very little fish indeed."