Brave New World

The President stood up, made the sign of the T and, switching on the synthetic music, let loose the soft indefatigable beating of drums and a choir of instruments–near-wind and super-string–that plangently repeated and repeated the brief and unescapably haunting melody of the first Solidarity Hymn. Again, again–and it was not the ear that heard the pulsing rhythm, it was the midriff; the wail and clang of those recurring harmonies haunted, not the mind, but the yearning bowels of compassion.

The President made another sign of the T and sat down. The service had begun. The dedicated soma tablets were placed in the centre of the table. The loving cup of strawberry ice-cream soma was passed from hand to hand and, with the formula, "I drink to my annihilation," twelve times quaffed. Then to the accompaniment of the synthetic orchestra the First Solidarity Hymn was sung.

"Ford, we are twelve; oh, make us one, Like drops within the Social River, Oh, make us now together run As swiftly as thy shining Flivver." Twelve yearning stanzas. And then the loving cup was passed a second time. "I drink to the Greater Being" was now the formula. All drank. Tirelessly the music played. The drums beat. The crying and clashing of the harmonies were an obsession in the melted bowels. The Second Solidarity Hymn was sung.

"Come, Greater Being, Social Friend, Annihilating Twelve-in-One!

We long to die, for when we end, Our larger life has but begun."

Again twelve stanzas. By this time the soma had begun to work. Eyes shone, cheeks were flushed, the inner light of universal benevolence broke out on every face in happy, friendly smiles. Even Bernard felt himself a little melted. When Morgana Rothschild turned and beamed at him, he did his best to beam back. But the eyebrow, that black two-in-one–alas, it was still there; he couldn't ignore it, couldn't, however hard he tried. The melting hadn't gone far enough. Perhaps if he had been sitting between Fifi and Joanna ... For the third time the loving cup went round; "I drink to the imminence of His Coming," said Morgana Rothschild, whose turn it happened to be to initiate the circular rite. Her tone was loud, exultant. She drank and passed the cup to Bernard.

"I drink to the imminence of His Coming," he repeated, with a sincere attempt to feel that the coming was imminent; but the eyebrow continued to haunt him, and the Coming, so far as he was concerned, was horribly remote. He drank and handed the cup to Clara Deterding.

"It'll be a failure again," he said to himself. "I know it will." But he went on doing his best to beam.

The loving cup had made its circuit. Lifting his hand, the President gave a signal; the chorus broke out into the third Solidarity Hymn.

"Feel how the Greater Being comes!

Rejoice and, in rejoicings, die!

Melt in the music of the drums!

For I am you and you are I."

As verse succeeded verse the voices thrilled with an ever intenser excitement. The sense of the Coming's imminence was like an electric tension in the air. The President switched off the music and, with the final note of the final stanza, there was absolute silence–the silence of stretched expectancy, quivering and creeping with a galvanic life. The President reached out his hand; and suddenly a Voice, a deep strong Voice, more musical than any merely human voice, richer, warmer, more vibrant with love and yearning and compassion, a wonderful, mysterious, supernatural Voice spoke from above their heads. Very slowly, "Oh, Ford, Ford, Ford," it said diminishingly and on a descending scale. A sensation of warmth radiated thrillingly out from the solar plexus to every extremity of the bodies of those who listened; tears came into their eyes; their hearts, their bowels seemed to move within them, as though with an independent life.

"Ford!" they were melting, "Ford!" dissolved, dissolved. Then, in another tone, suddenly, startlingly. "Listen!" trumpeted the voice. "Listen!" They listened. After a pause, sunk to a whisper, but a whisper, somehow, more penetrating than the loudest cry. "The feet of the Greater Being," it went on, and repeated the words: "The feet of the Greater Being." The whisper almost expired. "The feet of the Greater Being are on the stairs." And once more there was silence; and the expectancy, momentarily relaxed, was stretched again, tauter, tauter, almost to the tearing point. The feet of the Greater Being–oh, they heard them, they heard them, coming softly down the stairs, coming nearer and nearer down the invisible stairs. The feet of the Greater Being. And suddenly the tearing point was reached. Her eyes staring, her lips parted. Morgana Rothschild sprang to her feet.

"I hear him," she cried. "I hear him."

"He's coming," shouted Sarojini Engels.

"Yes, he's coming, I hear him." Fifi Bradlaugh and Tom Kawaguchi rose simultaneously to their feet.

"Oh, oh, oh!" Joanna inarticulately testified.

"He's coming!" yelled Jim Bokanovsky.

The President leaned forward and, with a touch, released a delirium of cymbals and blown brass, a fever of tomtomming.

"Oh, he's coming!" screamed Clara Deterding. "Aie!" and it was as though she were having her throat cut.

Feeling that it was time for him to do something, Bernard also jumped up and shouted: "I hear him; He's coming." But it wasn't true. He heard nothing and, for him, nobody was coming. Nobody–in spite of the music, in spite of the mounting excitement. But he waved his arms, he shouted with the best of them; and when the others began to jig and stamp and shuffle, he also jigged and shuffled. Round they went, a circular procession of dancers, each with hands on the hips of the dancer preceding, round and round, shouting in unison, stamping to the rhythm of the music with their feet, beating it, beating it out with hands on the buttocks in front; twelve pairs of hands beating as one; as one, twelve buttocks slabbily resounding. Twelve as one, twelve as one. "I hear Him, I hear Him coming." The music quickened; faster beat the feet, faster, faster fell the rhythmic hands. And all at once a great synthetic bass boomed out the words which announced the approaching atonement and final consummation of solidarity, the coming of the Twelve-inOne, the incarnation of the Greater Being. "Orgy-porgy," it sang, while the tom-toms continued to beat their feverish tattoo:

"Orgy-porgy, Ford and fun, Kiss the girls and make them One.

Boys at One with girls at peace;

Orgy-porgy gives release."

"Orgy-porgy," the dancers caught up the liturgical refrain, "Orgy-porgy, Ford and fun, kiss the girls ..." And as they sang, the lights began slowly to fade–to fade and at the same time to grow warmer, richer, redder, until at last they were dancing in the crimson twilight of an Embryo Store. "Orgy-porgy ..." In their blood-coloured and foetal darkness the dancers continued for a while to circulate, to beat and beat out the indefatigable rhythm. "Orgyporgy ..." Then the circle wavered, broke, fell in partial disintegration on the ring of couches which surrounded–circle enclosing circle–the table and its planetary chairs.