Blind Love
Page 8"So you did. And what of that?"
Dennis stood to his guns.
"Anybody who is acquainted with Mr. Arthur," he persisted, "knows that
(with all sorts of good qualities) the young gentleman is headstrong
and rash. If a friend told him he was in danger on the farm, that would
be enough of itself to make him stop where he is, and brave it out.
Whereas you, sir, are known to be cautious and careful, and farseeing
and discreet." He might have added: And cowardly and obstinate, and
narrow-minded and inflated by stupid self-esteem. But respect for his
employer had blindfolded the clerk's observation for many a long year
past. If one man may be born with the heart of a lion, another man may
be born with the mind of a mule. Dennis's master was one of the other
men.
"Very well put," Sir Giles answered indulgently. "Time will show, if
such an entirely unimportant person as my nephew Arthur is likely to be
mere equivocation, designed to throw me off my guard. Rank, money,
social influence, unswerving principles, mark ME out as a public
character. Go to the police-office, and let the best man who happens to
be off duty come here directly."
Good Dennis Howmore approached the door very unwillingly. It was
opened, from the outer side, before he had reached that end of the
room. One of the bank porters announced a visitor.
"Miss Henley wishes to know, sir, if you can see her."
Sir Giles looked agreeably surprised. He rose with alacrity to receive
the lady.
III
When Iris Henley dies there will, in all probability, be friends left
who remember her and talk of her--and there may be strangers present at
the time (women for the most part), whose curiosity will put questions
trustworthy information. Miss Henley's chief claim to admiration lay in
a remarkable mobility of expression, which reflected every change of
feeling peculiar to the nature of a sweet and sensitive woman. For this
reason, probably, no descriptions of her will agree with each other. No
existing likenesses will represent her. The one portrait that was
painted of Iris is only recognisable by partial friends of the artist.
In and out of London, photographic likenesses were taken of her. They
have the honour of resembling the portraits of Shakespeare in this
respect--compared with one another, it is not possible to discover that
they present the same person. As for the evidence offered by the loving
memory of her friends, it is sure to be contradictory in the last
degree. She had a charming face, a commonplace face, an intelligent
face--a poor complexion, a delicate complexion, no complexion at
all--eyes that were expressive of a hot temper, of a bright intellect,
nature, of hysterical sensibility, of inveterate obstinacy--a figure
too short; no, just the right height; no, neither one thing nor the
other; elegant, if you like--dress shabby: oh, surely not; dress quiet
and simple; no, something more than that; ostentatiously quiet,
theatrically simple, worn with the object of looking unlike other
people. In one last word, was this mass of contradictions generally
popular, in the time when it was a living creature? Yes--among the men.
No--not invariably. The man of all others who ought to have been
fondest of her was the man who behaved cruelly to Iris--her own father.
And, when the poor creature married (if she did marry), how many of you
attended the wedding? Not one of us! And when she died, how many of you
were sorry for her? All of us! What? no difference of opinion in that
one particular? On the contrary, perfect concord, thank God.