A Fatal Grace (Chief Inspector Armand Gamache #2)
Page 86Oh, for a fresh start.
‘There’s something I need to tell you.’
Gamache didn’t say a word. Petrov looked into his kindly, thoughtful eyes and suddenly no one else existed.
‘CC and I were having an affair. Had been for about a year. I’m not sure, but I think her husband knows about it. We weren’t very discreet, I’m afraid.’
‘When were you last together?’ Beauvoir asked.
‘The morning of the day she died.’ It took a force of will to drag his eyes from Gamache over to the tense man in the other chair. ‘She came over and we had sex. It was only a physical relationship, nothing more. She didn’t care for me and I didn’t care for her.’
There it was. A mean little thing. He exhaled, feeling lighter already.
‘Did she tell you why she bought a place here?’ Beauvoir asked.
‘In Three Pines? No. I wondered that myself. She had a reason for everything, though, and most of the time it was money.’
‘You think money motivated her?’
‘It always did. Even our affair. I’m not stupid enough to think she slept with me for the great sex. It was to get a photographer cheap. Payment in kind.’
He was surprised how ashamed he felt. Even as he spoke it seemed unbelievable. Had he really given CC a break on his bill in exchange for sex?
‘I could be wrong, but I had the impression CC bought a place here because there was something in it for her, and I don’t mean peace and quiet. From what I could tell the only thing CC de Poitiers loved was money. And prestige.’
‘Describe your movements on the day she died,’ said Beauvoir.
‘I got up about seven and lit the fire, then put on coffee and waited. I knew she’d come and sure enough around eight she arrived. We didn’t talk much. I asked how her Christmas was and she shrugged. I feel badly for her daughter. Can’t imagine having a mother like that. Anyway, she left about an hour later. We made arrangements to meet at the community breakfast.’
‘When did she decide to go?’
‘Sorry?’
‘Well, did she decide to go to the breakfast and curling at the last minute, or was it something she’d planned to do for a while?’
‘Oh, it was planned. I told her about it, but she already knew. They’d gone the year before, just after she bought the house here. She told me to get shots of her surrounded by common folk, her words not mine. So I went off to the breakfast and shot a couple of rolls, then we went to the curling. Cold as hell. My camera eventually froze up. Had to put it under my coat, under my armpit, to thaw it out. I was moving around, trying to get different angles. CC wasn’t very photogenic, so it was important to get the right lighting and angles and preferably some other point of interest in the shot. That old lady sitting beside her was great. Face full of character and the way she looked at CC, fantastic.’ Petrov threw himself back in the chair and laughed at the memory of Kaye glaring as though CC was something her dog had thrown up. ‘And she kept at CC to sit still, sit still. CC didn’t listen to many people. Anyone, actually, in my experience, but this old lady she listened to. I would too. Scary as hell. And sure enough CC sat still. Kinda. Made my job easier, anyway.’
‘Why was Kaye Thompson telling CC to sit still?’ Chief Inspector Gamache asked.
‘CC was a nervous sort. Always jumping up to straighten an ashtray or picture or a lamp. Nothing was ever right. I guess it finally got on the old girl’s nerves. She looked as though she was about to kill her.’
Gamache knew it was just a figure of speech, and Petrov clearly didn’t even realize what he’d said.
‘We got your developed film from the lab this morning,’ said Beauvoir, walking to the table and setting them out. Petrov followed as did the others. There on the table was a series of stills. CC’s final moments, and beyond.
‘Notice anything curious?’ Beauvoir asked.
After a minute or so Petrov straightened up and shook his head. ‘It looks like what I remember.’
‘Nothing missing? Like, oh, the entire series of pictures from here to here? From CC alive to CC dead. The entire murder is missing.’ Beauvoir’s voice rose. Unlike Gamache, who could sit and chat with suspects all day hoping they’d eventually open up, Beauvoir knew the only way to handle a suspect was to show them who was boss.
‘That’s where the camera froze, I guess,’ said Petrov, scanning the images, trying not to let the fear out, trying not to sink into the petulance and self-pity so much a part of his life with CC.