A Laodicean

'O! it's you, George, is it?' said the Academician, turning from the lamps, which shone over his bald crown at such a slant as to reveal every cranial irregularity. 'How are you this morning? Still a dead silence about your grand castle competition?'

Somerset told the news. His father duly congratulated him, and added genially, 'It is well to be you, George. One large commission to attend to, and nothing to distract you from it. I am bothered by having a dozen irons in the fire at once. And people are so unreasonable.--Only this morning, among other things, when you got your order to go on with your single study, I received a letter from a woman, an old friend whom I can scarcely refuse, begging me as a great favour to design her a set of theatrical costumes, in which she and her friends can perform for some charity. It would occupy me a good week to go into the subject and do the thing properly. Such are the sort of letters I get. I wish, George, you could knock out something for her before you leave town. It is positively impossible for me to do it with all this work in hand, and these eternal fogs to contend against.'

'I fear costumes are rather out of my line,' said the son. 'However, I'll do what I can. What period and country are they to represent?'

His father didn't know. He had never looked at the play of late years. It was 'Love's Labour's Lost.' 'You had better read it for yourself,' he said, 'and do the best you can.'

During the morning Somerset junior found time to refresh his memory of the play, and afterwards went and hunted up materials for designs to suit the same, which occupied his spare hours for the next three days. As these occupations made no great demands upon his reasoning faculties he mostly found his mind wandering off to imaginary scenes at Stancy Castle: particularly did he dwell at this time upon Paula's lively interest in the history, relics, tombs, architecture,--nay, the very Christian names of the De Stancy line, and her 'artistic' preference for Charlotte's ancestors instead of her own. Yet what more natural than that a clever meditative girl, encased in the feudal lumber of that family, should imbibe at least an antiquarian interest in it? Human nature at bottom is romantic rather than ascetic, and the local habitation which accident had provided for Paula was perhaps acting as a solvent of the hard, morbidly introspective views thrust upon her in early life.