Brave New World

"... skies are blue inside of you," sang sixteen tremoloing falsettos, "the weather's always ..."

Then a hiccough and silence. Bernard had switched of the current.

"I want to look at the sea in peace," he said. "One can't even look with that beastly noise going on."

"But it's lovely. And I don't want to look."

"But I do," he insisted. "It makes me feel as though ..." he hesitated, searching for words with which to express himself, "as though I were more me, if you see what I mean. More on my own, not so completely a part of something else. Not just a cell in the social body. Doesn't it make you feel like that, Lenina?"

But Lenina was crying. "It's horrible, it's horrible," she kept repeating. "And how can you talk like that about not wanting to be a part of the social body? After all, every one works for every one else. We can't do without any one. Even Epsilons ..."

"Yes, I know," said Bernard derisively. "'Even Epsilons are useful'! So am I. And I damned well wish I weren't!" Lenina was shocked by his blasphemy. "Bernard!" She protested in a voice of amazed distress. "How can you?" In a different key, "How can I?" he repeated meditatively.

"No, the real problem is: How is it that I can't, or rather–because, after all, I know quite well why I can't–what would it be like if I could, if I were free–not enslaved by my conditioning."

"But, Bernard, you're saying the most awful things."

"Don't you wish you were free, Lenina?"

"I don't know what you mean. I am free. Free to have the most wonderful time. Everybody's happy nowadays." He laughed, "Yes, 'Everybody's happy nowadays.' We begin giving the children that at five. But wouldn't you like to be free to be happy in some other way, Lenina? In your own way, for example; not in everybody else's way."

"I don't know what you mean," she repeated. Then, turning to him, "Oh, do let's go back, Bernard," she besought; "I do so hate it here."

"Don't you like being with me?"

"But of course, Bernard. It's this horrible place."

"I thought we'd be more ... more together here–with nothing but the sea and moon. More together than in that crowd, or even in my rooms. Don't you understand that?"

"I don't understand anything," she said with decision, determined to preserve her incomprehension intact.

"Nothing. Least of all," she continued in another tone "why you don't take soma when you have these dreadful ideas of yours. You'd forget all about them. And instead of feeling miserable, you'd be jolly. So jolly," she repeated and smiled, for all the puzzled anxiety in her eyes, with what was meant to be an inviting and voluptuous cajolery.

He looked at her in silence, his face unresponsive and very grave–looked at her intently. After a few seconds Lenina's eyes flinched away; she uttered a nervous little laugh, tried to think of something to say and couldn't. The silence prolonged itself.

When Bernard spoke at last, it was in a small tired voice.

"All right then," he said, "we'll go back." And stepping hard on the accelerator, he sent the machine rocketing up into the sky. At four thousand he started his propeller. They flew in silence for a minute or two. Then, suddenly, Bernard began to laugh. Rather oddly, Lenina thought, but still, it was laughter.

"Feeling better?" she ventured to ask.

For answer, he lifted one hand from the controls and, slipping his arm around her, began to fondle her breasts.

"Thank Ford," she said to herself, "he's all right again." Half an hour later they were back in his rooms. Bernard swallowed four tablets of soma at a gulp, turned on the radio and television and began to undress.

"Well," Lenina enquired, with significant archness when they met next afternoon on the roof, "did you think it was fun yesterday?"

Bernard nodded. They climbed into the plane. A little jolt, and they were off.

"Every one says I'm awfully pneumatic," said Lenina reflectively, patting her own legs.

"Awfully." But there was an expression of pain in Bernard's eyes. "Like meat," he was thinking. She looked up with a certain anxiety. "But you don't think I'm too plump, do you?"

He shook his head. Like so much meat.

"You think I'm all right." Another nod. "In every way?"

"Perfect," he said aloud. And inwardly. "She thinks of herself that way. She doesn't mind being meat." Lenina smiled triumphantly. But her satisfaction was premature.

"All the same," he went on, after a little pause, "I still rather wish it had all ended differently."

"Differently?" Were there other endings?

"I didn't want it to end with our going to bed," he specified.

Lenina was astonished.

"Not at once, not the first day."

"But then what ...?"

He began to talk a lot of incomprehensible and dangerous nonsense. Lenina did her best to stop the ears of her mind; but every now and then a phrase would insist on becoming audible. "... to try the effect of arresting my impulses," she heard him say. The words seemed to touch a spring in her mind.

"Never put off till to-morrow the fun you can have today," she said gravely.

"Two hundred repetitions, twice a week from fourteen to sixteen and a half," was all his comment. The mad bad talk rambled on. "I want to know what passion is," she heard him saying. "I want to feel something strongly."

"When the individual feels, the community reels," Lenina pronounced.

"Well, why shouldn't it reel a bit?"

"Bernard!"

But Bernard remained unabashed.

"Adults intellectually and during working hours," he went on. "Infants where feeling and desire are concerned."

"Our Ford loved infants."

Ignoring the interruption. "It suddenly struck me the other day," continued Bernard, "that it might be possible to be an adult all the time."

"I don't understand." Lenina's tone was firm.

"I know you don't. And that's why we went to bed together yesterday–like infants–instead of being adults and waiting."

"But it was fun," Lenina insisted. "Wasn't it?"

"Oh, the greatest fun," he answered, but in a voice so mournful, with an expression so profoundly miserable, that Lenina felt all her triumph suddenly evaporate. Perhaps he had found her too plump, after all.