All In

“He rarely is.” Aaron stood, shrugging off the words like they meant nothing—which, of course, told me they meant more than he would ever admit.

You’re the golden boy. The first-born son. The heir.

I stared at him for a moment, my mind assembling the pieces of the puzzle. You don’t go against your father without a reason. “Tory,” I said. “You did this for Tory.”

Aaron didn’t reply, but Michael translated his expression. “Yeah,” he said, sounding gut-punched at the depth of emotion he saw on Aaron’s face. “He did.”

I read between the lines of Michael’s words, my gaze locked on Aaron’s. You love her. The realization took hold in the pit of my stomach.

Aaron’s phone buzzed. He looked down, saved from confirming that he’d risked his father’s wrath to save Beau because Beau was Tory’s brother.

“Do we want to know what that text says?” Sloane asked.

Aaron looked up, meeting his sister’s gaze. “That would depend on how you feel about the man Beau put in a coma waking up.”

Aaron left. It didn’t take long to confirm what he’d told us. Victor McKinney—the Majesty’s head of security and our latest victim—was awake. Briggs and Sterling were on their way to the hospital to interview him, armed with Aaron’s accusations. We played the video, which was exactly what Aaron had said it was, and forwarded the footage to Sterling and Briggs. When they did talk to the Majesty’s head of security, they’d have some very pointed questions for him.

Half an hour later, my phone rang. I almost answered out of reflex, expecting it to be Sterling or Briggs, but at the last second, I saw the caller ID.

My father.

Just like that, I was twelve years old again, walking down the hallway toward my mother’s dressing room door. Don’t open it. Don’t go there.

I knew what he was calling to say.

I knew that once that door was open, nothing could ever be the same.

I declined the call.

“That’s not a happy Cassie face,” Michael prodded me.

“Drink your whiskey,” I told him.

Sloane raised her hand, like a student waiting to be called on in class. “I think I would like some whiskey now,” she said.

“First,” Michael told her seriously, “I need to verify that you have no plans to feed this whiskey to a moose.”

“He’s kidding,” Dean said, before Sloane could tell us the exact likelihood of stumbling over a moose in a Las Vegas casino. “And nobody’s drinking any more whiskey.”

Dean walked over to the counter and picked up the notepad I’d been making notes on earlier. He stared at the three remaining names.

The professor. Thomas Wesley. Sloane’s father.

I approached Dean and looked over his shoulder at the list. Focus on this, Cassie. These names, this case.

Not the phone call. Not an answer I already knew.

“Eleven years ago,” I said, addressing the UNSUB out loud and forcing everything else from my mind, “you slit the throats of nine people in a four-month period ranging from August to January.”

“Five years ago,” Dean responded, “I did it again. Poison, this time.”

The changing method had always been one of the more perplexing aspects of the Vegas murders. Most killers had a single preferred method of killing—or, if not a method or weapon of choice, at least an emotional kill type. Poison meant killing without physical contact—not dissimilar from orchestrating an accident in which a young woman drowns. Slitting someone’s throat, on the other hand, was closer to putting an arrow through an old man’s chest. Neither was as painful as, say, burning alive.

“The last time we had an UNSUB who fluctuated this much from kill to kill,” I said slowly, thinking back to the case we’d worked involving Dean’s father, “we were dealing with multiple UNSUBs.”

Dean’s jaw clenched, but when I laid a hand on his shoulder, he relaxed under my touch.

“‘I need nine,’” Dean said after a moment. “I, not we.”

As different as the four murders we were dealing with in Vegas were, something about them felt the same. Not just the numbers on the wrists, not just the locations or the dates, but the meticulousness of the method, the compulsive desire to send a message with each kill.

That didn’t strike me as the work of multiple UNSUBs—not unless one of them was the architect behind it all.

You want to be recognized. You want to be heard.

It was there on every wrist, there in the message the UNSUB had carved into the arrow, there in the message a bystander had been hypnotized to deliver. You don’t want to be stopped. But you do want—very much—to be seen. You want to be larger-than-life, I thought. You want the world to know what you have done. You want to be a god among men.

And for that, I thought, you need nine.

“Why nine?” I asked. “What happens after the ninth?”

Dean echoed the most significant part of that question. “Why stop?”

Why stop eleven years ago? Why stop after killing Scarlett Hawkins?

“I need to see the file,” I told Dean.

“You know we can’t.”

“Not Scarlett’s. The other case Sloane found. The one in New York.”

Sloane was sitting in front of the coffee table, holding the DVD Aaron had given us. She’d put it back in the case and was staring at it. I knew, instinctively, that she was thinking about Tory and what Aaron had done for her.