American Psycho

"Yes?" I say, then, "Darling?"

"Who hung the Onica?" she asks.

"You like it?" I ask.

"It's fine, but..." She stops, then says, "I'm pretty sure it's hung upside down."

"What?"

"Who hung the Onica?"

"I did," I say, my back still to her.

"You've hung the Onica upside down." She laughs.

"Hmmm?" I'm standing at the armoire, squeezing the nail gun, getting used to its weight in my gloved fist.

"I can't believe it's upside down," she says. "How long has it been this way?"

"A millennium," I whisper, turning around, nearing her.

"What?" she asks, still studying the Onica.

"I said, what in the f**k are you doing with Robert Hall?" I whisper.

"What did you say?" As if in slow motion, like in a movie, she turns around.

I wait until she's seen the nail gun and the gloved hands to scream, "What the f**k are you doing with Robert Hall? "

Perhaps on instinct, perhaps from memory, she makes a futile dash for the front door, crying out. Though the chardonnay has dulled her reflexes, the Scotch I've drunk has sharpened mine, and effortlessly I'm leaping in front of her, blocking her escape, knocking her unconscious with four blows to the head from the nail gun. I drag her back into the living room, laying her across the floor over a white Voilacutro cotton sheet, and then I stretch her arms out, placing her hands flat on thick wooden boards, palms up, and nail three fingers on each hand, at random, to the wood by their tips. This causes her to regain consciousness and she starts screaming. After I've sprayed Mace into her eyes, mouth, into her nostrils, I place a camel-hair coat from Ralph Lauren over her head, which drowns out the screams, sort of. I keep shooting nails into her hands until they're both covered - nails bunched together, twisted over each other in places, making it impossible for her to try and sit up. I have to remove her shoes, which slightly disappoints me, but she's kicking at the floor violently, leaving black scuff marks on the stained white oak. During this period I keep shouting "You bitch" at her and then my voice drops to a raspy whisper and into her ear I drool the line "You f**king cunt."

Finally, in agony, after I've taken the coat off her face, she starts pleading, or at least tries to, the adrenaline momentarily overpowering the pain. "Patrick oh god stop it please oh god stop hurting me..." But, typically, the pain returns - it's too intense not to - and she passes out again and vomits, while unconscious, and I have to hold her head up so she doesn't choke on it and then I Mace her again. The fingers I haven't nailed I try to bite off, almost succeeding on her left thumb which I manage to chew all the flesh off of, leaving the bone exposed, and then I Mace her, needlessly, once more. I place the camel-hair coat back over her head in case she wakes up screaming, then set up the Sony palm-sized Handycam so I can film all of what follows. Once it's placed on its stand and running on automatic, with a pair of scissors I start to cut off her dress and when I get up to her chest I occasionally stab at her br**sts, accidentally (not really) slicing off one of her ni**les through the bra. She starts screaming again once I've ripped her dress off, leaving Bethany in only her bra, its right cup darkened with blood, and her panties, which are soaked with urine, saving them for later.

I lean in above her and shout, over her screams, "Try to scream, scream, keep screaming..." I've opened all the windows and the door to my terrace and when I stand over her, the mouth opens and not even screams come out anymore, just horrible, guttural, animal-like noises, sometimes interrupted by retching sounds. "Scream, honey," I urge, "keep screaming." I lean down, even closer, brushing her hair back. "No one cares. No one will help you..." She tries to cry out again but she's losing consciousness and she's capable of only a weak moan. I take advantage of her helpless state and, removing my gloves, force her mouth open and with the scissors cut out her tongue, which I pull easily from her mouth and hold in the palm of my hand, warm and still bleeding, seeming so much smaller than in her mouth, and I throw it against the wall, where it sticks for a moment, leaving a stain, before falling to the floor with a tiny wet slap. Blood gushes out of her mouth and I have to hold her head up so she won't choke. Then I f**k her in the mouth, and after I've ejaculated and pulled out, I Mace her some more.

Later, when she briefly regains consciousness, I put on a porkpie hat I was given by one of my girlfriends freshman year at Harvard.